The Japanese Print Since 1900


Book Description







Guide to Modern Japanese Woodblock Prints


Book Description

"[An] impressive volume, with a valuable amount of information not otherwise available in one source." --Choice Companion volume to Merritt's Modern Japanese Woodblock Prints. This volume is a reference work that is both comprehensive and rigorously chronological.




The Japanese Print Since 1900


Book Description




Japanese Prints


Book Description

Originally published: London: British Museum Press, c2010.




Shin-hanga


Book Description

Chronicles the 20th-century shin-hanga ("new prints") movement of Japanese woodblock printing, based on an exhibition at the Los Angeles County Museum of Art between January and June 1996. Includes many high-quality color and bandw illustrations, and essays on specific images, the cultural and historical context of the images, and the history of critical evaluation of shin-hanga, plus an exhibition checklist. Annotation copyrighted by Book News, Inc., Portland, OR




Japanesque


Book Description

This lavishly illustrated book examines the profound influence of Japanese prints on the Impressionists and their American contemporaries.







Modern Japanese Prints 1912-1989


Book Description

The introduction by Lawrence Smith gives a concise history of the medium since 1912, charting the two 'golden ages' (1915-40 and 1950-75) and the assimilation of new international techniques and styles. The book also contains biographies of all the 78 artists illustrated, a comprehensive bibliography and a glossary of Japanese terms.




The Japanese Print


Book Description

This straightforwardly written and highly informative book is designed as an introductory history and guide to Japanese prints for the student and the beginning collector. Not limited to "ukiyo-e", it also discusses medieval Buddhist prints and the prints of the modern era, from the Mieiji period to the present. Thus such modern luminaries as Onchi, Hiratsuka, and Munakata are presented alongside the Edo master printmakers Harunobu, Kiyonaga, Utamaro, Sharaku, Hokusai, and Hiroshige. A major virtue of the book is the attention it gives to the aesthetics of the prints and to the lives of the printmakers themselves. Illustrated with 14 prints in full color and 86 in black and white, it also offers a thoroughly useful chapter on the collection and care of Japanse prints, a glossary, and a valuable selected bibliography. -- From publisher's description.