The Gentleman and the Jew


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Gentleman's Agreement


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When a reporter pretends to be Jewish, he experiences anti-Semitism firsthand in the New York Times bestseller and basis for the Academy Award–winning film. Journalist Philip Green has just moved to New York City from California when the Third Reich falls. To mark this moment in history, his editor at Smith’s Weekly Magazine assigns Phil a series of articles on anti-Semitism in America. In order to experience anti-Semitism firsthand, Phil, a Christian, decides to pose as a Jew. What he discovers about the rampant bigotry in America will change him forever.




Genius & Anxiety


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This lively chronicle of the years 1847­–1947—the century when the Jewish people changed how we see the world—is “[a] thrilling and tragic history…especially good on the ironies and chain-reaction intimacies that make a people and a past” (The Wall Street Journal). In a hundred-year period, a handful of men and women changed the world. Many of them are well known—Marx, Freud, Proust, Einstein, Kafka. Others have vanished from collective memory despite their enduring importance in our daily lives. Without Karl Landsteiner, for instance, there would be no blood transfusions or major surgery. Without Paul Ehrlich, no chemotherapy. Without Siegfried Marcus, no motor car. Without Rosalind Franklin, genetic science would look very different. Without Fritz Haber, there would not be enough food to sustain life on earth. What do these visionaries have in common? They all had Jewish origins. They all had a gift for thinking in wholly original, even earth-shattering ways. In 1847, the Jewish people made up less than 0.25% of the world’s population, and yet they saw what others could not. How? Why? Norman Lebrecht has devoted half of his life to pondering and researching the mindset of the Jewish intellectuals, writers, scientists, and thinkers who turned the tides of history and shaped the world today as we know it. In Genius & Anxiety, Lebrecht begins with the Communist Manifesto in 1847 and ends in 1947, when Israel was founded. This robust, magnificent, beautifully designed volume is “an urgent and moving history” (The Spectator, UK) and a celebration of Jewish genius and contribution.







Judah Benjamin


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A moral examination of Judah Benjamin--one of the first Jewish senators, confidante to Jefferson Davis, and champion of the cause of slavery "This new biography complicates the legacy of Benjamin . . . who used his nimble legal mind to defend slavery and the Confederacy."--New York Times Book Review "A cogent argument for acknowledging, rather than ignoring, Benjamin's role in both Jewish and American history."--Diane Cole, Wall Street Journal Judah P. Benjamin (1811-1884) was a brilliant and successful lawyer in New Orleans, and one of the first Jewish members of the U.S. Senate. He then served in the Confederacy as secretary of war and secretary of state, becoming the confidant and alter ego of Jefferson Davis. In this new biography, author James Traub grapples with the difficult truth that Benjamin, who was considered one of the greatest legal minds in the United States, was a slave owner who deployed his oratorical skills in defense of slavery. How could a man as gifted as Benjamin, knowing that virtually all serious thinkers outside the American South regarded slavery as the most abhorrent of practices, not see that he was complicit with evil? This biography makes a serious moral argument both about Jews who assimilated to Southern society by embracing slave culture and about Benjamin himself, a man of great resourcefulness and resilience who would not, or could not, question the practice on which his own success, and that of the South, was founded.




The "Jew" in Cinema


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Explores cinematic representations of the "Jew" from film's early days to the present.







Jews at Williams


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A study of anti-Semitism, assimilation, and class the forces that governed Jewish participation in elite higher education for the first two-thirds of the twentieth century"




Who We Are


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This unprecedented collection brings together the major Jewish American writers of the past fifty years as they examine issues of identity and how they’ve made their work respond. E.L. Doctorow questions the very notion of the Jewish American writer, insisting that all great writing is secular and universal. Allegra Goodman embraces the categorization, arguing that it immediately binds her to her readers. Dara Horn, among the youngest of these writers, describes the tendency of Jewish writers to focus on anti-Semitism and advocates a more creative and positive way of telling the Jewish story. Thane Rosenbaum explains that as a child of Holocaust survivors, he was driven to write in an attempt to reimagine the tragic endings in Jewish history. Here are the stories of how these writers became who they are: Saul Bellow on his adolescence in Chicago, Grace Paley on her early love of Romantic poetry, Chaim Potok on being transformed by the work of Evelyn Waugh. Here, too, are Philip Roth, Cynthia Ozick, Erica Jong, Jonathon Rosen, Tova Mirvis, Pearl Abraham, Alan Lelchuk, Rebecca Goldstein, Nessa Rapoport, and many more. Spanning three generations of Jewish writing in America, these essays — by turns nostalgic, comic, moving, and deeply provocative- constitute an invaluable investigation into the thinking and the work of some of America’s most important writers.




Acting Jewish


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