Showtime in Cleveland


Book Description

This work takes the reader from the city's first professional theatrical presentation in 1820, through the heyday of vaudeville, to the grand reopening of the newly renovated Allen Theatre in 1999 and the return of touring Broadway shows to Cleveland. In 1820 Cleveland was able to draw a visit from a troupe of professional actors. With no theater in which to perform, the troupe made do with Mowrey's Tavern on Public Square, where a standing-room-only audience saw The Purse; or the Benevolent Tar. It was five years before another professional company would visit. As the city grew, theater blossomed and vaudeville flourished. In the early 1920s, five magnificent theaters opened at Playhouse Square - the State and the Palace, for mixed programs of vaudeville and movies; the Hanna Theater and Ohio, for legitimate Broadway-style theater, and the Allen, for movies. Cleveland was also in the vanguard of the little theater movement with the establishment of the Cleveland Play House and the interracial Karamu Theatre. After a period of decline in the 1960s and 1970s, live theater was reborn in Playhouse Square, which is now the second-largest performing arts complex in the country, and a




The Cambridge History of American Theatre


Book Description

The Cambridge History of American Theatre is an authoritative and wide-ranging history of American theatre in all its dimensions, from theatre building to play writing, directors, performers, and designers. Engaging the theatre as a performance art, a cultural institution, and a fact of American social and political life, the History recognizes changing styles of presentation and performance and addresses the economic context that conditions the drama presented. The History approaches its subject with a full awareness of relevant developments in literary criticism, cultural analysis, and performance theory. At the same time, it is designed to be an accessible, challenging narrative. Volume One deals with the colonial inceptions of American theatre through the post-Civil War period: the European antecedents, the New World influences of the French and Spanish colonists, and the development of uniquely American traditions in tandem with the emergence of national identity.




American Regional Theatre History to 1900


Book Description

Excludes New York City.




Melodrama Unveiled


Book Description

David Grimsted's Melodrama Unveiled explores early American drama to try to understand why such severely limited plays were so popular for so long. Concerned with both the plays and the dramatic settings that gave them life, Grimsted offers us rich descriptions of the interaction of performers, audiences, critics, managers, and stage mechanics. Because these plays had to appeal immediately and directly to diverse audiences, they provide dramatic clues to the least common denominator of social values and concerns. In considering both the context and content of popular culture, Grimsted's book suggests how theater reflected the rapidly changing society of antebellum America.










Educational Theatre Journal


Book Description

Supplements issued for and bound with some vols.




A Mirror for Nature


Book Description







Charlotte Cushman


Book Description

Charlotte Cushman, one of the great actors of 19th century American theatre, was a lesbian who kept her identity hidden by focusing her career on male characters (Romeo, Claude Melnotte, Wolsey), and also on strong and passionate women (Lady Macbeth, Bianca in Fazio, and Queen Katherine in Henry VIII). This biography is an authoritative record of Cushman's life and performances, showing how her complex gender identity illuminates and is illuminated by 19th century theatre critical views. Part One is a biography; Part Two is a performance history listing all of Cushman's known performances, often with a description of her role and critical commentary.