The Genesis of Arabic Narrative Discourse


Book Description

After formulating a theoretical foundation for the sociology of narrative genres based on the work of Bakhtin, Foucault, Goldmann, Jauss and Said, this work challenges the widely held assumption that Arabic culture stagnated before its contact with the West at the beginning of the nineteenth century. Hafez traces the revival to the mid-eighteenth century and follows its development throughout the Arab world, showing how the emergence of a new reading public with its distinct 'world view' induced the process of the transformation and genesis of a new literary discourse. This is followed by a study of the dynamics of this process and an outline of the various stages of the formation and transformation of the new narrative discourse until it culminates in the production of a sophisticated and mature narrative. The Genesis of Arabic Narrative Discourse shifts the terms of the debate on the rise of narrative from formal analysis to an analysis of social formation, clarifying many of the issues which have long dogged critical discussion. It changes the nature of literary history by overlaying its dry chronology with the vivid socio-cultural dimension and by achieving a fine balance between the textual and contextual. It tests its major theoretical suppositions by tracing the historical development of narrative discourse, as well as through a detailed and sensitive analysis of a short story in a manner that changes the nature of Arabic literary criticism and puts it on an equal footing with modern critical discourse in Western culture.




The Genesis of Arabic Narrative Discourse


Book Description

After formulating a theoretical foundation for the sociology of narrative genres based on the work of Bakhtin, Foucault, Goldmann, Jauss and Said, this work challenges the widely held assumption that Arabic culture stagnated before its contact with the West at the beginning of the nineteenth century. Hafez traces the revival to the mid-eighteenth century and follows its development throughout the Arab world, showing how the emergence of a new reading public with its distinct 'world view' induced the process of the transformation and genesis of a new literary discourse. This is followed by a study of the dynamics of this process and an outline of the various stages of the formation and transformation of the new narrative discourse until it culminates in the production of a sophisticated and mature narrative. The Genesis of Arabic Narrative Discourse shifts the terms of the debate on the rise of narrative from formal analysis to an analysis of social formation, clarifying many of the issues which have long dogged critical discussion. It changes the nature of literary history by overlaying its dry chronology with the vivid socio-cultural dimension and by achieving a fine balance between the textual and contextual. It tests its major theoretical suppositions by tracing the historical development of narrative discourse, as well as through a detailed and sensitive analysis of a short story in a manner that changes the nature of Arabic literary criticism and puts it on an equal footing with modern critical discourse in Western culture.




Selected Studies in Modern Arabic Narrative


Book Description

No Western scholar has contributed as much to the study of modern Arabic narrative as has Roger Allen. His doctoral dissertation was the very first Oxford D.Phil. in modern Arabic literature, completed in 1968 under the supervision of Mustafa Badawi. That same year, he took a position in Arabic language and literature at the University of Pennsylvania, the oldest professorial post in Arabic in the United States. Roger Allen has been phenomenally prolific: fifty books and translations, two hundred articles and counting-on Arabic language pedagogy, on translation, on Arabic literary history, criticism and literature. He is also one of the most decorated and acclaimed translators of Arabic literature. The present volume brings together sixteen of Roger Allen's articles on modern Arabic narrative, with a focus on genre, translation and literary history, and features analyses of the works of Rashid Abu Jadrah, Bensalem Himmich, Yusuf Idris, Naguib Mahfouz, and Tayeb Salih.




The Experimental Arabic Novel


Book Description

Traces the development of the modern Arabic novel from the 1960s to the present.




The Arabic Novel


Book Description

This edition includes new material on the Arabic novel up to 1993. It is a survey of the Arabic novel and its development from its beginnings in the 19th century until today. It traces the origin, early cultivation and the mature period after World War II of the Arabic novel.




Novel Palestine


Book Description

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Palestinian writing imagines the nation, not as a nation-in-waiting but as a living, changing structure that joins people, place, and time into a distinct set of formations. Novel Palestine examines these imaginative structures so that we might move beyond the idea of an incomplete or fragmented reality and speak frankly about the nation that exists and the freedom it seeks. Engaging the writings of Ibrahim Nasrallah, Nora E. H. Parr traces a vocabulary through which Palestine can be discussed as a changing and flexible national network linking people across and within space, time, and community. Through an exploration of the Palestinian literary scene subsequent to its canonical writers, Parr makes the life and work of Nasrallah available to an English-language audience for the first time, offering an intervention in geography while bringing literary theory into conversation with politics and history.




