The Indian Mutiny and the British Imagination


Book Description

Gautam Chakravarty explores representations of the event which has become known in the British imagination as the 'Indian Mutiny' of 1857 in British popular fiction and historiography. Drawing on a wide range of primary sources including diaries, autobiographies and state papers, Chakravarty shows how narratives of the rebellion were inflected by the concerns of colonial policy and by the demands of imperial self-image. He goes on to discuss the wider context of British involvement in India from 1765 to the 1940s, and engages with constitutional debates, administrative measures, and the early nineteenth-century Anglo-Indian novel. Chakravarty approaches the mutiny from the perspectives of postcolonial theory as well as from historical and literary perspectives to show the extent to which the insurrection took hold of the popular imagination in both Britain and India. The book has a broad interdisciplinary appeal and will be of interest to scholars of English literature, British imperial history, modern Indian history and cultural studies.




War of No Pity


Book Description

On May 11, 1857, Hindu and Muslim sepoys massacred British residents and native Christians in Delhi, setting off both the whirlwind of similar violence that engulfed Bengal in the following months and an answering wave of rhetorical violence in Britain, where the uprising against British rule in India was often portrayed as a clash of civilization and barbarity demanding merciless retribution. Although by twentieth-century standards the number of victims was small, the Victorian public saw "the Indian Mutiny" of 1857-59 as an epochal event. In this provocative book, Christopher Herbert seeks to discover why. He offers a view of this episode--and of Victorian imperialist culture more generally--sharply at odds with the standard formulations of postcolonial scholarship. Drawing on a wealth of largely overlooked and often mesmerizing nineteenth-century texts, including memoirs, histories, letters, works of journalism, and novels, War of No Pity shows that the startling ferocity of the conflict in India provoked a crisis of national conscience and a series of searing if often painfully ambivalent condemnations of British actions in India both prior to and during the war. Bringing to light the dissident, disillusioned, antipatriotic strain of Victorian "mutiny writing," Herbert locates in it key forerunners of modern-day antiwar literature and the modern critique of racism.







The 1857 Indian Uprising and the Politics of Commemoration


Book Description

An innovative study using the commemoration of 1857 as a prism through which to explore 150 years of Indian history.




The Cambridge Companion to Sensation Fiction


Book Description

Accessible and comprehensive account of the sensation novel of the nineteenth century.




The Indian Mutiny of 1857


Book Description




The French Colonial Imagination


Book Description

The French Colonial Imagination examines France's critical response to the Indian uprisings of 1857-58 and their brutal suppression by the British. Drawing from texts produced during the Second Empire and the early Third Republic, Nicola Frith foregrounds the extent to which B...







The Indian Mutiny


Book Description

The Indian Mutiny of 1857 was the bloodiest insurrection in the history of the British Empire. It began with a large-scale uprising by native troops against their colonial masters, and soon developed into general rebellion as thousands of discontented civilians joined in. It is a tale of brutal murder and heroic resistance from which innocents on both sides could not escape. This work covers the story of the Mutiny. It challenges the accepted wisdom that a British victory was inevitable, showing just how close the mutineers came to dealing a fatal blow to the British Raj.




Colonial Law in India and the Victorian Imagination


Book Description

Situated at the intersection of law and literature, nineteenth-century studies and post-colonialism, Colonial Law in India and the Victorian Imagination draws on original archival research to shed new light on Victorian literature. Each chapter explores the relationship between the shared cultural logic of law and literature, and considers how this inflected colonial sociality. Leila Neti approaches the legal archive in a distinctly literary fashion, attending to nuances of voice, character, diction and narrative, while also tracing elements of fact and procedure, reading the case summaries as literary texts to reveal the common turns of imagination that motivated both fictional and legal narratives. What emerges is an innovative political analytic for understanding the entanglements between judicial and cultural norms in Britain and the colony, bridging the critical gap in how law and literature interact within the colonial arena.