The Girl with the Botticelli Eyes


Book Description

DIVDIVWhen a madman begins using the work of Botticelli as inspiration for his gruesome tableaus, a New York museum curator is the only man who can stop him/divDIV Mike Manship is an up-and-coming curator at the Metropolitan Museum of Art in New York City. With a Botticelli retrospective fast approaching, Manship is poised to become the Met’s director if he can secure three final drawings from Italy. Standing in his way is Ludovico Borghini, a neo-fascist count with a fanatical devotion to his Italian heritage and a deadly obsession with the Renaissance master’s work. Between them are the three masterpieces and the alluring Isobel Cattaneo, a direct descendant of Botticelli’s greatest muse, Simonetta. Borghini is determined to maintain possession of the drawings, and in the grips of his mania, he kidnaps Cattaneo, whom he suspects of aiding Manship. As the search for Cattaneo reaches a fever pitch, Manship discovers that Borghini is a much more twisted nemesis than he could ever have anticipated—one whose depravity reaches chilling depths./div/div







The Most Beautiful Woman in Florence


Book Description

"In the tradition of Tracy Chevalier’s Girl with a Pearl Earring, Palombo has married fine art with romantic historical fiction in this lush and sensual interpretation of Medici Florence, artist Sandro Botticelli, and the muse that inspired them all." - Booklist A girl as beautiful as Simonetta Cattaneo never wants for marriage proposals in 15th Century Italy, but she jumps at the chance to marry Marco Vespucci. Marco is young, handsome and well-educated. Not to mention he is one of the powerful Medici family’s favored circle. Even before her marriage with Marco is set, Simonetta is swept up into Lorenzo and Giuliano de’ Medici’s glittering circle of politicians, poets, artists, and philosophers. The men of Florence—most notably the rakish Giuliano de’ Medici—become enthralled with her beauty. That she is educated and an ardent reader of poetry makes her more desirable and fashionable still. But it is her acquaintance with a young painter, Sandro Botticelli, which strikes her heart most. Botticelli immediately invites Simonetta, newly proclaimed the most beautiful woman in Florence, to pose for him. As Simonetta learns to navigate her marriage, her place in Florentine society, and the politics of beauty and desire, she and Botticelli develop a passionate intimacy, one that leads to her immortalization in his masterpiece, The Birth of Venus. Alyssa Palombo’s The Most Beautiful Woman in Florence vividly captures the dangerous allure of the artist and muse bond with candor and unforgettable passion.




Botticelli's Secret: The Lost Drawings and the Rediscovery of the Renaissance


Book Description

A New Yorker Best Book of 2022 “Brilliantly conceived and executed, Botticelli's Secret is a riveting search for buried treasure.” —Stephen Greenblatt, author of The Swerve Some five hundred years ago, Sandro Botticelli, a painter of humble origin, created works of unearthly beauty. A star of Florence’s art world, he was commissioned by a member of the city’s powerful Medici family to execute a near-impossible project: to illustrate all one hundred cantos of The Divine Comedy by Dante Alighieri, the ultimate visual homage to that “divine” poet. This sparked a gripping encounter between poet and artist, between the religious and the secular, between the earthly and the evanescent, recorded in exquisite drawings by Botticelli that now enchant audiences worldwide. Yet after a lifetime of creating masterpieces including Primavera and The Birth of Venus, Botticelli declined into poverty and obscurity. His Dante project remained unfinished. Then the drawings vanished for over four hundred years. The once famous Botticelli himself was forgotten. The nineteenth-century rediscovery of Botticelli’s Dante drawings brought scholars and art lovers to their knees: this work embodied everything the Renaissance had come to mean. From Botticelli’s metaphorical rise from the dead in Victorian England to the emergence of eagle-eyed connoisseurs like Bernard Berenson and Herbert Horne in the early twentieth century, and even the rescue of precious art during World War II and the fall of the Berlin Wall in 1989, the posthumous story of Botticelli’s Dante drawings is, if anything, even more dramatic than their creation. A combination of artistic detective story and rich intellectual history, Botticelli’s Secret shows not only how the Renaissance came to life, but also how Botticelli’s art helped bring it about—and, most important, why we need the Renaissance and all that it stands for today.




