The Intellectual Temptation


Book Description

an absorbing (and beautifully written) study that deserves a very wide audience. - Joshua Muravchik an erudite account of where [the] vision [of individual liberty] comes from, why some ideologues set themselves against it, and how our contemporaries have ceased to treasure it. - Christopher Caldwell Bolkestein exposes todays fashionable, yet dangerous ideas, doing a great service not only to Europe but indeed to the whole of Western civilization. - Ayaan Hirsi Ali The dangers of intellectuals and their ideas in politics have rarely beenwritten about by politicians themselves. This is not surprising, for few politicians are up to the task. However, Frits Bolkestein is a notable exception, bringing rare if not unique qualifi cations to this examination. Not only has he held national and international offi ce in Europe, but he has also studied, read, taught and published broadly. The thesis of The Intellectual Temptation is simple but penetrating: intellectuals ideas are problematic as political ideas because they are often neither derived from nor falsifiable by experience. These ideas are frequently dreams attempting to become reality through power politics. There is also a cultural problem. Intellectuals are pack animals, looking to one another for approval. This affects the quality of their ideas, as they are susceptible to fashionable ideology and group pressurefrequently attracted to ideas that are appealing rather than sound. Very few of them are brave enough to stand against the prevailing orthodoxy. Beginning with a history of ideology, Bolkestein traces a nearly 300 year trend of bad ideas making worse politics, sometimes disastrously so. From his own experience he offers a vision of a politics of prudence, proper pragmatism and Classicism as a way out of the intellectual temptation that we have fallen under.







Salvation Through Temptation


Book Description

Salvation through Temptation describes the development of predominant Greek and Latin Christian conceptions of temptation and of the work of Christ to heal and restore humankind in the context of that temptation, focusing on Maximus the Confessor and Thomas Aquinas as well-developed examples of Greek and Latin thought on these matters. Maximus and Thomas represent two trajectories concerning the woundedness of human emotionality in the wake of the primordial human sin. Heidgerken argues that Maximus stands in essential continuity with earlier Greek ascetic theology, which conceives of the weakness of fallen humankind in demonological categories, so that the Pauline law of sin is bound to external demonic agents that act upon the human mind through thoughts, desires, and sensory impressions. For Thomas, on the other hand, this wound consists primarily of an internal disordering of the faculties that results from the withdrawal of original grace: concupiscence or the fomes peccati. Yet even in this framework, the devil plays a significant role in Thomas’s account of postlapsarian temptation. On the basis of these differing frameworks for human temptation, Heidgerken demonstrates the centrality of Christ’s exemplarity in the Greek account and the centrality of Christ’s moral perfections in the Latin account. As a consequence of these emphases, the Greek tradition of Maximus places distinct limits on the ability of human emotionality (even that of Christ) to be perfected in this life, whereas Thomas’s approach allows Christ to completely embody a perfected form of human emotionality in his earthly life. Reciprocally, Thomas’s account of Christ’s moral perfections and virtue places distinct limits on his affirmation of Christ’s experience of postlapsarian temptation, whereas Maximus’s account allows for Christ to experience interior forms of temptation that more closely mirror the concrete moral experiences and circumstances of fallen human beings. Salvation through Temptation recommends a retrieval of early ascetic theology and demonology as the best contemporary systematic and ecumenically-viable approach to Christ’s temptation and victory over the devil.







The Temptation of Paul Hindemith


Book Description

Focuses on the five-tiered representational structure in which the hermit's conflict and vindication present themselves through Hindemith's opera. Bruhn argues that the opera presents something akin to a confession of the composer's inner conflicts and his decision not to become involved in the Nazi confrontation. Three sections discuss: the dilemma of social responsibility vs. the eremitic quest in the lives of Saint Antony of Egypt, the fictional painter Mathis, and Paul Hindemith; hermits, anchorites, and ascetics as portrayed in literature, art, and music; and the form, content, and interpretation of Mathis der Maler. Appendices include synopses and translations of several operas by Hindemith. Annotation copyrighted by Book News, Inc., Portland, OR










The Biblical World


Book Description

"Books for New Testament study ... [By] Clyde Weber Votaw" v. 26, p. 271-320; v. 37, p. 289-352.




Longing, Weakness and Temptation


Book Description

The themes of longing, weakness and temptation are relevant to every human and are interwoven with all fundamental ideals and values of the created, rational being. Temptation is all the more dramatic, the broader the perspective of recognition, the power of human longing and the sense of the difference between good and evil. This book is a summary of a study which compares and contrasts Slovenian and European literary works created under the influence of biblical source texts (Adam and Eve, Joseph from Egypt, Samson and Dalilah, etc.) and the works of other known and unknown origins (Homer’s Iliad, Goethe’s Faust, various versions of the myth of the Fair Vida, etc.). The ascribing of a text to a genre provides the interpreter of the text with a key intertextual framework and with a system of references to other books, other texts, other literary statements. The intertextual approach is obviously appropriate to the study of contents, symbols and forms of literary works. It shows how the source text continues to speak through the new work and how the new work forces new meanings from the source text. Later writers use important themes with a historical sense, when aiming toward a better understanding of authenticity of human existence.