The Marble Faun and A Green Bough


Book Description

Published early in the author’s legendary career and collected here in a single illuminating volume, these are William Faulkner’s only two works of poetry: The Marble Faun (1924) and A Green Bough (1933). “These are primarily the poems of youth and a simple heart. They are the poems of a mind that reacts directly to sunlight and trees and skies and blue hills, reacts without evasion or self-consciousness. They are drenched in sunlight and color as is the land in which they were written, the land which gave birth and sustenance to their author. He has roots in this soil as surely and inevitably as has a tree. . . . The author of these poems is a man steeped in the soil of his native land, a Southerner by every instinct, and, more than that, a Mississippian. George Moor sad that all universal art became great by first being provincial, and the sunlight and mocking-birds and blue hills of North Mississippi are a part of this young man’s very being.”—from the preface to The Marble Faun, by Phil Stone




A Poet's Reich


Book Description

A re-examination of the George Circle in the cultural and political contexts of Wilhelmine, Weimar, and Nazi Germany. Stefan George (1868-1933) was one of the most important figures in modern German culture. His poetry, in its originality and impact, has been ranked with that of Goethe and Hölderlin. Yet George's reach extended beyond the sphereof literature. In the early 1900s, he gathered around himself a circle of disciples who subscribed to his vision of comprehensive cultural-spiritual renewal and sought to turn it into reality. The ideas of the George Circle profoundly affected Germany's educated middle class, especially in the aftermath of the First World War, when their critique of bourgeois liberalism, materialism, and scholarship (Wissenschaft) as well as their call for new formsof leadership (Herrschaft) and a new Reich found wider resonance. The essays collected in the present volume critically re-examine these ideas, their contexts, and their influence. They provide new perspectives on the intersection of culture and politics in the works of the George Circle, not least its ambivalent relationship to National Socialism. Contributors: Adam Bisno, Richard Faber, Rüdiger Görner, Peter Hoffmann, Thomas Karlauf, Melissa S. Lane, Robert E. Lerner, David Midgley, Robert E. Norton, Ray Ockenden, Ute Oelmann, Martin A. Ruehl, Bertram Schefold. Melissa S. Lane is Professor of Politics at Princeton University. Martin A. Ruehl is Lecturerin German Thought and Fellow of Trinity Hall, University of Cambridge.




Polyphemus & Other Poems


Book Description







Charmides, and Other Poems


Book Description

'Charmides, and Other Poems' is a collection of poems and sonnets by Oscar Wilde. 'Charmides', which is featured here, is known to be Oscar Wilde's longest and one of his most controversial poems. The story is original to Wilde, though it takes some hints from Lucian of Samosata and other ancient writers; it tells a tale of transgressive sexual passion in a mythological setting in ancient Greece. Other titles to be found within this publication include 'Rome Unvisited', 'Louis Napoleon', and 'The New Remorse'.




Collected Poems and Other Verse


Book Description

'sense too definite cancels your indistinct literature' Stéphane Mallarmé was the most radically innovative of nineteenth-century poets. His writings, with their richly sensuous texture and air of slyly intangible mystery, perplexed or outraged many early readers; yet no writer has more profoundly influenced the course of modern poetry - in English as well as in French. In both form and content, his poems created new ways of conveying existential doubt, fragmentation, and discontinuity. This is the fullest collection of Mallarmé's poetry ever published in English, and the only edition in any language that presents his Poésies in the last arrangement known to have been approved by the author. Apart from verse, it includes all the prose poems and the unique, unclassifiable Un Coup de dés... (A Dice Throw...). The lucid, wide-ranging introduction and invaluable notes help an understanding of this astonishing poet's work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.







Afternoon of a Faun: A Novel


Book Description

“Slippery, provoking and very timely.” —Wall Street Journal When an old flame accuses him of sexual assault, expat English journalist Marco Rosedale is brought rapidly to the brink of ruin. Marco confides in a close friend, the unnamed narrator, who finds himself caught between the obligations of friendship and an increasingly urgent desire to uncover the truth—until the question of his own complicity becomes impossible to avoid.




The Marble Faun


Book Description




Afternoon of a Faun / L'après-Midi D'un Faune


Book Description

A gorgeous facsimile of the epochal collaboration between Mallarmé and Manet that inspired Nijinsky's most famous dance The second published collaboration between Stéphane Mallarmé and Édouard Manet (after Mallarmé's translation of Poe's "The Raven"), L'après-midi d'un faune is one of the poet's best-known works. It provided the basis for Debussy's Prélude à l'après-midi d'un faune (1894), which in turn inspired Nijinsky's ballet L'après-midi d'un faune, first performed in Paris in 1912, with Nijinsky famously dancing the title role. Mallarmé's poem unfolds in a sensual reverie as a Pan-like faun, arising from slumber, recollects his encounters with two forest nymphs in a monologue filled with pastoral and erotic allusions. For Mallarmé, such publications were total works, with attention paid to every detail of layout, typography, punctuation and artwork. For the original 1876 publication, Manet created four wood engravings: two drawings that open and close the poem, and a frontispiece and ex-libris sheet that the artist hand-tinted with pink wash. This volume reproduces that first edition at full size accompanied by a new translation.