The Glamorous Life of Emily's Failure


Book Description

Race. God. Two forces that have oppressed David's life from the beginning. As he grows, they follow him, bearing down upon his neck like a yoke. But someone else follows him as well. There is an appointed time for them to meet. Race. God. Growing up biracial is hard for David, being the son of an overbearing black mother and a passive white father. They've pulled him from an all-black world into an all-white one. But someone is there also. There is an appointed time for them to meet. Race. God. David eventually learns to throw the shackles of both away, to lash out against anything racial, or religious. He changes. Grows angrier. hates more. Still, that someone is there, watching. Waiting. Emily. But Emily couldn't wait any longer. Her love for David couldn't be contained until that "appointed" time. She takes matters into her own hands, and makes her presence known. In an attempt to win his love, she dons his clothes and engages in his interests. But sadly, her plan backfires, and everything turns disasterous---and she is left, damaged and alone. Race. God. Emily. Years pass. Time shifts. When they do meet, it is a meeting like no other. The rapture they feel for one another surpasses the drudgedness of their station. For David, life couldn't be imagined without her; and at such a time as this, she is taken away from him. Is it a scrifice, or some unfortunate circumstance? She leaves someone in her stead, to continue with him where she left off. Someone who cares just as much as she had. Someone who loved him from the beginning, just as she had. God. It is only then that David realizes who Emily really was, and how much he'd failed to understand.




My Thirty-First Year (and Other Calamities)


Book Description

"Superb characterizations round out this captivating production." —Library Journal, Best Audiobooks of 2022 On her 30th birthday, Yale-educated Zoe Greene was supposed to be married to her high-school sweetheart, pregnant with their first baby, and practicing law in Chicago. Instead, she’s planning an abortion and filing for divorce. Zoe wants to understand why her plans failed—and to move on, have sex, and date while there’s still time. As she navigates dysfunctional penises, a paucity of grammatically sound online dating profiles, and her paralyzing fear of aging alone, she also grapples with the pressure women feel to put others first. Ultimately, Zoe’s family, friends, incomparable therapist, and diary of never-to-be-sent letters to her first loves, the rock band U2, help her learn to let go—of society’s constructs of female happiness, and of her own.




Perfectly Famous


Book Description

From the USA TODAY bestselling author of Pretty Revenge—a “gripping tale of subterfuge, betrayal, and retribution” (Liv Constantine, bestselling author of The Last Mrs. Parrish)—comes the story of a journalist obsessed with finding a crime novelist who disappears after a deadly attack on her beloved daughter. As a mother and a famous author, Ward DeFleur has it all. She lives in a beautiful estate in picture-perfect Connecticut, along with her teenage daughter, Stevie, where nothing can go wrong. Until, one night, when Stevie is brutally murdered and Ward’s entire world is shattered. Consumed by panic and grief, Ward vows never to put pen to paper again. Enter Bree Bennett. Bree is a recently-divorced, former-journalist-cum-housewife, desperate to fill her days with something other than Pilates classes and grocery shopping. So she decides to start writing for the town newspaper. What begins as Bree’s effort to tell Ward’s tragic narrative turns into a fixation with finding her favorite author. Unfortunately, Ward doesn’t want to be found. Even worse, Stevie’s killer is still on the loose… This harrowing tale of one woman’s infatuation and another woman’s fear is full of explosive surprises, perfect for fans of The Night Olivia Fell and Then She Was Gone.




MFA Vs NYC


Book Description

Writers write—but what do they do for money? In a widely read essay entitled "MFA vs NYC," bestselling novelist Chad Harbach (The Art of Fielding) argued that the American literary scene has split into two cultures: New York publishing versus university MFA programs. This book brings together established writers, MFA professors and students, and New York editors, publicists, and agents to talk about these overlapping worlds, and the ways writers make (or fail to make) a living within them. Should you seek an advanced degree, or will workshops smother your style? Do you need to move to New York, or will the high cost of living undo you? What's worse—having a day job or not having health insurance? How do agents decide what to represent? Will Big Publishing survive? How has the rise of MFA programs affected American fiction? The expert contributors, including George Saunders, Elif Batuman, and Fredric Jameson, consider all these questions and more, with humor and rigor. MFA vs NYC is a must-read for aspiring writers, and for anyone interested in the present and future of American letters.




Emily Donelson of Tennessee


Book Description

Andrew Donelson became the president's private secretary, and Emily assumed the role of White House hostess, filling a void left by the death of Jackson's beloved wife, Rachel, shortly after the election.".




