The Ham Funeral


Book Description

An early expressionist drama written in 1948 which explores the spiritual forces that propel us forward. The play created controversy when it was rejected for the 1962 Adelaide Festival of Arts by a Board who thought it was too 'difficult' for the general public to understand. Its premiere production by the Adelaide University Theatre Guild in November 1961 was acclaimed by critics and audiences and it transferred to Sydney. The production encouraged White to write further plays.




The Ham Funeral


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Celebration


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Essays on Food and Celebration from the 2011 Oxford Symposium on Food and Cookery. The 2011 meeting marked the thirtieth year of the Symposium.




The Ham Funeral


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Nation


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Drama


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Collected Plays


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Ham


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A ham is (let us not mince words) a pig’s rear end. It’s a hefty hunk of flesh and bone, weighing in somewhere between 12 and 30 pounds. Fresh or cured, ham can be prepared in innumerable ways. And (here’s the clincher) ham is incredibly delicious—the kind of meat whose sheer scrumptiousness can entice even the most diehard vegan into having second thoughts. In Ham: An Obsession with the Hindquarter, Bruce Weinstein and Mark Scarborough take readers on a globetrotting tour of the whole wide wonderful world of ham, from the Philippines to Spain, the Caribbean, the American South, and their own home corner of rural Connecticut (where they buy and help raise a hog of their own). Gifted raconteurs and talented cooks, the pair ham it up with a series of hilarious stories and pig out on a hundred mouth-watering recipes. Don’t miss this feast.




Voss


Book Description

Join J. M. Coetzee and Thomas Keneally in rediscovering Nobel Laureate Patrick White In 1973, Australian writer Patrick White was awarded the Nobel Prize in Literature "for an epic and psychological narrative art which has introduced a new continent into literature." Set in nineteenth-century Australia, Voss is White's best-known book, a sweeping novel about a secret passion between the explorer Voss and the young orphan Laura. As Voss is tested by hardship, mutiny, and betrayal during his crossing of the brutal Australian desert, Laura awaits his return in Sydney, where she endures their months of separation as if her life were a dream and Voss the only reality. Marrying a sensitive rendering of hidden love with a stark adventure narrative, Voss is a novel of extraordinary power and virtuosity from a twentieth-century master. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.




Patrick White's Theatre


Book Description

“Varney combines a theoretically astute sense of the hybridity of the dramatic event, with a dense but lucidly rendered sociological history of White’s plays as they progress through different productions, revivals, and receptions … This is an essential insight, and one which could be usefully extended to White’s novels, and perhaps to Australian modernism broadly.” - Jonathan Dunk, Australian Book Review One of the giants of Australian literature and the only Australian writer to have won the Nobel Prize for Literature, Patrick White received less acclaim when he turned his hand to playwriting. In Patrick White’s Theatre, Denise Varney offers a new analysis of White’s eight published plays, discussing how they have been staged and received over a period of 60 years. From the sensational rejection of The Ham Funeral by the Adelaide Festival in 1962 to 21st-century revivals incorporating digital technology, these productions and their reception illustrate the major shifts that have taken place in Australian theatre over time. Varney unpacks White’s complex and unique theatrical imagination, the social issues that preoccupied him as a playwright, and his place in the wider Australian modernist and theatrical traditions.