Edinburgh History of Scottish Literature: From Columba to the Union (until 1707)


Book Description

The History begins with the first full-scale critical consideration of Scotland's earliest literature, drawn from the diverse cultures and languages of its early peoples. The first volume covers the literature produced during the medieval and early modern period in Scotland, surveying the riches of Scottish work in Gaelic, Welsh, Old Norse, Old English and Old French, as well as in Latin and Scots. New scholarship is brought to bear, not only on imaginative literature, but also law, politics, theology and philosophy, all placed in the context of the evolution of Scotland's geography, history, languages and material cultures from our earliest times up to 1707.




Scotland's Books


Book Description

From Treasure Island to Trainspotting, Scotland's rich literary tradition has influenced writing across centuries and cultures far beyond its borders. Here, for the first time, is a single volume presenting the glories of fifteen centuries of Scottish literature. In Scotland's Books the much loved poet Robert Crawford tells the story of Scottish imaginative writing and its relationship to the country's history. Stretching from the medieval masterpieces of St. Columba's Iona - the earliest surviving Scottish work - to the energetic world of twenty-first-century writing by authors such as Ali Smith and James Kelman, this outstanding account traces the development of literature in Scotland and explores the cultural, linguistic and literary heritage of the nation. It includes extracts from the writing discussed to give a flavor of the original work, and its new research ranges from specially made translations of ancient poems to previously unpublished material from the Scottish Enlightenment and interviews with living writers. Informative and readable, this is the definitive single-volume guide to the marvelous legacy of Scottish literature.










International Companion to Scottish Literature of the Long Eighteenth Century


Book Description

This International Companion shows how Scotland's literary cultures, in English, Gaelic, Latin, and Scots, were transformed in the turbulent age between between 1650 to 1800.




Edinburgh Companion to Twentieth-Century Scottish Literature


Book Description

This volume considers the major themes, texts and authors of Scottish literature of the twentieth and, so far, twenty-first century. It identifies the contexts and impulses that led Scottish writers to adopt their creative literary strategies. Moving beyond traditional classifications, it draws on the most recent critical approaches to open up new perspectives on Scottish literature since 1900. The volume's innovative thematic structure ensures that the most important texts or authors are seen from different perspectives whether in the context of empire, renaissance, war and post-war, literary genre, generation, and resistance. In order to provide thorough coverage, these thematic chapters are complemented by chronological 'Arcade' chapters, which outline the contexts of the literature of the period by decades, and by 'Overview' chapters which trace developments across the century in theatre, language and Gaelic literature. Taken together, the chapters provide a thorough and thought-provoking account of the century's literature.




History of Scottish Women's Writing


Book Description

This is the first comprehensive critical analysis of Scottish women's writing from its recoverable beginnings to the present day. Essays cover individual writers - such as Margaret Oliphant, Nan Shepherd, Muriel Spark and Liz Lochhead - as well as groups of writers or kinds of writing - such as women poets and dramatists, or Gaelic writing and the legacy of the Kailyard. In addition to poetry, drama and fiction, a varied body of non-fiction writing is also covered, including diaries, memoirs, biography and autobiography, didactic and polemic writing, and popular and periodical writing for and by women.




Edinburgh Companion to Twentieth-century Scottish Literature


Book Description

This volume considers the major themes, texts and authors of Scottish literature of the twentieth and, so far, twenty-first century. Moving beyond traditional classifications, it draws on the most recent critical approaches to open up new perspectives on Scottish literature since 1900.




Scottish Coal Miners in the Twentieth Century


Book Description

Examining working class welfare in the age of deindustrialisation through the experiences of the Scottish coal minerThroughout the twentieth century Scottish miners resisted deindustrialisation through collective action and by leading the campaign for Home Rule. This book argues that coal miners occupy a central position in Scotland's economic, social and political history, and highlights the role of miners in formulating labour movement demands for political-constitutional reforms that eventually resulted in the establishment of the Scottish Parliament in 1999. The book also uses the struggle of the mineworkers to explore working class wellbeing more broadly during the prolonged and politicised period of deindustrialisation that saw jobs, workplaces and communities devastated. Key featuresExamines deindustrialisation as long-running, phased and politicised processUses generational analysis to explain economic and political changeRelates Scottish Home Rule to long-running debates about economic security and working class welfareAnalyses the longer history of Scottish coal miners in terms of changing industrial ownership, production techniques and workplace safetyRelates this economic and industrial history to changes in mining communities and gender relations




Scottish Women's Writing in the Long Nineteenth Century


Book Description

Introducing the neglected tradition of Scottish women's writing to readers who may already be familiar with English Victorian realism or the historical romances of Walter Scott and Robert Louis Stevenson, this book corrects male-dominated histories of the Scottish novel by demonstrating how women appropriated the masculine genre of romance.