The Isis-book


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The Isis-book


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The Isis-Book (Metamorphoses, Book XI)


Book Description

Preliminary material /J. GWYN GRIFFITHS -- INTRODUCTION /J. GWYN GRIFFITHS -- SIGLA /J. GWYN GRIFFITHS -- TEXT AND TRANSLATION /J. GWYN GRIFFITHS -- COMMENTARY /J. GWYN GRIFFITHS -- ADDENDA /J. GWYN GRIFFITHS -- A SELECT BIBLIOGRAPHY OF WORKS CONSULTED /J. GWYN GRIFFITHS -- GENERAL INDEX /J. GWYN GRIFFITHS.




The Isis Book


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The Isis-book


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Apuleius Madaurensis Metamorphoses, Book XI


Book Description

Using a transdisciplinary approach for a thorough assessment of the much-debated religious ending of the Metamorphoses, this new and detailed commentary on Apuleius' Isis book will elucidate the narrative in its literary, religious, archaeological and cultural context.




Aspects of Apuleius' Golden Ass


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The contributions to this volume on the Isis Book reassess current interpretations, highlight aspects of text, language, and style, and develop new lines of approach regarding the interpretation of this fascinating many-layered text, the last book of Apuleius’ famous novel.




Metamorphoses


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Witches, Isis and Narrative


Book Description

This is the first in-depth study of Apuleius' Metamorphoses to look at the different attitudes characters adopt towards magic as a key to deciphering the complex dynamics of the entire work. The variety of responses to magic is unveiled in the narrative as the protagonist Lucius encounters an assortment of characters, either in embedded tales or in the main plot. A contextualized approach illuminates Lucius' relatively good fortune when compared to other characters in the novel ‒ this results from his involvement with the magic of a sorcerer's apprentice, rather than that of a real witch, and signals the possibility of eventual salvation. A careful investigation of Lucius' attitude towards Isis in book 11 and his relationship with the witch-slave girl Photis earlier on suggests that the novel's final book may be read as a second "Metamorphoses", consciously rewritten from a positive perspective. Last but not least, the book also breaks new ground by examining the narrative structure of the Metamorphoses against the background of the typical plotline found in the ideal romance. The comparison shows how Apuleius both follows and alters this plot, exploiting the genre to his own specific ends, in keeping with his central theme of metamorphosis.