The First Anthology


Book Description

"Some of the essays foreshadow contemporary events: Elizabeth Hardwick's moving report on the Watts riots in Los Angeles in 1966, and Hannah Arendt's "Reflections on Violence," which examines a "century of wars and revolution," written in 1969. Others, such as Susan Sontag's "On Photography" and Joan Didion's "In El Salvador," led to books that have since become widely known.".




First Fiction


Book Description

Famous writers' first works. Forty-one stories in all, some showing obvious promise, some so bad you wonder how they made it into print. An inspiration for would-be authors everywhere.




The Anthology in Jewish Literature


Book Description

The anthology is a ubiquitous presence in Jewish literature--arguably its oldest literary genre, going back to the Bible itself, and including nearly all the canonical texts of Judaism: the Mishnah, the Talmud, classical midrash, and the prayerbook. In the Middle Ages, the anthology became the primary medium in Jewish culture for recording stories, poems, and interpretations of classical texts. In modernity, the genre is transformed into a decisive instrument for cultural retrieval and re-creation, especially in works of the Zionist project and in modern Yiddish and Hebrew literature. No less importantly, the anthology has played an indispensable role in the creation of significant fields of research in Jewish studies, including Hebrew poetry, folklore, and popular culture. This volume is the first book to bring together scholarly and critical essays that investigate the anthological character of these works and what might be called the "anthological habit" in Jewish literary culture--the tendency and proclivity for gathering together discrete, sometimes conflicting traditions and stories, and preserving them side by side as though there were no difference, conflict, or ambiguity between them. Indeed, The Anthology in Jewish Literature is the first book to recognize this habit and genre as one of the formative categories in Jewish literature and to investigate its manifold roles. The seventeen essays, each of which focuses on a specific literary work, many of them the great classics of Jewish tradition, consider such questions as: What are the many types of anthologies? How have anthologists, editors, even printers of anthologies been creative shapers of Jewish tradition and culture? What can we learn from their editorial practices? How have politics, gender, and class figured into the making of anthologies? What determinative role has the anthology played in creating the Jewish canon? How has the anthology served, especially in the modern period, to create and recreate Jewish culture. This landmark volume will interest educated laypersons as well as scholars in all areas of Jewish literature and culture, as well as students of world literature and cultural studies.




The Garth Brooks Anthology


Book Description

Go inside the electric world of Garth Brooks LIVE. From the first on-stage appearance in college to headlining his own record breaking tours and worldwide stardom. Includes behind the scene stories, insider secrets, interviews with band and crew. Five CDs with 52 Live Recordings including Triple Live, the soundtrack of the record breaking world tour. 100 behind-the-scenes and performance photos. 10 augmented reality experiences that come to life through the Garth Live app. The Anthology Part III, Live is part three of Garth's massive five part anthology. Part III is an exciting, detailed, insider look at the electrifying concerts of Garth Brooks. From just being a bar bouncer to playing with only a few people watching at Willie's Saloon in Stillwater OK, to being an opening act for Reba, The Judds and Kenny Rogers to finally headlining his own tours which garnered him 6 CMA Entertainer of the Year awards. You get to watch the audience grow larger and larger with each show, from the multi-sold-out stadium shows around the world, to the historic night in Central Park where over a million people gathered to witness the entertainer of a lifetime! You are part of Garth's entourage for the whole thing. The 5 CDs contain 52 live recordings, including the new live album, Triple Live. It's the soundtrack of the record breaking, number one tour in North American history. Includes over 100 amazing behind-the-scenes and performance photos and over 10 augmented reality experiences. Download the Garth Live app and hold it over the cover and various photos inside the Anthology to watch Garth's Live story come to life.




The Anthology of Babel


Book Description

Why should there only be literary scholarship about authors who actually lived, and texts which exist? Where are the articles on Enoch Campion, Linus Withold, Redondo Panza, Darshan Singh, or Heidi B. Morton? That none of these are real authors should be no impediment to interpreting their invented writings. In the first collection of its kind, The Anthology of Babel publishes academic articles by scholars on authors, books, and movements that are completely invented. Blurring the lines between scholarship and creative writing, The Anthology of Babel inaugurates a completely new literary genre perfectly attuned to the era we live in, a project evocative of Jorge-Louis Borges, Umberto Eco, and Italo Calvino.




The First Hay(na)ku Anthology


Book Description

"It began when Eileen R. Tabios in 2000 read Richard Brautigan's novel, The Hawkline Monster, and was inspired by one of its characters: "Cameron was a counter. He vomited nineteen times to San Francisco. He liked to count everything." From that moment on, Tabios began a Counting Journal in which she kept track of anything she could count as her days unfolded. The journal would come to reference, in 2001, the Selected Letters of Jack Kerouac where Kerouac is quoted as saying, "I think American haikus should never have more than 3 words in a line." Tabios recalled both moments on her first poetic blog, WINEPOETICS, as background to her decision to invent a "Pinoy Haiku" form that would come to be known as the "hay(na)ku." This new poetic form's name is a pun off of the Filipino exclamation "Hay naku!" which is used in a variety of situations in the same way the English "Oh!" is interjected. Inaugurated on June 12, 2003, the hay(na)ku is deceptively simple with its form of a tercet comprised of one-, two-, and three-word lines. The form swiftly became popular and since has been used by poets from all over the world."--BOOK JACKET.




First Degree: A Crime Anthology


Book Description

David F. Walker and David Aja are joined by an array of international talent for an anthology that puts the spotlight on crime noir!




Poems by Presidents: The First-Ever Anthology


Book Description

This first-ever anthology unveils eleven presidents’ deepest thoughts and emotions through their poetry. George Washington’s teenage romantic yearnings, Thomas Jefferson’s death-bed adieu, Warren G. Harding’s steamy love poems to his mistress, and others.




Poetry of the First World War


Book Description

The First World War produced an extraordinary flowering of poetic talent, poets whose words commemorate the conflict more personally and as enduringly as monuments in stone. Lines such as 'What passing-bells for these who die as cattle?' and 'They shall grow not old, as we that are left grow old' have come to express the feelings of a nation about the horrors and aftermath of war. This new anthology provides a definitive record of the achievements of the Great War poets. As well as offering generous selections from the celebrated soldier-poets, including Wilfred Owen, Siegfried Sassoon, Rupert Brooke, and Ivor Gurney, it also incorporates less well-known writing by civilian and women poets. Music hall and trench songs provide a further lyrical perspective on the War. A general introduction charts the history of the war poets' reception and challenges prevailing myths about the war poets' progress from idealism to bitterness. The work of each poet is prefaced with a biographical account that sets the poems in their historical context. Although the War has now passed out of living memory, its haunting of our language and culture has not been exorcised. Its poetry survives because it continues to speak to and about us.