The Impressionist Print


Book Description

A print can sometimes tell us more than a painting about the history of art. Michel Melot illustrates his thesis in this book, analysing relationships between artists, the art market, the critics, collectors and political institutions. This fresh approach reveals Impressionism not as a sort of miracle, but as a response to economic and social upheaval. This original view of a key movement in the history of art allows the reader to understand its decisive effect on all the subsequent generations who have contributed to maintaining the tradition of the belle epreuve.




Power and Pleasure


Book Description

Neither Barthou's contemporaries nor subsequent historians have known quite what to make of this bourgeois politician who fought a duel with Jean Jaurès and flew with Wilbur Wright. Many concluded he was an individual of considerable talent, few principles, and excessive ambition. No one, reading Power and Pleasure, can maintain that view. Robert Young, constructing a complete picture of Barthou, effectively refutes the charge of unprincipled ambition and deftly deals with the tension between political principles and pragmatism. Young has written a social biography, situating Barthou's life -- both public and private -- in the political and cultural context of the Third Republic. Barthou was a centrist in his politics and, while current scholarship maintains that centrists adopted regressive strategies in response to the social question, Young presents an alternative reading of their position. He argues that although centrists like Barthou were not socialists -- for them "bourgeois" was a positive term -- they were capable of adjusting their ideals to meet the social changes of modern France. Barthou's turbulent political career was tempered both by a thirty-five-year marriage to his supportive wife and by a lifetime of pleasure derived from music, art, history, books, and literature.




The Frightful Stage


Book Description

In nineteenth-century Europe the ruling elites viewed the theater as a form of communication which had enormous importance. The theater provided the most significant form of mass entertainment and was the only arena aside from the church in which regular mass gatherings were possible. Therefore, drama censorship occupied a great deal of the ruling class's time and energy, with a particularly focus on proposed scripts that potentially threatened the existing political, legal, and social order. This volume provides the first comprehensive examination of nineteenth-century political theater censorship at a time, in the aftermath of the French Revolution, when the European population was becoming increasingly politically active.










ABM


Book Description

Abstracts of journal articles, books, essays, exhibition catalogs, dissertations, and exhibition reviews. The scope of ARTbibliographies Modern extends from artists and movements beginning with Impressionism in the late 19th century, up to the most recent works and trends in the late 20th century. Photography is covered from its invention in 1839 to the present. A particular emphasis is placed upon adding new and lesser-known artists and on the coverage of foreign-language literature. Approximately 13,000 new entries are added each year. Published with title LOMA from 1969-1971.