Book Description
Challenges the conventional assumption that British feature films of the Thirties were oriented mostly towards the middle-class and demonstrates that far from being alienated, working class men and women flocked to the cinema.
Author : Stephen Shafer
Publisher : Routledge
Page : 285 pages
File Size : 22,34 MB
Release : 2003-09-02
Category : History
ISBN : 1134988370
Challenges the conventional assumption that British feature films of the Thirties were oriented mostly towards the middle-class and demonstrates that far from being alienated, working class men and women flocked to the cinema.
Author : Rachael Low
Publisher :
Page : 264 pages
File Size : 35,37 MB
Release : 1948
Category : Documentary films
ISBN :
Author : Rachael Low
Publisher : Routledge
Page : 254 pages
File Size : 26,22 MB
Release : 2020-03-27
Category : Performing Arts
ISBN : 1136206612
This set is one of the cornerstones of film scholarship, and one of the most important works on twentieth century British culture. Published between 1948 and 1985, the volumes document all aspects of film making in Britain from its origins in 1896 to 1939. Rachael Low pioneered the interpretation of films in their context, arguing that to understand films it was necessary to establish their context. Her seven volumes are an object lesson in meticulous research, lucid analysis and accessible style, and have become the benchmark in film history.
Author :
Publisher :
Page : 0 pages
File Size : 14,55 MB
Release : 1997
Category :
ISBN :
Author : Jeffrey Richards
Publisher : I.B.Tauris
Page : 296 pages
File Size : 40,4 MB
Release : 1998-12-31
Category : Performing Arts
ISBN :
British film historians reassess the films, stars, genres, and directors omitted from conventional accounts of the decade and evaluate its forgotten and recently rediscovered films. They consider audiences, producer Julius Hagen and his independent Twickenham Film Studios, how MGM deal with the Films Acts, the shocker and musical genres, class and gender issues, national identity, and other dimensions. Distributed by St. Martin's Press. Annotation copyrighted by Book News, Inc., Portland, OR
Author : J. Chapman
Publisher : Springer
Page : 531 pages
File Size : 29,8 MB
Release : 2015-03-11
Category : Performing Arts
ISBN : 0230392873
A New History of British Documentary is the first comprehensive overview of documentary production in Britain from early film to the present day. It covers both the film and television industries and demonstrates how documentary practice has adapted to changing institutional and ideological contexts.
Author : Robert Murphy
Publisher : Bloomsbury Publishing
Page : 466 pages
File Size : 49,69 MB
Release : 2019-07-25
Category : Performing Arts
ISBN : 1838718656
The new edition of The British Cinema Book has been thoroughly revised and updated to provide a comprehensive introduction to the major periods, genres, studios, film-makers and debates in British cinema from the 1890s to the present. The book has five sections, addressing debates and controversies; industry, genre and representation; British cinema 1895-1939; British cinema from World War II to the 1970s, and contemporary British cinema. Within these sections, leading scholars and critics address a wide range of issues and topics, including British cinema as a 'national' cinema; its complex relationship with Hollywood; film censorship; key British genres such as horror, comedy and costume film; the work of directors including Alfred Hitchcock, Anthony Asquith, Alexander Mackendrick, Michael Powell, Lindsay Anderson, Ken Russell and Mike Leigh; studios such as Gainsborough, Ealing, Rank and Gaumont, and recent signs of hope for the British film industry, such as the rebirth of the low-budget British horror picture, and the emergence of a British Asian cinema. Discussions are illustrated with case studies of key films, many of which are new to this edition, including Piccadilly (1929) It Always Rains on Sunday (1947), The Ladykillers (1955), This Sporting Life (1963), The Devils (1971), Withnail and I (1986), Bend it Like Beckham (2002) and Control (2007), and with over 100 images from the BFI's collection. The Editor: Robert Murphy is Professor in Film Studies at De Montfort University and has written and edited a number of books on British cinema, including British Cinema and the Second World War (2000) and Directors in British and Irish Cinema (2006). The contributors: Ian Aitken, Charles Barr, Geoff Brown, William Brown, Stella Bruzzi, Jon Burrows, James Chapman, Steve Chibnall, Pamela Church Gibson, Ian Conrich, Richard Dacre, Raymond Durgnat, Allen Eyles, Christine Geraghty, Christine Gledhill, Kevin Gough-Yates, Sheldon Hall, Benjamin Halligan, Sue Harper, Erik Hedling, Andrew Hill, John Hill, Peter Hutchings, Nick James, Marcia Landy, Barbara Korte, Alan Lovell, Brian McFarlane, Martin McLoone, Andrew Moor, Robert Murphy, Lawrence Napper, Michael O'Pray, Jim Pines, Vincent Porter, Tim Pulleine, Jeffrey Richards, James C. Robertson, Tom Ryall, Justin Smith, Andrew Spicer, Claudia Sternberg, Sarah Street, Melanie Williams and Linda Wood.
Author : S. P. Mackenzie
Publisher : A&C Black
Page : 273 pages
File Size : 15,45 MB
Release : 2001-01-01
Category : Performing Arts
ISBN : 1852852585
The cinema was the most popular form of entertainment during the Second World War. Film was a critically important medium for influencing opinion. Films, such as In Which We Serve and One of Our Aircraft is Missing, shaped the British people's perceptions of the conflict. British War Films, 1939-45 is an account of the feature films produced during the war, rather than government documentaries and official propaganda, making the book an important index of British morale and values at a time of desperate national crisis.
Author : Jonathan Croall
Publisher : McFarland
Page : 233 pages
File Size : 24,27 MB
Release : 2023-06-02
Category : Performing Arts
ISBN : 1476648816
A popular romantic actor with a fan club rivalling that of Ivor Novello, John Stuart was frequently mobbed by his adoring fans. He starred in films by Alfred Hitchcock and G.W. Pabst, played opposite British stars such as Madeleine Carroll, Fay Compton, Gracie Fields, and German actor Conrad Veidt, and was also the first actor to ever speak on screen in Britain. Yet despite a film career lasting six decades and 172 films, his name and achievement are little known today. With access to Stuart's private archive, his surviving films, press cuttings, film reviews, interviews, profiles, features, and gossip columns, his son Jonathan Croall presents a detailed account of an actor who made a significant contribution to the British film industry of the 20th century.
Author : Sarah J. Smith
Publisher : Bloomsbury Publishing
Page : 254 pages
File Size : 37,95 MB
Release : 2005-06-22
Category : Performing Arts
ISBN : 0857711326
Children make up one of cinema's largest audiences, yet from its infancy cinema has in the minds of moral watchdogs accompanied penny papers, comic books and mobile phones as a threat to children's health, morality and literacy. Mobilising original research, and writing with energy and wit, Sarah J. Smith explores the recurring debates in Britain and America about how children use and respond to the media. She focuses on a key example: the controversy surrounding children and cinema in the 1930s. Arguing that children are agents in their cinema viewing, not victims, she uncovers children's distinct cinema culture and reveals the ways in which they subverted or circumvented official censorship to regulate their own viewing of a variety of films, including "Frankenstein" and "King Kong". In an era when children are seen to be 'at risk' in so many ways, this involving book is a refreshing and illuminating read for all those interested in its subject.