The Inn of Disenchantment
Author : Lisa Ysaye
Publisher :
Page : 174 pages
File Size : 12,9 MB
Release : 1917
Category : Short stories, American
ISBN :
Author : Lisa Ysaye
Publisher :
Page : 174 pages
File Size : 12,9 MB
Release : 1917
Category : Short stories, American
ISBN :
Author :
Publisher :
Page : 990 pages
File Size : 44,22 MB
Release : 1917
Category : Current events
ISBN :
Author :
Publisher :
Page : 744 pages
File Size : 24,77 MB
Release : 1917
Category :
ISBN :
Author : Francis Fisher Browne
Publisher :
Page : 672 pages
File Size : 41,43 MB
Release : 1917
Category : Books
ISBN :
Author : Margaret Hutchins
Publisher :
Page : 86 pages
File Size : 27,58 MB
Release : 1928
Category : Academic libraries
ISBN :
Author :
Publisher :
Page : 440 pages
File Size : 24,45 MB
Release : 1915
Category :
ISBN :
Author :
Publisher :
Page : 916 pages
File Size : 22,43 MB
Release : 1918
Category : American literature
ISBN :
Author :
Publisher :
Page : 712 pages
File Size : 33,35 MB
Release : 1918
Category : Bibliography
ISBN :
Author : James John Hissey
Publisher :
Page : 544 pages
File Size : 38,63 MB
Release : 1917
Category : England
ISBN :
Author : Guillermo Rodríguez-Romaguera
Publisher : Bloomsbury Publishing USA
Page : 209 pages
File Size : 42,91 MB
Release : 2023-08-10
Category : Performing Arts
ISBN :
Can cinema reveal its audience's most subversive thinking? Do films have the potential to project their viewers' innermost thoughts making them apparent on the screen? This book argues that cinema has precisely this power, to unveil to the spectator their own hidden thoughts. It examines case studies from various cultures in conversation with Spain, a country whose enduring masterpieces in self-reflexive or meta-art provide insight into the special dynamic between viewer and screen. Framed around critical readings of Miguel de Cervantes' Don Quixote, Diego Velázquez' Las meninas and Luis Buñuel's Un chien andalou, this book examines contemporary films by Víctor Erice, Carlos Saura, Bigas Luna, Alejandro Amenábar, Lucrecia Martel, Krzysztof Kieslowski, David Lynch, Pedro Almodóvar, Spike Jonze, Andrzej Zulawski, Fernando Pérez, Alfred Hitchcock, Wes Craven and David Cronenberg to illustrate how self-reflexivity in film unbridles the mental repression of film spectators. It proposes cinema as an uncanny duplication of the workings of the brain – a doppelgänger to human thought.