The Goetia of Dr Rudd


Book Description

The Goetia is the most famous grimoire after the Key of Solomon. The owner of this handbook of sorcery was Dr. Thomas Rudd, the most important scholar-magician of the early seventeenth century, and a magical successor to Dr. John Dee. The Goetia of Dr. Rudd explains how the 72 angels of the Shemhamphorash are used to evoke and safely bind demons--material that has not been made available in any previous edition. This rare volume contains a transcription of a hitherto unpublished manuscript of the Lemegeton and includes illustrations drawn from rare manuscripts held in the British Library.




Lemegeton


Book Description

Lemegeton, also known as The Lesser Key of Solomon the King or Clavicula Salomonis Regis, is a 17th century demonology Grimoire written by an anonymous author. It contains names of spirits/demons, other sacred names, sigils/seals, invocations and summoning techniques, spells, prayers, rituals and occult knowledge that has been obtained by the author, material which dates between the early 15th and the late 17th century. The Grimoire is divided in five parts called The Books. These are: Ars Goetia (or Goetia), Ars Theurgia Goetia (or Theurgia), Ars Paulina, Ars Almadel and Ars Notoria. Note from the Publisher: The illustrations in this book come from enhanced scans of the original seals. The scans have been painted over by hand using black ink and then re-scanned in order to improve the texture and make the lines and letters more legible, as some of the pages and illustrations of the book have deteriorated due to the manuscript's age, and they appear faded or broken. The original manuscript can be found in the British Museum.




Stellas Daemonum


Book Description

An original, beautifully produced work (see specifications, photos, and video below) that explores the “star demons” and their correspondences in magic and astrology as revealed in the medieval grimoires and classical esoteric texts. Includes: A translucent, velum dustjacket Three-piece genuine cloth case cover, with ¼ black cloth on the binding edge and red cloth material over heavy-weight binders board Three different hits of stamping, including gold and black designs on the boards with blind stamp frames and gold stamping on the spine A black endsheet is used to bind the text block to the case, with rounded back, headbands, and a ribbon marker Smythe-sewn binding Printed on quality, archival (acid-free), 55# natural colored paper, in soy ink Stellas Daemonum offers an in-depth analysis of the spirits that appear in several late medieval and early modern grimoires. The book unravels these texts’ mythical, etymological, magical, and religious dimensions and, most importantly, draws out their astrological correspondences. The author shows how the spirit entities featured in these goetic grimoires can be best understood by studying the celestial nature apparent in the ancient concept of the daimon and through an extensive study of ninety-three of the spirits featured in the medieval and Renaissance texts. The book also explores how Judeo-Christian traditions ultimately “demonized” such expressions due to their polytheistic roots and made punishable by death any attempts to reconnect with them.




The Lesser Key of Solomon


Book Description

Compiled from original manuscripts and fragments in the British Museum Library, Joseph Peterson's new presentation is the most complete and accurate edition of this famous magical grimoire, "The Lesser Key of Solomon the King." He goes to great length to establish the provenance of each part, and possible derivative works, including critical analyses of all major variations, utilizing fresh translations of earlier magical texts such as Johann Trithemius's Steganographia, The Archidoxes of Magic by Paracelsus, and newly discovered Hebrew manuscripts of the original Key of Solomon. Abundantly illustrated, Peterson includes reproductions of the original magical circles, tools, and seals of the spirits with variations of certain drawings from various sources and notae missing from earlier editions. Source list. Appendicies. Index.




Techniques of Solomonic Magic (limited Leather Edition)


Book Description

Limited leather quarter bound collector's edition. Solomonic magic is a major part of the grimoire tradition. This volume is about the methods of Solomonic magic used in Alexandria and how they have been passed via Byzantium (the Hygromanteia), to the manuscripts of the Latin Clavicula Salomonis and its English incarnation as the Key of Solomon. Jewish techniques like the use of pentacles, oil and water skrying were added along the way, but Solomonic magic (despite its name) remained basically a classical Greek form of magic. Amazingly, this transmission has involved very few changes and the technology of magic has remained firmly intact. The emphasis in this book is upon specific magical techniques such as the invocation of the gods, the binding of demons, the use of the four demon Kings, and the construction of the circle and lamen. The requirements of purity, sexual abstinence, and fasting have changed little in the last 2000 years, and the real reasons for that are explained. The use of amulets, talismans and phylacteries or lamens is outlined along with their methods of construction. The structure of a Solomonic evocation puts into perspective the reasons for each step, the use of thwarting angels, achieving invisibility, sacrifice, love magic, treasure finding, and the binding, imprisoning and licensing of spirits. The facing directions and timing of evocations have always been crucial, and these too have remained consistent. Practical considerations such as choice of incense, the timing of the cutting of the wand, utilisation of rings and statues, use of the Table of Evocation, or the acquisition of a familiar spirit are also explained. Techniques of Solomonic Magic is thus a follow on book from Techniques of Graeco-Egyptian Magic. This volume is based on the magicians own handbooks rather than the opinions of theologians, historians, anthropologists, sociologists or legislators. The emphasis is on what magicians actually did and why. Tools used by magicians in 7th century Alexandria, 15th century Constantinople and 19th century London are very much the same. More than 70 illustrations (many in colour) of magical equipment like the wand, the sword, wax images and magical gems, drawn from a wide range of manuscripts are reproduced and examined. This is the most detailed analysis of Solomonic magic, from the inside, ever penned.




