The Indian Painted Scroll
Author : Shiv Kumar Sharma
Publisher :
Page : 276 pages
File Size : 42,61 MB
Release : 1993
Category : Art, Indic
ISBN :
Author : Shiv Kumar Sharma
Publisher :
Page : 276 pages
File Size : 42,61 MB
Release : 1993
Category : Art, Indic
ISBN :
Author : Frank J. Korom
Publisher :
Page : 124 pages
File Size : 40,53 MB
Release : 2006
Category : Art
ISBN :
Highlights the state's rich cultural and natural landscapes and attractions with fifty-seven photographs in a week-at-a-glance format.
Author : Dipti Khera
Publisher : Princeton University Press
Page : 232 pages
File Size : 38,34 MB
Release : 2020-09-29
Category : ART
ISBN : 0691201846
"India retains one of the richest painting traditions in the history of global visual culture, one that both parallels aspects of European traditions and also diverges from it. While European artists venerated the landscape and landscape paintings, it is rare in the Indian tradition to find depictions of landscapes for their sheer beauty and mood, without religious or courtly significance. There is one glorious exception: Painters from the city of Udaipur in Northwestern India specialized in depicting places, including the courtly worlds and cities of rajas, sacred landscapes of many gods, and bazaars bustling with merchants, pilgrims, and craftsmen. Their court paintings and painted invitation scrolls displayed rich geographic information, notions of territory, and the bhāva, or feel, emotion, and mood of a place. This is the first book to use artistic representations of place to trace the major aesthetic, intellectual, and political shifts in South Asia over the long eighteenth century. While James Tod, the first British colonial agent based in Udaipur, established the region's reputation as a principality in a state of political and cultural deterioration, author Dipti Khera uses these paintings to suggest a counter-narrative of a prosperous region with beautiful and bountiful cities, and plentiful rains and lakes. She explores the perspectives of courtly communities, merchants, pilgrims, monks, laypeople, and officers, and the British East India Company's officers, explorers, and artists. Throughout, she draws new conclusions about the region's intellectual and artistic practices, and its shifts in political authority, mobility, and urbanity"--
Author : Thomas Kaiser
Publisher : Arnoldsche Verlagsanstalt GmbH
Page : 0 pages
File Size : 16,29 MB
Release : 2012
Category : Folk art
ISBN : 9783897903661
For over 2000 years artists travelled throughout India, using painted picture scrolls to spread stories from the great Indian epics, as well as a wealth of stories about regional Gods and heroes and moral tales, amongst the most illiterate rural populati
Author : Amitabh SenGupta
Publisher : AuthorHouse
Page : 167 pages
File Size : 48,49 MB
Release : 2012-06-14
Category : Art
ISBN : 147721383X
Th e art of vernacular painting in India is not only varied and rich but also intriguing for several reasons. With such observations the book addresses certain issues, like the validity of the historical information on Indian Art that excludes vernacular trends. The information on vernacular art in India has either been ignored such as in ancient literary discourses or inadvertently misconstrued within the theoretical purviews of modern days. If the hierarchy of the Hindu caste system has marginalised the culture of the lower rung groups, the lexicon of twentieth century anthropological studies has seen this art as material evidence of undeveloped societies; both creating the same value: to be patronised but not ‘art’. Can art be weighed on a scale of development? Arguments have been developed within the specifi c focus on scroll paintings by the itinerant painter bards in Bengal. Th e bardic tradition has been known to exist in India since a pre-Christian era and still continues within two vibrant trends of vernacular art forms – Bangla and Santhal pat. Th e book redefi nes and repositions the notion of art with contemporary folk art. As the picture Plates are self-evident, the book draws attention on a world of art that has not been present in Indian Art History.