Hemingway's Italy


Book Description

In 1918 , a one-month stint with the American Red Cross ambulance corps at the Italian front marked the beginning of Ernest Hemingway’s fascination with Italy—a place second only to Upper Michigan in stimulating his lifelong passion for geography and local expertise. Hemingway’s Italy offers a thorough reassessment of Italy’s importance in the author’s life and work during World War I and the 1920s, when he emerged as a promising young writer, and during his maturity in the late 1940s and early 1950s. This collection of eighteen essays presents a broad view of Hemingway’s personal and literary response to Italy. The contributors, some of the most distinguished Hemingway scholars, incorporate new biographical and historical information as well as critical approaches ranging from formalist and structuralist theory to cultural and interdisciplinary explorations. Included are discussions of Italy’s psychological functioning in Hemingway’s life, the author’s correspondence with his father during the writing of A Farewell to Arms, his stylistic experimentation and characterization in that novel, his juxtaposition of the themes of love and war, and his take on Fascism in both his fiction and journalistic work. In addition, the essayists explore relevant contexts of period and place—such as the rise of Fascism, ethnic attitudes, and the cultural currents between Italy and the United States. A landmark study, Hemingway’s Italy brings long-overdue attention to this great writer’s international role as cultural ambassador. Contributors : Rena Sanderson, Nancy R. Comley, Kim Moreland, Steven Florczyk, Kirk Curnutt, Lawrence H. Martin, John Robert Bittner, Jeffrey A. Schwarz, J. Gerald Kennedy, H. R. Stoneback, Beverly Taylor, Ellen Andrews Knodt, Linda Wagner-Martin, Robert E. Fleming, Miriam B. Mandel, Joseph M. Flora, Margaret O’Shaughnessey, Stephen L. Tanner, Vita Fortunati




The Girl in the Glass


Book Description

Renaissance is a word with hope infused in every letter. Since she was a child, Meg has dreamed of taking a promised trip to Florence, Italy, and being able to finally step into the place captured in a picture at her grandmother’s house. But after her grandmother passes away and it falls to her less-than-reliable father to take her instead, Meg’s long-anticipated travel plans seem permanently on hold. When her dad finally tells Meg to book the trip, she prays that the experience will heal the fissures left on her life by her parents’ divorce. But when Meg arrives in Florence, her father is nowhere to be found, leaving aspiring memoir-writer Sophia Borelli to introduce Meg to the rich beauty of the ancient city. Sofia claims to be one of the last surviving members of the Medici family and that a long-ago Medici princess, Nora Orsini, communicates with her from within the great masterpieces of the Italian Renaissance. When Sophia, Meg, and Nora’s stories intersect, their lives will be indelibly changed as they each answer the question: What if renaissance isn’t just a word? What if that’s what happens when you dare to believe that what is isn’t what has to be?




Words on Cassette


Book Description




Earthwork out of Tuscany: Being Impressions and Translations of Maurice Hewlett


Book Description

Earthwork out of Tuscany: Being Impressions and Translations of Maurice Hewlett is a travel biography by Hewlett, an English historical novelist, poet and essayist. Excerpt: "Earth, Air, Fire, Water, Florence, form the five elements of our planet according to the testimony of Boniface VIII. of clamant and not very Catholic memory. That is true if you take it this way. You cannot resolve an element; but you cannot resolve Florence; therefore Florence is an element. Ecco! She is like nothing else In Nature, or (which is much the same thing) Art. You can have olives elsewhere, and Gothic elsewhere; you can have both at Aries, for instance. You can have Campanili printed white (but not rose-and white, not rose-and-gold- and-white) on blue anywhere along the Mediterranean from Tripoli to Tangier: you will find Giotto at Padua, and statues growing in the open air at Naples. But for the silvery magic of olives and blue; for a Gothic which has the supernatural and always restless eagerness of the North, held in check, reduced to our level by the blessedly human sanity of Romanesque; for sculpture which sprouts from the crumbling church-sides like some frankly happy stone-crop, or wall-flower, just as wholesomely coloured and tenderly shaped, you must come to Florence. Come for choice in this golden afternoon of the year. Green figs are twelve-a-penny; you can get peaches for the asking, and grapes and melons without it; brown men are treading the wine-fat in every little white hill-town, and in Florence itself you may stumble upon them, as I once did, plying their mystery in a battered old church—sight only to be seen in Italy, where religions have been many, but religionists substantially the same. That is the Italian way; there was the practical evidence."




The Mists of Fear


Book Description

Dr. Palfrey is up against an enemy who moves in a white, insidious mist that brings death. It dissipates just as suddenly as it appears and people engulfed within it simply disappear. They are the children of politicians, religious clergy, and other notables. The world is threatened and Palfrey is completely puzzled by the terror being ranged ...




The Sublime Artist's Studio


Book Description

The relation of the visual arts to Vladimir Nabokov's work is the subject of this in-depth and detailed study of one of the most significant facets of this modern master's oeuvre.