The Heavenly Book Motif in Judeo-Christian Apocalypses 200 BCE-200 CE


Book Description

Books and writing, according to Jacques Derrida, are always concerned with questions of life and death. Nowhere is this more true than regarding the heavenly book motif, which plays an important role in early Judeo-Christian literature, and particularly in apocalypses. This book identifies four sub-types of the motif—the books of life, deeds, fate, and action—and examines their development and function primarily in Jewish and Christian apocalypses. It argues that the overarching function of the motif is to signify life and death for those inscribed: earthly life and death in its early appearances and eternal destiny in later texts. The first full-length analysis of the heavenly book motif in English, this study highlights a vital element of the genre apocalypse.




The Heavenly Book Motif in Judeo-Christian Apocalypses 200 BCE-200 CE


Book Description

The first full-length analysis of the heavenly book motif in English, this study highlights a vital element of early Jewish and Christian apocalyptic literature. Through multiple intertextual readings, it demonstrates that for the ancients heavenly writing had life or death consequences.




The Throne Motif in the Book of Revelation


Book Description

This book argues that the throne motif constitutes the major interpretive key to the complex structure and theology of the book of Revelation. In the first part of the book, Gallusz examines the throne motif in the Old Testament, Jewish literature and Graeco-Roman sources. He moves on to devote significant attention to the throne of God texts of Revelation and particularly to the analysis of the throne-room vision (chs. 4&5), which is foundational for the development of the throne motif. Gallusz reveals how Revelation utilizes the throne motif as the central principle for conveying a theological message, since it appears as the focus of the author from the outset to the climax of the drama. The book concludes with an investigation into the rhetorical impact of the motif and its contribution to the theology of Revelation. Gallusz finally shows that the throne, what it actually represents, is of critical significance both to Revelation's theism and to God's dealing with the problem of evil in the course of human history.




The Book of Revelation


Book Description

The life and times of the New Testament’s most mystifying and incendiary book Few biblical books have been as revered and reviled as Revelation. Many hail it as the pinnacle of prophetic vision, the cornerstone of the biblical canon, and, for those with eyes to see, the key to understanding the past, present, and future. Others denounce it as the work of a disturbed individual whose horrific dreams of inhumane violence should never have been allowed into the Bible. Timothy Beal provides a concise cultural history of Revelation and the apocalyptic imaginations it has fueled. Taking readers from the book’s composition amid the Christian persecutions of first-century Rome to its enduring influence today in popular culture, media, and visual art, Beal explores the often wildly contradictory lives of this sometimes horrifying, sometimes inspiring biblical vision. He shows how such figures as Augustine and Hildegard of Bingen made Revelation central to their own mystical worldviews, and how, thanks to the vivid works of art it inspired, the book remained popular even as it was denounced by later church leaders such as Martin Luther. Attributed to a mysterious prophet identified only as John, Revelation speaks with a voice unlike any other in the Bible. Beal demonstrates how the book is a multimedia constellation of stories and images that mutate and evolve as they take hold in new contexts, and how Revelation is reinvented in the hearts and minds of each new generation. This succinct book traces how Revelation continues to inspire new diagrams of history, new fantasies of rapture, and new nightmares of being left behind.




John among the Apocalypses


Book Description

The Gospel of John has long been recognized as being distinct from the Synoptic Gospels. John among the Apocalypses explains John's distinctive narrative of Jesus's life by comparing it to Jewish apocalypses and highlighting the central place of revelation in the Gospel. While some scholars have noted a connection between the Gospel of John and Jewish apocalypses, Reynolds makes the first extensive comparison of the Gospel with the standard definition of the apocalypse genre. Engaging with modern genre theory, this comparison indicates surprising similarities of form, content, and function between John's Gospel and Jewish apocalypses. Even though the Gospel of John reflects similarities with the genre of apocalypse, John is not an apocalypse, but in genre theory terms, John may be described as a gospel in kind and an apocalypse in mode. John's narrative of Jesus's life has been qualified and shaped by the genre of apocalypse, such that it may be called an 'apocalyptic' gospel. In the final two chapters, Reynolds explores the implications of this conclusion for Johannine Studies and New Testament scholarship more broadly. John among the Apocalypses considers how viewing the Fourth Gospel as apocalyptic Gospel aids in the interpretation of John's appeal to Israel's Scriptures and Mosaic authority, and examines the Gospel's relationship with the book of Revelation and the history of reception concerning their writing. An examination of Byzantine iconographic traditions highlights how reception history may offer a possible explanation for reading John as apocalyptic Gospel.