Author : Jagdish and Kamla Mittal Museum of Indian Art (Hyderabad)
Publisher :
Page : 217 pages
File Size : 42,98 MB
Release : 2014
Category : Deccani painting
ISBN : 9788190487252
Author : Samhita Arni
Publisher :
Page : 0 pages
File Size : 30,53 MB
Release : 2011
Category : Juvenile Fiction
ISBN : 9781554981458
The Ramayana is an epic poem by the Hindu sage Valmiki, written in ancient Sanskrit sometime after 300 BC. It is an allegorical story that contains important Hindu teachings, and it has had great influence on Indian life and culture over the centuries. Children are often encouraged to emulate the virtues of the two main characters -- Rama and Sita. The Ramayana is frequently performed as theater or dance, and two Indian festivals -- Dussehra and Divali -- celebrate events in the story. This version of The Ramayana is told from the perspective of Sita, the queen. After she, her husband Rama and his brother are exiled from their kingdom, Sita is captured by the proud and arrogant king Ravana and imprisoned in a garden across the ocean. Ravana never stops trying to convince Sita to be his wife, but she steadfastly refuses his advances. Eventually Rama comes to her rescue with the help of the monkey Hanuman and his army. But Rama feels he can't trust Sita again. He forces Sita to undergo an ordeal by fire to prove herself to be true and pure. She is shocked and in grief and anger does so. She emerges unscathed and they return home to their kingdom as king and queen. However, suspicion haunts their relationship, and Sita once more finds herself in the forest, but this time she is pregnant. She has twins and continues to live in the forest with them. The story is exciting and dramatic, with many turns of plot. Magic animals, snakes, divine gods, demons, sorcerers and a vast cast of characters all play a part in the fierce battles fought to win Sita back. And in the process the story explores ideas of right vs. wrong, compassion, loyalty, trust, honor and the terrible price of war.
Author : Melissa R. Kerin
Publisher : Indiana University Press
Page : 280 pages
File Size : 38,21 MB
Release : 2015-07-06
Category : Art
ISBN : 0253013097
A study of a set of sixteenth-century wall paintings at the Gyapagpa Temple in Nako, a village in India’s Himachal Pradesh state. Sixteenth-century wall paintings in a Buddhist temple in the Tibetan cultural zone of northwest India are the focus of this innovative and richly illustrated study. Initially shaped by one set of religious beliefs, the paintings have since been reinterpreted and retraced by a later Buddhist community, subsumed within its religious framework and communal memory. Melissa Kerin traces the devotional, political, and artistic histories that have influenced the paintings’ production and reception over the centuries of their use. Her interdisciplinary approach combines art historical methods with inscriptional translation, ethnographic documentation, and theoretical inquiry to understand religious images in context. “A meticulous and discerning piece of scholarship, one that is skillful in employing multiple methods—visual, linguistic and ethnographic—to create a fuller picture of a region we knew little about. . . . [A] pleasure to read.” —Pika Ghosh, author of Making Kantha, Making Home: Women at Work in Colonial Bengal “Emphasizing the visual as primary evidence in the study of history, especially religious history, Kerin moves Buddhist art from the arena of museum displays, art markets, and aesthetics to the arena of dynamic interdisciplinary discourse, thus reaffirming the significance of in situ study. . . . Recommended.” —Choice “A forceful study on the specificity of Gyapagpa’s painting.” —South Asia Research/DESC> Indian art;south asian art;religious art;buddhist art;Indian history;south asian history;tibetan buddhism;buddhism;religion;indian buddhists;temple art;nako;gyapagpa;social history;political history;painting style;painting tradition ART019020 ART / Asian / Indian & South Asian ART035000 ART / Subjects & Themes / Religious HIS062000 HISTORY / Asia / South / India * REL007050 RELIGION / Buddhism / Tibetan 9780253010032 Patterns of War—World War II Larry H. Addington
Author : British Museum
Publisher :
Page : 328 pages
File Size : 32,11 MB
Release : 2010
Category : Art
ISBN :
The British Museum's collection of South Indian paintings consists of around 1000 items ranging from the 17th to the 20th century and representing a wide variety of themes and techniques. Only a very few examples from this major collection have been published before. In this book the collection will be catalogued in full, and 250 of the most important items will be reproduced in colour. The paintings will be described and listed according to the their topics (Hindu mythology; castes, trades and occupations; natural history drawings; painted narratives; India observed) and according to the medium on which they were executed (paper, cloth, leather, mica). Each section will begin with a brief introduction outlining the essential stylistic and iconographic features. Among this material are a number of highly interesting albums such as a set of 91 paintings depicting Hindu mythology, dating from the early decades of the 19th century. More unusual items are the long painted scrolls from Andhra illustrating local mythological narratives, the painted cloths from Tamil Nadu depicting the Ramayana epic, and paintings on paper used by the storytellers of northern Karnataka.
Author : Library of Congress
Publisher :
Page : 1624 pages
File Size : 25,80 MB
Release : 2013
Category : Subject headings, Library of Congress
ISBN :