The Flemish Merchant of Venice


Book Description

During the years 1627 and 1628, Charles I of England purchased the cream of the Gonzaga art collection, belonging to the dukes of Mantua, in what would become the greatest art deal of the 17th century. Among the treasures sold were ancient statues and stunning paintings by Titian, Raphael, Correggio, and Rubens. This book examines this fascinating and significant art sale from the perspective of the man who orchestrated it--Daniel Nijs (1572-1647), a Flemish merchant, collector, and dealer living in Venice. Christina M. Anderson brings Nijs to life, asserting that he was more than the avaricious and unscrupulous trader that most modern writers and scholars deem him to be. Anderson's evocative text describes Nijs's unique talent as a dealer, rooted in superior commercial skills, connections to artistic and diplomatic circles, and a deep love of art. The narrative reveals that Nijs was ultimately the pivotal figure involved with the Gonzaga sale, though also--when he later fell into bankruptcy and dishonor due to a deal gone awry--the most tragic.







When Michelangelo Was Modern


Book Description

This book presents case studies of collectors, patrons, and agents whose activities redefined collecting and the art market during a period when the status of the artist, rise of connoisseurship, and patterns of consumption established new models for collecting and display.







The Encyclopedia of Money


Book Description

A comprehensive introductory resource with entries covering the development of money and the functions and dysfunctions of the monetary and financial system. The original edition of The Encyclopedia of Money won widespread acclaim for explaining the function—and dysfunction—of the financial system in a language any reader could understand. Now a decade later, with a more globally integrated, market-oriented world, and with consumers trying to make sense of subprime mortgages, credit default swaps, and bank stress tests, the Encyclopedia returns in an expanded new edition. From the development of metal and paper currency to the ongoing global economic crisis, the rigorously updated The Encyclopedia of Money, Second Edition is the most authoritative, comprehensive resource on the fundamentals of money and finance available. Its 350 alphabetically organized entries—85 completely new to this edition—help readers make sense of a wide range of events, policies, and regulations by explaining their historical, political, and theoretical contexts. The new edition focuses most intently on the last two decades, highlighting the connections between the onrush of globalization, the surging stock market, and various monetary and fiscal crises of the 1990s, as well as developments, scandals, and pocketbook issues making headlines today.







Representations of Flemish Immigrants on the Early Modern Stage


Book Description

Immigrants from the Low Countries constituted the largest population of resident aliens in early modern England. Possessing superior technology in a number of fields and enjoying governmental protection, the Flemish were charged by many native artisans with unfair economic competition. With xenophobic sentiments running so high that riots and disorders occurred throughout the sixteenth century, Elizabeth I directed her dramatic censor to suppress material that might incite further disorder, forcing playwrights to develop strategies to address the alien problem indirectly. Representations of Flemish Immigrants on the Early Modern Stage describes the immigrant community during this period and explores the consistently negative representations of Flemish immigrants in Tudor interludes, the impact of censorship, the playwrighting strategies that eluded it, and the continuation of these methods until the closing of the theatres in 1642.




Gems in the Early Modern World


Book Description

This edited collection is an interdisciplinary study of gems in the early modern world. It examines the relations between the art, science, and technology of gems, and it does so against the backdrop of an expanding global trade in gems. The eleven chapters are organised into three parts. The first part sets the scene by describing how gems moved around the early modern world, how they were set in motion, and how they were pulled together in the course of their travels. The second part is about value. It asks why people valued gems, how they determined the value of a given gem, and how the value of a gem was connected to its perceived place of origin. The third part deals with the skills involved in cutting, polishing, and mounting gems, and how these skills were transmitted and articulated by artisans. The common themes of all these chapters are materials, knowledge and global trade. The contributors to this volume focus on the material properties of gems such as their weight and hardness, on the knowledge involved in exchanging them and valuing them, and on the cultural consequences of the expanding trade in gems in Eurasia and the Americas.




Jews and Muslims in Seventeenth-Century Discourse


Book Description

Jews and Muslims in Seventeenth-Century Discourse explores for the first time the extent to which the unusual religious diversity and tolerance of the Dutch Republic affected how its residents regarded Jews and Muslims. Analyzing an array of vernacular publications, this book reveals how Dutch writers, especially those within the nonconformist and spiritualist camps, expressed positive attitudes toward religious diversity in general, and Jews and Muslims in particular. Through covering the Eighty Years War (1568-1648) and the post-war era, it also highlights how the Dutch search for allies against Spain led them to approach Muslim rulers. The Dutch were assisted in this by their positive relations with Jews, and were thus able to shape a more affirmative portrayal of Islam. Revealing noticeable differences in language and tone between English and Dutch publications and exploring societal attitudes and culture, Jews and Muslims in Seventeenth-Century Discourse is ideal for students of British and Dutch early-modern cultural, intellectual, and religious history.




Dürer's Lost Masterpiece


Book Description

Dürer's Lost Masterpiece tracks the history of a turning point in the career of the celebrated German artist Albrecht Dürer (1471-1528), when he stopped painting altarpieces after arguing with a merchant patron over payment. As an eloquent homage to Dürer ́s life, it brings us closer to the creation and meaning of his paintings than ever before. Dürer's Lost Masterpiece considers the celebrated German artist Albrecht Dürer (1471-1528), his time and his legacy. It tracks the history of a crucial, and often overlooked, turning point in his career, when Dürer stopped painting altarpieces after falling out with the Frankfurt merchant Jacob Heller over a commission. The story of this painting, as Dürer ́s lost masterpiece, functions as a lens through which to view the new relationship developing between art, collecting and commerce in Europe up to the Thirty Years ́ War (1618-1648) when global trade and cultural exchanges were increasing. At the heart of the book is the argument that merchants, and their mentalities, were crucial for the making of Renaissance art and its legacy for modern art. The book draws on a decade of research, and uniquely draws the reader into the rich emotional worlds of three merchants each of whom typified the evolving relationship between art and commerce in that entrepreneurial, and often ruthless, age. It brings to life Dürer ́s determined fight for creative makers to be adequately paid and explores the big questions about how European societies came to value the arts and crafts that remain relevant to our time.