Journal of Astronist Studies Volume 1 Issue 1


Book Description

This marks the first issue of the Journal of Astronist Studies and begins what is hoped to be a long tradition of scholarly discourse on space religions and the broader intersection between astronomy, religion and spirituality. This issue begins with a peer-reviewed article by myself that gives a short history and comparison between Astronism, Cosmism and Cosmodeism. This first article of the first issue sets the scene for a scholarly discourse of Astronist studies by providing some insight into the legacy of Astronism’s predecessors in Cosmism and Cosmodeism. This issue continues with an article by Juan Vivanco who is new to the field of scholarly writing but who boasts a long history of entrepreneurship in eco-friendly construction and is based in Dubai. In his piece, Vivanco introduces readers to quantum cosmic theology and reflects on his experiences of cosmic meditation which has close links with the Astronist practice of night sky exposition and meditation. The third article in this issue is another peer-reviewed piece from myself, this time focusing on the concept of astromorphism. This piece draws much inspiration from my master’s dissertation but uniquely focuses on how the theory of an Astronic religious tradition contributes to the debate on the origins of religion. The origins of religion emerged as an academic pursuit in the early nineteenth century but the role of prehistoric astrolatry was never given any prominence in the debate. The second half of the issue begins with a piece by Professor Emeritus of cultural astronomy and astrology Michael York. York gives his perspective on how geocentrism––represented by modern paganism––and cosmocentrism––represented by Astronism––compare and contrast. York uses the sociological measuring tool of the ideal-type to discuss the worldviews of geocentrism and cosmocentrism by analysing the aims of modern paganism and Astronism on whether humanity ought to escape Earth or attempt instead to restore our terrestrial conditions. The final full-length article in this issue comes from Dr Monica Gyimah who discusses issues involving a lack of state recognition and legal personality specifically impacting people who profess indigenous beliefs. Gyimah provides an extensive analysis of the international legal framework geared towards protecting indigenous communities and gives several examples of how indigenous groups professing various forms of nature religion and polytheism remain unrecognised and their access denied to several fundamental rights protected under freedom of religion or belief. This issue ends with my review of Tsvi Bisk’s latest work Cosmodeism: A Worldview for the Space-Age. It was a pleasure to read and review Bisk’s work as many of the topics Bisk discusses in his work are prominent in Astronist philosophy. I reviewed Bisk’s work from my perspective both as an Astronist but also as the founder of Astronism, in particular to emphasise my belief in the need for the greater practical organisation of those movements that affirm the doctrine of transcension in some form.




The Russian Cosmists


Book Description

In the nineteenth and early twentieth century, a controversial school of Russian religious and scientific thinkers emerged, united in the conviction that humanity was entering a new stage of evolution and must assume a new, active, managerial role in the cosmos. The ideas of the Cosmists have in recent decades been rediscovered and embraced by many Russian intellectuals. In the first account in English of this fascinating tradition, George M. Young offers a dynamic and wide-ranging examination of the lives and ideas of the Russian Cosmists.




Avant-Garde Museology


Book Description

The museum of contemporary art might be the most advanced recording device ever invented. It is a place for the storage of historical grievances and the memory of forgotten artistic experiments, social projects, or errant futures. But in late nineteenth and early twentieth-century Russia, this recording device was undertaken by artists and thinkers as a site for experimentation. Arseny Zhilyaev’s Avant-Garde Museology presents essays documenting the wildly encompassing progressivism of this period by figures such as Nikolai Fedorov, Aleksandr Rodchenko, Kazimir Malevich, Alexander Bogdanov, and others—many which are translated from the Russian for the first time. Here the urgent question is: How might the contents of the museum be reanimated so as to transcend even the social and physical limits imposed on humankind? Contributors: David Arkin; Vladimir Bekhterev; Alexander Bogdanov; Osip Brik; Vasiliy Chekrygin; Leonid Chetyrkin; Nikolai Druzhinin; Nikolai Fedorov; Pavel Florensky; R. N. Frumkina; M. S. Ilkovskiy; V. I. Karmilov; V. Karpov; Valentin Kholtsov; P. N. Khrapov; Yuriy Kogan; Natalya Kovalenskaya; Nadezhda Krupskaya; S. P. Lebedyansky; A. F. Levitsky; Vera Leykina (Leykina-Svirskaya); Ivan Luppol; Kazimir Malevich; Andrey Platonov; Nikolay Punin; Aleksandr Rodchenko; Yuriy Samarin; I. F. Sheremet; Andrey Shestakov; Natan Shneerson; Ivan Skulenko; M. Vorobiev; N. Vorontsovsky; Boris Zavadovsky; I. M. Zykov.