The outcast of rosencraft


Book Description

Everything returns to Rosencraft. Pain, humiliation, fear, anger. Even her, who gently attracts, gently loves. Gently waits, gently kills. A young woman named Emily stands as the last descendant of the Redwoods, an affluent family in Rosencraft—a town that balances modernity and age-old traditions. After the disappearance of both of her parents, Adam Redwood and Katherine Kingstone, Emily finds herself alone with her stepmother and stepsister. Branded as an outcast like her mysterious mother with supernatural powers, she grapples with mistreatment and belittlement. Emily feels trapped within a spiral that will eventually lead her to ”disappear”, just like those who resist conformity to societal norms and express aspirations, ideals, and preferences that oppose those of the current. Meanwhile, a significant heirloom known as the Redwood treasure awaits Emily as she approaches adulthood. This provokes the greed of many among the townsfolk, including members of the founding family, the town’s namesake. Lawrence Rosencraft, the captivating scion, displays an unusual attraction to Emily. Subjected to ruthless cruelty, Emily experiences a rude awakening when pain instils a newfound energy in her, transforming her into a vengeful force ready to descend upon Rosencraft without mercy or remorse. Possessed by what Emily herself identifies as the demon of pain, she begins feeding on the life force of the town, seducing the entire lineage of the Rosencrafts and draining every ounce of mental and physical will out of them. Can the disruptive power of Emily Redwood, the outcast of Rosencraft, be stopped before it’s too late? Some wounds must be cleansed with blood. Gently sliding into the abyss of their thin, evanescent shadow. Because victory does not always belong to who shouts the loudest. Everything returns to Rosencraft. Even her. The outcast. Translator: Elisabetta Longyu Centofanti PUBLISHER: TEKTIME




The Athenaeum


Book Description




Mount Emily


Book Description

While digging around their school’s backyard in search of an urban legend, Patsy Goh and her best friend Elena are whisked back in time to 1987. Trapped in their mums’ 13-year-old bodies, the duo race against the clock to hunt down the magical time crystal that got them in this mess, before the evil Midnight Warriors find it and cause a time crisis that could destroy all of existence.




Stories I Tell Myself


Book Description

Hunter S. Thompson, “smart hillbilly,” boy of the South, born and bred in Louisville, Kentucky, son of an insurance salesman and a stay-at-home mom, public school-educated, jailed at seventeen on a bogus petty robbery charge, member of the U.S. Air Force (Airmen Second Class), copy boy for Time, writer for The National Observer, et cetera. From the outset he was the Wild Man of American journalism with a journalistic appetite that touched on subjects that drove his sense of justice and intrigue, from biker gangs and 1960s counterculture to presidential campaigns and psychedelic drugs. He lived larger than life and pulled it up around him in a mad effort to make it as electric, anger-ridden, and drug-fueled as possible. Now Juan Thompson tells the story of his father and of their getting to know each other during their forty-one fraught years together. He writes of the many dark times, of how far they ricocheted away from each other, and of how they found their way back before it was too late. He writes of growing up in an old farmhouse in a narrow mountain valley outside of Aspen—Woody Creek, Colorado, a ranching community with Hereford cattle and clover fields . . . of the presence of guns in the house, the boxes of ammo on the kitchen shelves behind the glass doors of the country cabinets, where others might have placed china and knickknacks . . . of climbing on the back of Hunter’s Bultaco Matador trail motorcycle as a young boy, and father and son roaring up the dirt road, trailing a cloud of dust . . . of being taken to bars in town as a small boy, Hunter holding court while Juan crawled around under the bar stools, picking up change and taking his found loot to Carl’s Pharmacy to buy Archie comic books . . . of going with his parents as a baby to a Ken Kesey/Hells Angels party with dozens of people wandering around the forest in various stages of undress, stoned on pot, tripping on LSD . . . He writes of his growing fear of his father; of the arguments between his parents reaching frightening levels; and of his finally fighting back, trying to protect his mother as the state troopers are called in to separate father and son. And of the inevitable—of mother and son driving west in their Datsun to make a new home, a new life, away from Hunter; of Juan’s first taste of what “normal” could feel like . . . We see Juan going to Concord Academy, a stranger in a strange land, coming from a school that was a log cabin in the middle of hay fields, Juan without manners or socialization . . . going on to college at Tufts; spending a crucial week with his father; Hunter asking for Juan’s opinion of his writing; and he writes of their dirt biking on a hilltop overlooking Woody Creek Valley, acting as if all the horrible things that had happened between them had never taken place, and of being there, together, side by side . . . And finally, movingly, he writes of their long, slow pull toward reconciliation . . . of Juan’s marriage and the birth of his own son; of watching Hunter love his grandson and Juan’s coming to understand how Hunter loved him; of Hunter’s growing illness, and Juan’s becoming both son and father to his father . . .




The Titanic and the City of Widows It Left Behind


Book Description

“Harrowing and emotional . . . A tribute to the enduring power of family. The story of the disaster’s widows uplifts and devastates in equal measure.” —Gareth Russell, author of The Ship of Dreams When the Titanic foundered in April 1912, the world’s focus was on the tragedy of the passengers who lost their lives. Ever since, in films, dramatizations, adaptations and books, the focus has mostly continued to be on the ones who died. The Titanic and the City of Widows It Left Behind focuses on another group of people—the widows and children of the crew who perished on board. Author Julie Cook’s great-grandfather was a stoker who died on the Titanic. Her great-grandmother had to raise five children with no breadwinner. This book focuses on Emily and the widows like her who had to fight for survival through great hardship, while still grieving for the men they loved who’d died on the ship. Using original archive sources and with accounts from descendants of crew who also lost their lives, the book asks how these women survived through abject poverty and grief—and why their voices have been silent for so long. “The sinking of the Titanic has produced a wealth of books, articles, films and TV documentaries, all of which have given very little thought to the dependents and friends of those who lost their lives in this ocean tragedy. A moving and involving story that corrects this neglect, told by a descendant of a Titanic widow . . . How most of them survived the grief and grinding hardship is a story worth the telling, as are the stories of those who did not survive the crushing pressures.” —Firetrench