A People's History of Walthamstow


Book Description

Walthamstow is well known as the home of William Morris, a former greyhound racing track and the boy band East 17. It's also been home to communities of people for thousands of years. This history tells the unique story of Walthamstow from the area's first Iron Age settlements to its Anglo-Saxon place names, medieval manors, agricultural hamlets and Victorian terraced housing. It includes the area's history in the twentieth century as a suburb of London. The development of Walthamstow is told from the perspective of the people who have lived there and who have helped to shape the place known around Britain today. Their stories are captured using photographs and illustrations, which bring to life how they have lived and worked over the years.







Sources In British Political History, 1900-1951


Book Description

From 1970 to 1977 a major project to uncover source material for students of contemporary British history and politics was undertaken at the British Library of Political and Economic Science. Fiananced by the Social Science Research Council, and under the direction of Dr Chris Cook, this project has attempted a unique and systematic operation to locate, and then to make readily available, those archives that provide the indispensable source material for the contemporary historian. This volume (the fifth in the series) provides a guide to the papers of propagandists who were influential in British public life. Included in this volume are the papers of such persons as newspaper editors, leading economists, social reformers, socialist thinkers, trade unionists, industrialists and a variety of theologians and philanthropists. In all, this volume not only completes the findings of the project but opens up the archive sources of a hitherto neglected area of research into contemporary social and political history.




London's Local History


Book Description




The Tottenham Outrage and Walthamstow Tram Chase


Book Description

Not since the days of highwaymen and footpads had armed robbery been seen in London. Geoffrey Barton explains the political backdrop to the arrival in the UK of armed revolutionaries driven by their own frenzied missions, causing citizens to go in fear. Laws were passed to deal with aliens and terrorism but as the author explains the civil police were ill-equipped to deal with the problem. Although well known to local people, the Tottenham Outrage of 1909 when two Latvian robbers, Jewish refugees, intercepted a payroll has been comparatively hidden to the wider world (unlike the notorious Siege of Sydney Street which took place two years later). Resulting in the most spectacular police pursuit in history it involved a hundred police officers and up to a thousand citizens in running to ground two desperate police killers. The book follows every inch of the six-and-a-half miles and minute of the two-and-a-half hours of the chase. It also pays minute attention to the people and places involved as well as the aftermath. As former Head of Firearms Training Operations for the Metropolitan Police Service, Mike Waldren writes in his Foreword, ‘The officers…did their best relying on guts and determination to see them through an unprecedented incident.’ The first in-depth account of an iconic event - fascinating police, social and local history based on extensive first-hand research.







Illustration and Heritage


Book Description

Illustration and Heritage explores the re-materialisation of absent, lost, and invisible stories through illustrative practice and examines the potential role of contemporary illustration in cultural heritage. Heritage is a 'process' that is active and takes place in the present. In the heritage industry, there are opposing discourses and positions, and illustrators are a critical voice within the field. Grounding discussions in concepts fundamental to the illustrator, the book examines how the historical voice might be 'found' or reconstructed. Rachel Emily Taylor uses her own work and other illustrators' projects as case studies to explore how the making of creative work – through the exploration of archival material and experimental fieldwork – is an important investigative process and engagement strategy when working with heritage. What are the similar functions of heritage and illustration? How can an illustrator 'give voice' to a historical person? How can an illustrator disrupt an archive or museum? How can an illustrator represent a historical landscape or site? This book is a contribution to the expanding field of illustration research that focusses on its position in heritage practice. Taylor examines the illustrator's role within the field, while positioning it alongside the disciplines of museology, anthropology, archaeology, performance, and fine art.










Phenomenology, Modernism and Beyond


Book Description

From the first stirrings of modernism to contemporary poetics, the modernist aesthetic project could be described as a form of phenomenological reduction that attempts to return to the invisible and unsayable foundations of human perception and expression, prior to objective points of view and scientific notions. It is this aspect of modernism that this book brings to the fore. The essays presented here bring into focus the contemporary face of ongoing debates about phenomenology and modernism. The contributors forcefully underline the intertwining of modernism and phenomenology and the extent to which the latter offers a clue to the former. The book presents the viewpoints of a range of internationally distinguished critics and scholars, with diverse but closely related essays covering a wide range of fields, including literature, architecture, philosophy and musicology. The collection addresses critical questions regarding the relationship between phenomenology and modernism, with reference to thinkers such as Edmund Husserl, Maurice Merleau-Ponty, Martin Heidegger, Michel Henry and Paul Ricoeur. By examining the contemporary philosophical debates, this cross-disciplinary body of research reveals the pervasive and far-reaching influence of phenomenology, which emerges as a heuristic method to articulate modernist aesthetic concerns.