The Hecatomb


Book Description

In a drowned village, on a dark shore, in a city of white stones, an ancient evil stalks. It has no name, no face, and no desire but to see the death of everything... ...and everyone. Down through the ages it exists, sleepless and void, a relic from the world before humanity. One dead. Every night. Forever. Until nothing remains. The Hecatomb includes four short stories, including previously published horror shorts Let the Bodies and Old Man of Tessera. Each story is set in the same world. It's up to readers to decide the order in which they happen...




Persistent Forms


Book Description

Since the mid-1980s, attempts to think history and literature together have produced much exciting work in the humanities. Indeed, some form of historicism can be said to inform most of the current scholarship in literary studies, including work in poetics, yet much of this scholarship remains undertheorized. Envisioning a revitalized and more expansive historicism, this volume builds on the tradition of Historical Poetics, pioneered by Alexander Veselovsky (1838–1906) and developed in various fruitful directions by the Russian Formalists, Mikhail Bakhtin, and Olga Freidenberg. The volume includes previously untranslated texts of some of the major scholars in this critical tradition, as well as original contributions which place that tradition in dialogue with other thinkers who have approached literature in a globally comparatist and evolutionary-historical spirit. The contributors seek to challenge and complement a historicism that stresses proximate sociopolitical contexts through an engagement with the longue durée of literary forms and institutions. In particular, Historical Poetics aims to uncover deep-historical stratifications and asynchronicities, in which formal solutions may display elective affinities with other, chronologically distant solutions to analogous social and political problems. By recovering the traditional nexus of philology and history, Persistent Forms seeks to reinvigorate poetics as a theoretical discipline that would respond to such critical and intellectual developments as Marxism, New Historicism, the study of world literature, practices of distant reading, and a renewed attention to ritual, oral poetics, and genre.




The "Odyssey" Re-formed


Book Description

Frederick Ahl and Hanna M. Roisman believe that contemporary readers who do not know ancient Greek can gain a sophisticated grasp of the Odyssey if they are aware of some of the issues that intrigue and puzzle the experts. They offer a challenging new reading of the epic that is directed to the general student of literature as well as to the classicist.Ahl and Roisman suggest that, while translators have served the Odyssey and its English-speaking readers remarkably well, the nonspecialist wishing to do a more detailed, critical reading of the epic faces a dilemma. The enormous scholarly literature makes few concessions to the nonspecialist, and those studies designed for general readers tend to offer variations on the overly simple, idealized readings of the epic common in high school and college survey courses.The Odyssey Re-Formed offers a lively and detailed reading of the Odyssey, episode by episode, with particular attention paid to the manipulative power of its language and Homer's skill in using that power. The authors explore how myth is shaped for specific, rhetorical reasons and suggest ways in which the epic uses its audience's awareness of the varied pool of mythic traditions to give the Odyssey remarkable and subtle resonances that have profound poetic power.




The Iliad


Book Description



















The Atheist's Creed


Book Description

In The Atheist's Creed a prominent and widely-read contemporary philosopher, Dr Michael Palmer, presents the most comprehensive anthology of the major philosophical arguments for atheism now before the public. While the so-called 'new atheism' of RichardDawkins and others has attracted considerable publicity, it is these philosophical arguments that have down the ages provided the principal landmarks in the unfolding and increasingly widespread belief that no God exists. Using a combination of extracts,detailed introductions, biographies and extensive bibliographies, the author guides the reader through the history of atheism, from the time of the early Greeks down to the present day. In this analysis particular attention is given to the writings of Hume, Nietzsche, Marx and Freud. The Atheist's Creed requires no specialist knowledge of philosophy. Each chapter is structured around a single theme and the various authors coordinated to allow the full force of the particular atheistic argument to emerge.The result is a compelling and powerful assessment of the case for atheism, which will be essential and fascinating reading for student and non-student alike and for all those concerned with the fundamental question: whether or not there is a God.