The Griot Tradition as Remixed through Hip Hop


Book Description

Although Hip Hop is known to come from the streets of South Bronx, New York, its origins go far deeper than that. Unconsciously, the innovative souls of the 1970s Hip Hop movement demonstrated the captivating, vibrational sound of the five regions in Africa: Northern Africa, Western Africa, Eastern Africa, Central Africa, and Southern Africa. Thus, The Griot Tradition as Remixed through Hip Hop: Straight Outta Africa fleshes out the common threads of Hip Hop’s creative genius across the African diaspora and provides an analytical rubric as a guide to a greater understanding of Hip Hop. The author, Frederick Gooding, examines why Hip Hop holds such an important place within contemporary culture in order to determine how a genre that was so controversial and marginal could become mainstream and central. Through the use of various genres, artists, styles, sounds, images, and rhetorical techniques, Gooding analyzes how Hip Hop, when seen through the lens of African connection, can be appreciated for its regenerative and connective power to create relationships between people both nationally and internationally.




Ubuntu


Book Description

Ubuntu: Interdisciplinary Conversations Across Continents is a collection of work by 17 scholars emerging from the Ubuntu Dialogues Seminar Exchange Fellowship hosted by Stellenbosch University in South Africa and Michigan State University in the US between 2019 and 2022. This collaborative work brings new voices and new ways of interrogating a concept that holds possibilities for living together differently. The contributions problematise the concept in provocative and surprising ways and disrupt narrow and superficial interpretations of Ubuntu. --- The contributors to this book foreground critical issues which are fundamental towards a deeper understanding of the notion of ubuntu. – Dr Sithembele Marawu, University of Fort Hare This book features next generation rising stars from places such as South Africa, Zimbabwe, Malawi, Burundi, and the US, writing about ubuntu, the indigenous southern African term often used to capture African philosophy, especially its moral dimensions. A fresh, kaleidoscopic engagement with ubuntu. – Professor Thaddeus Metz, University of Pretoria




Jay-Z


Book Description

Jay-Z is one of America's leading rappers and entrepreneurs, as well known for his music as for his business acumen. This text seeks to situate Jay-Z within his musical, intellectual and cultural context for educational study. Thirteen essays address such topics as Jay-Z's relevance to African-American oral history, socially responsible hip hop and upward mobility in the African-American community. By observing Jay-Z through the lens of cultural studies, this study assists the teacher, student, scholar, and fan in understanding how he became such an historically significant figure. Each essay includes a set of review questions meant to spark discussion in the classroom. Instructors considering this book for use in a course may request an examination copy here.




Youth Cultures in America [2 volumes]


Book Description

What are the components of youth cultures today? This encyclopedia examines the facets of youth cultures and brings them to the forefront. Although issues of youth culture are frequently cited in classrooms and public forums, most encyclopedias of childhood and youth are devoted to history, human development, and society. A limitation on the reference bookshelf is the restriction of youth to pre-adolescence, although issues of youth continue into young adulthood. This encyclopedia addresses an academic audience of professors and students in childhood studies, American studies, and culture studies. The authors span disciplines of psychology, sociology, anthropology, history, and folklore. The Encyclopedia of Youth Cultures in America addresses a need for historical, social, and cultural information on a wide array of youth groups. Such a reference work serves as a corrective to the narrow public view that young people are part of an amalgamated youth group or occupy malicious gangs and satanic cults. Widespread reports of bullying, school violence, dominance of athletics over academics, and changing demographics in the United States has drawn renewed attention to the changing cultural landscape of youth in and out of school to explain social and psychological problems.




Digital Griots


Book Description

Scholar Adam J. Banks offers a mixtape of African American digital rhetoric in his innovative study Digital Griots: African American Rhetoric in a Multimedia Age. Presenting the DJ as a quintessential example of the digital griot-high-tech storyteller-this book shows how African American storytelling traditions and their digital manifestations can help scholars and teachers shape composition studies, thoroughly linking oral, print, and digital production in ways that centralize African American discursive practices as part of a multicultural set of ideas and pedagogical commitments. DJs are models of rhetorical excellence; canon makers; time binders who link past, present, and future in the groove and mix; and intellectuals continuously interpreting the history and current realities of their communities in real time. Banks uses the DJ's practices of the mix, remix, and mixtape as tropes for reimagining writing instruction and the study of rhetoric. He combines many of the debates and tensions that mark black rhetorical traditions and points to ways for scholars and students to embrace those tensions rather than minimize them. This commitment to both honoring traditions and embracing futuristic visions makes this text unique, as do the sites of study included in the examination: mixtape culture, black theology as an activist movement, everyday narratives, and discussions of community engagement. Banks makes explicit these connections, rarely found in African American rhetoric scholarship, to illustrate how competing ideologies, vernacular and academic writing, sacred and secular texts, and oral, print, and digital literacies all must be brought together in the study of African American rhetoric and in the teaching of culturally relevant writing. A remarkable addition to the study of African American rhetorical theory and composition studies, Digital Griots: African American Rhetoric in a Multimedia Age will compel scholars and students alike to think about what they know of African American rhetoric in fresh and useful ways.




Modernity, Remixed


Book Description

Drawing on 14 months of ethnographic research in Dakar, Senegal as well as an 18-month focused case study with Senegalese rappers in Los Angeles, this dissertation explores Senegalese hip hop production as the performative negotiation of postcolonial urban space. Engaging tradition as a discursive strategy, it considers hip hop tracks as aural palimpsest memories that are constructed through practices of lyrical, discursive, linguistic, and musical intertextuality, practices that strategically layer invented traditions of local performance and U.S. hip hop. Although scholarly and popular media accounts of Senegalese hip hop privilege internationally successful rappers' narratives of hip hop as stemming from local griot traditions, the "underground" majority of rappers rejects this narrative to instead ground their music in hip hop's mythologized history of racialized socio-economic struggle. Through hip hop-mediated understandings of similitude between African American and Senegalese urban experience, they strategically and self-consciously position themselves within an alternative, globally articulating modernity and against a local, traditionally inflected one. In positing hip hop production as the (re)production of memory, I argue against hybridity as a potentially colonizing framework to insist instead on an analysis grounded in local narratives that erase hybridity's prerequisite difference. Depending on their positionality vis-à-vis local and international markets, Senegalese rappers position hip hop either as always already indigenous, or as necessarily and definitely black American. In the processes and products of hip hop production, they draw on multiple mythologized pasts, creating interlocking, performative narratives of sameness and historicity through which they negotiate situated experiences of modernity.




The Beat


Book Description




The Cambridge Companion to Hip-Hop


Book Description

This Companion covers the hip-hop elements, methods of studying hip-hop, and case studies from Nerdcore to Turkish-German and Japanese hip-hop.




Rhythm Music Magazine


Book Description




The Encyclopedia of Popular Music: Kollington - Morphine


Book Description

Containing 27,000 entries and over 6,000 new entries, the online edition of the Encyclopedia of Popular Music includes 50% more material than the Third Edition. Featuring a broad musical scope covering popular music of all genres and periods from 1900 to the present day, including jazz, country, folk, rap, reggae, techno, musicals, and world music, the Encyclopedia also offers thousands of additional entries covering popular music genres, trends, styles, record labels, venues, and music festivals. Key dates, biographies, and further reading are provided for artists covered, along with complete discographies that include record labels, release dates, and a 5-star album rating system.