The Oxford Handbook of Arab Novelistic Traditions


Book Description

The Oxford Handbook of Arab Novelistic Traditions is the most comprehensive treatment of the subject to date. In scope, the book encompasses the genesis of the Arabic novel in the second half of the nineteenth century and its development to the present in every Arabic-speaking country and in Arab immigrant destinations on six continents. Editor Waïl S. Hassan and his contributors describe a novelistic phenomenon which has pre-modern roots, stretching centuries back within the Arabic cultural tradition, and branching outward geographically and linguistically to every Arab country and to Arab writing in many languages around the world. The first of three innovative dimensions of this Handbook consists of examining the ways in which the Arabic novel emerged out of a syncretic merger between Arabic and European forms and techniques, rather than being a simple importation of the latter and rejection of the former, as early critics of the Arabic novel claimed. The second involves mapping the novel geographically as it took root in every Arab country, developing into often distinct though overlapping and interconnected local traditions. Finally, the Handbook concerns the multilingual character of the novel in the Arab world and by Arab immigrants and their descendants around the world, both in Arabic and in at least a dozen other languages. The Oxford Handbook of Arab Novelistic Traditions reflects the current status of research in the broad field of Arab novelistic traditions and signals toward new directions of inquiry.




Autobiographical Identities in Contemporary Arab Culture


Book Description

Over the last 40 years, autobiography in Arab societies has moved away from exemplary life narratives and toward more unorthodox techniques such as erotic memoir writing, postmodernist self-fragmentation, cinematographic self-projection and blogging. Valerie Anishchenkova argues that the Arabic autobiographical genre has evolved into a mobile, unrestricted category arming authors with narrative tools to articulate their selfhood. Reading works from Arab nations such as Egypt, Iraq, Morocco, Syria and Lebanon, Anishchenkova connects the century's rapid political and ideological developments to increasing autobiographical experimentation in Arabic works. The immense scope of her study also forces consideration of film and online forms of self-representation and offers a novel theoretical framework to these various modes of autobiographical cultural production.




Sonallah Ibrahim


Book Description

This volume is designed as an introduction to the contemporary Egyptian author Sonallah Ibrahim, one of the most important Arabic novelists of the modern era, with an unrivalled reputation for independence and integrity among contemporary Egyptian writers. The first study in any language devoted exclusively to Sonallah Ibrahim, the volume discusses each of the author's novels individually, beginning with the seminal Tilka al-ra'iha [That Smell] (1966) and ending with al-Jalid [Ice] (2011). Each work is discussed individually in its literary, social, historical and political context. The volume traces the evolution of Sonallah Ibrahim's work in terms both of their themes and of their literary technique, and concludes with an attempt at an overall evaluation of the author's contribution to the contemporary Egyptian novel. Paul Starkey's account shows how innovative and stylistically rich the Arabic novel has become over a period of some fifty years, beyond the better-known work of writers such as Naguib Mahfouz and Yusuf Idris. As such, the volume will serve as an introduction not only to the individual author but also to the development of Egyptian (and, more generally, Arabic) literature over the last half century.




Emerging Subjectivity in the Long 19th-Century Middle East


Book Description

This volume revisits the "long 19th century" in the Middle East from the perspective of emerging subjectivity as a fundamentally new attitude of the individual vis-à-vis the World. Stephan Guth's holistic vision interprets emerging subjectivity as the key operator at the heart of the many aspects of the so-called Arab(ic) "Renaissance" (and corresponding movements in Turkish), like rationalism, critical analysis, political emancipation, reformism, moralism, and emotionalism, but also a new language, new genres, and new concepts. Guth's thoroughly philological approach demonstrates how a close reading of literary texts from the period, a cultural-psychological interpretation of linguistic phenomena and an etymology-informed look into conceptual terminology can contribute to a deeper understanding of what "modernisation" actually meant, deep inside the human beings' mind and psyche, in their meeting with a rapidly changing world. Twenty essays on language, literature, and key concepts reflect the author's life-long engagement with the culture of the period in question. The articles are glued together by a guiding narrative that assigns each treated aspect its place in the author's vision (which includes a global perspective).