The Oxford Handbook of Apocalyptic Literature


Book Description

Apocalypticism arose in ancient Judaism in the last centuries BCE and played a crucial role in the rise of Christianity. It is not only of historical interest: there has been a growing awareness, especially since the 2001 terrorist attacks on the United States, of the prevalence of apocalyptic beliefs in the contemporary world. To understand these beliefs, it is necessary to appreciate their complex roots in the ancient world, and the multi-faceted character of the phenomenon of apocalypticism. The Oxford Handbook of Apocalyptic Literature is a thematic and phenomenological exploration of apocalypticism in the Judaic and Christian traditions. Most of the volume is devoted to the apocalyptic literature of antiquity. Essays explore the relationship between apocalypticism and prophecy, wisdom and mysticism; the social function of apocalypticism and its role as resistance literature; apocalyptic rhetoric from both historical and postmodern perspectives; and apocalyptic theology, focusing on phenomena of determinism and dualism and exploring apocalyptic theology's role in ancient Judaism, early Christianity, and Gnosticism. The final chapters of the volume are devoted to the appropriation of apocalypticism in the modern world, reviewing the role of apocalypticism in contemporary Judaism and Christianity, and more broadly in popular culture, addressing the increasingly studied relation between apocalypticism and violence, and discussing the relationship between apocalypticism and trauma, which speaks to the underlying causes of the popularity of apocalyptic beliefs. This volume will further the understanding of a vital religious phenomenon too often dismissed as alien and irrational by secular western society.




The Literary Imagination in Jewish Antiquity


Book Description

Winner of the 2017 Manfred Lautenschlaeger Award for Theological Promise Winner of the 2017 The George A. and Jean S. DeLong Book History Book Prize The discovery of the Dead Sea Scrolls revealed a world of early Jewish writing larger than the Bible, from multiple versions of biblical texts to "revealed" books not found in our canon. Despite this diversity, the way we read Second Temple Jewish literature remains constrained by two anachronistic categories: a theological one, "Bible," and a bibliographic one,"book." The Literary Imagination in Jewish Antiquity suggests ways of thinking about how Jews understood their own literature before these categories had emerged. In many Jewish texts, there is an awareness of a vast tradition of divine writing found in multiple locations that is only partially revealed in available scribal collections. Ancient heroes such as David are imagined not simply as scriptural authors, but as multidimensional characters who come to be known as great writers who are honored as founders of growing textual traditions. Scribes recognize the divine origin of texts such as Enoch literature and other writings revealed to ancient patriarchs, which present themselves not as derivative of the material that we now call biblical, but prior to it. Sacred writing stretches back to the dawn of time, yet new discoveries are always around the corner. Using familiar sources such as the Psalms, Ben Sira, and Jubilees, Eva Mroczek tells an unfamiliar story about sacred writing not bound in a Bible. In listening to the way ancient writers describe their own literature-rife with their own metaphors and narratives about writing-The Literary Imagination in Jewish Antiquity also argues for greater suppleness in our own scholarly imagination, no longer bound by modern canonical and bibliographic assumptions.




Aseneth's Transformation


Book Description

The story of Joseph and Aseneth is a fascinating expansion of the narrative in Genesis of Joseph in Egypt, and in particular, of his marriage to the daughter of an Egyptian priest. This study examines the portrayal of Aseneth’s transformation in the text, focusing on three perspectives. How did Aseneth’s encounter with Joseph and her subsequent transformation affect various aspects of her identity in the narrative? In what ways do the portrayals of Aseneth, her transformation, and her abode relate to select metaphors and other symbolic features depicted in the Septuagint, the Hebrew Bible, and the Pseudepigrapha? And, how do the ritualized components through which Aseneth’s transformation occurred function in the narrative, and why are they perceived as effective? In order to shed light on these facets of Joseph and Aseneth, the author draws on the contemporary approaches of intersectionality, conceptual blending, intertextual blending, and the cognitive theory of rituals, using these theoretical frameworks to explore and illuminate the complexity of Aseneth’s transformation.




Rhetoric and Hermeneutics


Book Description

This collection of essays by Carol A. Newsom explores the indispensable role that rhetoric and hermeneutics play in the production and reception of biblical and Second Temple literature. Some of the essays are methodological and programmatic, while others provide extended case studies. Because rhetoric is, as Kenneth Burke put it, "a strategy for encompassing a situation," the analysis of rhetoric illumines the ways in which texts engage particular historical moments, shape and reshape communities, and even construct new models of self and agency. The essays in this book not only explore how ancient texts hermeneutically engage existing traditions but also how they themselves have become the objects of hermeneutical transformation in contexts ranging from ancient sectarian Judaism to the politics of post-World War I and II Germany and America to modern film criticism and feminist re-reading.