What was Man Created For?


Book Description

Taken from the The Philosophy of the Common Task and Essays, this is a selection of the writings of the Russian mystic philosopher who had an influence on such contemporaries as Tolstoy and Solov'ev. His ideas, once thought far-fetched, are now found to have been prophetic. He lived at a time of intense intellectual controversy, artistic creativity and scientific development in Russia, while at the same time, there was growing world-wide militarism, civic strife and labour unrest. Fedorov was deeply distressed by this state of discord and looked for a means to develop brotherly feeling and ways to divert human energies from war towards dealing more effectively with such natural disasters as floods, droughts, earthquakes and hurricanes.




Cosmic Society


Book Description

Space weaponry, satellite surveillance and communications, and private space travel are all means in which outer space is being humanized: incorporated into society’s projects. But what are the political implications of society not only being globalized, but becoming ‘cosmic’? Our ideas about society have long affected, and been affected by, our understanding of the universe: large sections of our economy and society are now organized around humanity’s use of outer space. Our view of the universe, our increasingly ‘cosmic’ society, and even human consciousness are being transformed by new relations with the cosmos. As the first sociological book to tackle humanity’s relationship with the universe, this fascinating volume links social theory to classical and contemporary science, and proposes a new ‘cosmic’ social theory. Written in a punchy, student-friendly style, this timely book engages with a range of topical issues, including cyberspace, terrorism, tourism, surveillance and globalization.




An Alternative History of Art


Book Description

This catalogue presents the artwork of three fictitious Russian artists, all inventions of Ilya Kabakov, and intervviews of Ilya Kabakov.




We Modern People


Book Description

How science fiction forged a unique Russian vision of modernity distinct from Western models




Inventing the Future


Book Description

This major new manifesto offers a “clear and compelling vision of a postcapitalist society” and shows how left-wing politics can be rebuilt for the 21st century (Mark Fisher, author of Capitalist Realism) Neoliberalism isn’t working. Austerity is forcing millions into poverty and many more into precarious work, while the left remains trapped in stagnant political practices that offer no respite. Inventing the Future is a bold new manifesto for life after capitalism. Against the confused understanding of our high-tech world by both the right and the left, this book claims that the emancipatory and future-oriented possibilities of our society can be reclaimed. Instead of running from a complex future, Nick Srnicek and Alex Williams demand a postcapitalist economy capable of advancing standards, liberating humanity from work and developing technologies that expand our freedoms. This new edition includes a new chapter where they respond to their various critics.




Art without Death


Book Description

According to the nineteenth-century teachings of Nikolai Fedorov—librarian, religious philosopher, and progenitor of Russian cosmism—our ethical obligation to use reason and knowledge to care for the sick extends to curing the dead of their terminal status. The dead must be brought back to life using means of advanced technology—resurrected not as souls in heaven, but in material form, in this world, with all their memories and knowledge. Fedorov's call to redistribute vital forces is wildly imaginative in emancipatory ambition. Today, it might appear arcane in its mystical panpsychism or eccentric in its embrace of realities that exist only in science fiction or certain diabolical strains of Silicon Valley techno-utopian ideology. It can be difficult to grasp how it ended up influencing the thinking behind a generation of young revolutionary anarchists and Marxists who incorporated Fedorov's ideas under their own brand of biocosmism before the 1917 Russian Revolution, even giving rise to the origins of the Soviet space program. This book of interviews and conversations with today's most compelling living and resurrected artists and thinkers seeks to address the relevance of Russian cosmism and biocosmism in light of its influence on the Russian artistic and political vanguard as well as on today's art-historical apparatuses, weird materialisms, extinction narratives, and historical and temporal politics. This unprecedented collection of exchanges on cosmism asks how such an encompassing and imaginative, unapologetically humanist and anthropocentric strain of thinking could have been so historically and politically influential, especially when placed alongside the politically inconsequential—but in some sense equally encompassing—apocalypticism of contemporary realist imaginaries. Contributors Bart De Baere, Franco “Bifo” Berardi, Boris Groys, Elena Shaposhnikova, Marina Simakova, Hito Steyerl, Anton Vidokle, Brian Kuan Wood, Arseny Zhilyaev, Esther Zonsheim Published in parallel with the eponymous exhibition at Haus der Kulturen der Welt, Berlin. Series edited by Julieta Aranda, Brian Kuan Wood, Stephen Squibb, Anton Vidokle Design by Jeff Ramsey, front cover design by Liam Gillick