Grimoire of Aleister Crowley


Book Description

Group ritual has been a cornerstone of spiritual practice since time immemorial, yet its history and importance have often been overlooked by occultists of the modern age. This book is the first comprehensive presentation of group-oriented rites for modern magicians inspired by the works of Aleister Crowley. It contains rituals written by Crowley for his own magic circles, many of them unpublished during his lifetime, plus rare ancient texts that were Crowley's own inspiration. The rituals are newly edited and explained by Rodney Orpheus, who brings to this volume decades of experience in performing and teaching Aleister Crowley's rituals within Crowley's magical order Ordo Templi Orientis. He introduces each ritual with a clear overview, setting each in its historical context and explaining its function and mode of operation, and includes detailed notes on the setting and performance of each one. Whether absolute beginner or seasoned expert, magicians of all paths will find this volume to be an eminently workable and extremely powerful grimoire spanning centuries from ancient Mithraic and Bacchanalian rites, Goetia, and Gnosticism, right up to present day Crowleyan invocations and sexual magick.




The Lesser Key of Solomon


Book Description

The Lesser Key of Solomon, also known as Lemegeton Clavicula Salomonis or simply Lemegeton, is an anonymous grimoire on demonology. It was compiled in the mid-17th century, mostly from materials a couple of centuries older. It is divided into five books—the Ars Goetia, Ars Theurgia-Goetia, Ars Paulina, Ars Almadel, and Ars Notoria. This edition was translated by Samuel Liddell MacGregor Mathers and published by Aleister Crowley under the title The Book of the Goetia of Solomon the King. Crowley added some additional invocations previously unrelated to the original work, as well as essays describing the rituals as psychological exploration instead of demon summoning.




The Book of Treasure Spirits


Book Description

THE BOOK OF TREASURE SPIRITS Conjurations of Goetic spirits, old gods, demons and fairies are all part of a rich heritage of the magical search for treasure trove. During the Middle Ages and Renaissance the British Monarchy gave out licenses to people seeking treasure in an effort to control such practices, and this is one reason why so many grimoires are full of conjurations and charms to help the magician find treasure. Published here for the first time, from a long-ignored mid-seventeenth century manuscript in the British Library (Sloane MS 3824), is the conjuration said to have been performed at the request of King Edward IV, with other rites to reveal treasure, to have treasure brought from the sea, and to cause thieves to bring back stolen goods. Conjurations to call any type of spirit are also included, recorded by the noted alchemist and collector Elias Ashmole, as is an extract on conjuration practices from the Heptameron, transcribed into English for practical use by a working group of magicians, before its first English publication by Robert Turner in 1655. These conjurations demonstrate the influence of earlier classic grimoires and sources, with components drawn from the Goetia, the Heptameron, and Reginald Scot's Discoverie of Witchcraft. The material includes spirit contracts for Agares, Padiel and Vassago, as well as techniques like lead plates for binding, and summoning into a glass of water, which hark back to the defixiones of Hellenistic Greece and the demonic magic of the Biblical world. This material forms part of a corpus of conjurations all written in the same hand and style of evocation, linking Goetic spirits and treasure spirits with the archangels and planetary intelligences (in Sloane MS 3825), and demon kings and Enochian hierarchies (in Sloane MS 3821), making it a unique bridge of style and content between what are often falsely seen as diverse threads of Renaissance magic. About the Author David Rankine is an occult scholar and author of more than 20 books on the subject of magic, the western esoteric traditions, folklore and mythology. Since the 1970's he has been researching and exploring magical and spiritual practices throughout history; a journey which has taken him from ancient Sumeria, Babylonia and Egypt through Greece, Rome and Britain through the middle ages and rennaisance and the modern Western Mystery Traditions. With Stephen Skinner he has produced works such as The Veritable Key of Solomon and the Goetia of Dr Rudd, both highly regarded groundbreaking works which make available previously unpublished source materials for the first time.




Touch Me Not


Book Description

Touch Me Not is an Austrian manuscript compendium of the black magical arts, completed c. 1795. Unique and otherworldly, it evokes a realm of visceral dark magic. As the co-editor of this volume Hereward Tilton notes, the manuscript "appears at first sight to be a 'grimoire' or magician's manual intended for noviciates of black magic. Psychedelic drug use, animal sacrifice, sigillary body art, masturbation fantasy and the necromantic manipulation of gallows-corpses count among the transgressive procedures it depicts. With their aid hidden treasures are wrested from guardian spirits, and the black magician's highest ambition--an infernal transfiguration and union with the Devil--can be fulfilled." Hidden for decades within the Wellcome Library collection, Touch Me Not is published here as a full-color facsimile. The German and Latin texts have been translated by Hereward Tilton and Merlin Cox, scholars who have explored the sources for the various elements and provided copious references. Tilton provides an introduction that lays out the context for the survival of this extraordinary manuscript.




Visions of Enchantment


Book Description

Since Antiquity, the idea of the artist as a magician, trickster and powerful creator of new realities has established itself as a fertile idea in the discussion of image-making. The conjuring of illusions, the inherent link between the material and the spiritual and the wish to make the invisible visible are all part of this wider discourse. Visions of Enchantment looks at the fascinating intersections between esotericism and visual culture through a decidedly cross-cultural lens, with topics ranging from talismanic magic and the Renaissance exploration of alchemy, through to the role of magic in modern art and 20th century experimental film.00The essays offered in 'Visions of Enchantment: Occultism, Magic and Visual Culture' have been selected from papers presented at a major international conference at the University of Cambridge in 2014. It includes work by some of the leading scholars in Western Esotericism including Antoine Faivre, M.E. Warlick and Deanna Petherbridge. It attests to the vibrant role that magic and the occult play in cutting-edge research across a wide variety of the arts and humanities today.




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