The First Lulu


Book Description

(Applause Books). "The complete script to Frank Wedekind's symphony or rather a cacophony of deotic sexual rhetorics. Eric Bentley's achievement here as translator is a beautifully playable and juicy English; his larger gift is the opening to us of what must be ranked as among the supreme masterpieces of nineteenth-century theater." Donald Lyons, The New Criterion




Lulu's Mysterious Mission


Book Description

When Lulu's parents go on vacation, the formidable Ms. Sonia Sofia Solinsky comes to babysit and Lulu behaves as badly as possible to get her to leave until Ms. Solinsky reveals her secret.




Lulu and the Brontosaurus


Book Description

Lulu's parents refuse to give in when she demands a brontosaurus for her birthday and so she sets out to find her own, but while the brontosaurus she finally meets approves of pets, he does not intend to be Lulu's.




Lulu's First Day


Book Description

Age range 4 to 8 Everyone's favourite reading role model is back! Book-loving Lulu is excited to start pre-school. It will be like storytime at the library, but she will stay by herself. Everyone gets up super early to make sure they are ready. There's so much to do at pre-school: Lulu makes a new friend, reads (of course), plays dress up and builds and sings. In no time at all, Mummy is back to collect her.




Lulu Is Getting a Sister


Book Description

Lulu is getting the sister she never asked for in this oh-so-funny illustrated chapter book filled with hilarious hijinks and fiesty twists from Judith Viorst. Lulu has received the worst. News. EVER. She’s getting…a baby sister. No one ever asked HER opinion on this debacle. But she’ll tell you anyway, because she no how, no way, no thank you wants a sibling. Undeterred, and to prepare Lulu for big sisterhood, her parents bribe—AHEM, ask—Lulu to attend Camp Sisterhood, a.k.a. big sister training camp. As a Sister-in-Training (SIT), Lulu is assigned a variety of temporary little “siblings” who are supposed to be so much fun Lulu will become excited to have a permanent sibling of her own. Well, no one ever said Camp Sisterhood was supposed to teach Lulu how to be a good big sister, so Lulu resolves to be a bad big sister. She insults her little siblings. She taunts them with secrets. She even tricks one of them into carrying both of their backpacks up a mountain! Then some BITs (brothers-in-training) from the neighboring Camp Brotherhood start picking on Lulu’s siblings, and Lulu responds by doing her red-faced, steam-coming-out-of-her-ears thing and showing those BITs who’s boss! After all, Lulu’s siblings may be duds, but they’re her duds, and sisters have to stick together.




Lulu Walks the Dogs


Book Description

Feisty Lulu sets out to make some dough in this illustrated chapter book with “plenty of appeal” (Kirkus Reviews) from children’s book legends Judith Viorst and Lane Smith. The stubbornly hilarious Lulu has decided it’s time to buckle down and earn some cash. How else can she save up enough money to buy the very special thing that she is ALWAYS and FOREVER going to want? After some failed attempts at lucrative gigs (baking cookies, spying, reading to old people), dog walking seems like a sensible choice. But Brutus, Pookie, and Cordelia are not interested in making the job easy, and the infuriatingly helpful neighborhood goody-goody, Fleischman, has Lulu at the end of her rope. And with three wild dogs at the other end, Lulu’s patience is severely tested. Will she ever make a friend—or the money she needs? In this standalone sequel to Lulu and the Brontosaurus, children’s book legends Judith Viorst and Lane Smith once again prove that even the loudest, rudest, and most obstinate of girls can win us over.







Diet and Health


Book Description




Goodnight Lulu


Book Description

When her mother tucks her in for the night, Lulu the chicken worries what would happen if a bear or a tiger or an alligator should come in during the night.




Modernism and Masculinity


Book Description

Modernism and Masculinity argues that a crisis of masculinity among European writers and artists played a key role in the modernist revolution. Gerald Izenberg revises the notion that the feminine provided a premodern refuge for artists critical of individualism and materialism. Industrialization and the growing power of the market inspired novelist Thomas Mann, playwright Frank Wedelind, and painter Wassily Kandinsky to feel the problematic character of their own masculinity. As a result, these artists each came to identify creativity, transcendence, and freedom with the feminine. But their critique of masculinity created enormous challenges: How could they appropriate a feminine aesthetic while retaining their own masculine idenitites? How did appropiating the feminine affect their personal relationships or their political views? Modernism and Masculinity seeks to answer these questions. In this absorbing combination of biography and formal critique, Izenberg reconsiders the works of Mann, Wedekind, Kandinsky and semonstrates how the cirses of masculinity they endure are found not just within the images and forms of their art, but in the distinct and very personal impulses that inspired it.