General Catalogue of Printed Books


Book Description




The End For Which God Created the World


Book Description

This classic is organized as follows: Introduction Containing Explanations of Terms and General Positions Chapter I. Wherein Is Considered, What Reason Teaches Concerning This Affair. Section I. Some things observed in general, which reason dictates Section II. Some further observations concerning those things which reason leads us to suppose God aimed at in the creation of the world Section III. Wherein it is considered how, on the supposition of God’s making the aforementioned things his last end, he manifests a supreme and ultimate regard to himself in all his works Section IV. Some objections considered, which may be made against the reasonableness of what has been said of God making himself his last end. Chapter II. Wherein If It Is Inquired, What Is To Be Learned From Holy Scriptures, Concerning God’s Last End In The Creation Of The World Section I. The Scriptures represent God as making himself his own last end in the creation of the world Section II. Wherein some positions are advanced concerning a just method of arguing in this affair, from what we find in the Holy Scriptures Section III. Particular texts of Scripture, that show that God’s glory is an ultimate end of the creation Section IV. Places of Scripture that lead us to suppose, that God created the world for his name, to make his perfections known; and that he made it for his praise. Section V. Places of Scripture from whence it may be argued, that communication of good to the creature, was one thing which God had in view, as an ultimate end of the creation of the world. Section VI. Wherein is considered what is meant by the glory of God and the name of God in Scripture, when spoken of as God’s end in his works Section VII. Showing that the ultimate End of the Creation of the World is but one, and what that one end is.




God's Passion for His Glory


Book Description

In his essay The End for Which God Created the World, the great theologian Jonathan Edwards proclaimed that God's ultimate end is the manifestation of his glory in the highest happiness of his creatures. Pastor John Piper has devoted his years of ministry to exploring the implications of this stunning truth for life and ministry. Understanding that God is most glorified in us when we are most satisfied in him has made all the difference for John Piper-and can transform your life as well. Here Piper passionately demonstrates the relevance of Edwards's ideals for the personal and public lives of Christians today through his own book-length introduction to Edwards's The End for Which God Created the World. This book also contains the complete essay supplemented by almost a hundred of Piper's insightful explanatory notes. The result is a powerful and persuasive presentation of the things that matter most in the Christian life.




Why I Believed


Book Description

Part auto-biography and part exposé of Ken Daniels' experience and long time belief in Christianity and the questions and answers he's had to ask about with regard to the validity of Christian theories.







Men of Mark


Book Description

TO PRESUME to multiply books in this day of excellent writers and learned book-makers is a rash thing perhaps for a novice. It may even be a presumption that shall be met by the production itself being driven from the market by the keen, searching criticism of not only the reviewers, but less noted objectors. And yet there are books that meet a ready sale because they seem like "Ishmaelites"--against everybody and everybody against them. Whether this work shall ever accomplish the design of the author may not at all be determined by its sale. While I hope to secure some pecuniary gain that I may accompany it with a companion illustrating what our women have done, yet by no means do I send it forth with the sordid idea of gain. I would rather it would do some good than make a single dollar, and I echo the wish of "Abou Ben Adhem," in that sweet poem of that name, written by Leigh Hunt. The angel was writing at the table, in his vision. The names of those who love the Lord.Abou wanted to know if his was there--and the angel said "No." Said Abou, I pray thee, then, write me as one that loves his fellow-men. That is what I ask to be recorded of me. The angel wrote and vanished. The next night It came again, with a great awakening light. And showed the names whom love of God had blessed. And lo! Ben Adhem's name led all the rest. I desire that the book shall be a help to students, male and female, in the way of information concerning our great names. I have noticed in my long experience as a teacher, that many of my students were wofully ignorant of the work of our great colored men--even ignorant of their names. If they knew their names, it was some indefinable something they had done--just what, they could not tell. If in a slight degree I shall here furnish the data for that class of rising men and women, I shall feel much pleased. Herein will be found many who had severe trials in making their way through schools of different grades. It is a suitable book, it is hoped, to be put into the hands of intelligent, aspiring young people everywhere, that they might see the means and manners of men's elevation, and by this be led to undertake the task of going through high schools and colleges. If the persons herein mentioned could rise to the exalted stations which they have and do now hold, what is there to prevent any young man or woman from achieving greatness? Many, yea, nearly all these came from the loins of slave fathers, and were the babes of women in bondage, and themselves felt the leaden hand of slavery on their own bodies; but whether slaves or not, they suffered with their brethren because of color. That "sum of human villainies" did not crush out the life and manhood of the race. I wish the book to show to the world--to our oppressors and even our friends--that the Negro race is still alive, and must possess more intellectual vigor than any other section of the human family, or else how could they be crushed as slaves in all these years since 1620, and yet to-day stand side by side with the best blood in America, in white institutions, grappling with abstruse problems in Euclid and difficult classics, and master them? Was ever such a thing seen in another people? Whence these lawyers, doctors, authors, editors, divines, lecturers, linguists, scientists, college presidents and such, in one quarter of a century?




Autobiography of Andrew T. Still


Book Description




Mary in Different Traditions


Book Description

Catholicism in the Western world today demands real effort to turn to Our Lady in any meaningful way. The author explores the insights of other faiths – Protestantism, Orthodoxy, Islam and Judaism; and also the insights of the 'other' within the Catholic tradition – the Eastern-rite Catholics who, despite their full communion with Rome, have a distinct approach to Mary based on thir unique liturgical and spiritual tradition. Perhaps the novelty of their viewpoints on Mary can bring us to the joy of surprise about her once again, and help us to enjoy the even greater wonder of her son, Jesus.




Kafka's Zoopoetics


Book Description

Nonhuman figures are ubiquitous in the work of Franz Kafka, from his early stories down to his very last one. Despite their prominence throughout his oeuvre, Kafka’s animal representations have been considered first and foremost as mere allegories of intrahuman matters. In recent years, the allegorization of Kafka’s animals has been poetically dismissed by Kafka’s commentators and politically rejected by posthumanist scholars. Such critique, however, has yet to inspire either an overarching or an interdiscursive account. This book aims to fill this lacuna. Positing animal stories as a distinct and significant corpus within Kafka’s entire poetics, and closely examining them in dialogue with both literary and posthumanist analysis, Kafka’s Zoopoetics critically revisits animality, interspecies relations, and the very human-animal contradistinction in the writings of Franz Kafka. Kafka’s animals typically stand at the threshold between humanity and animality, fusing together human and nonhuman features. Among his liminal creatures we find a human transformed into vermin (in “The Metamorphosis”), an ape turned into a human being (in “A Report to an Academy”), talking jackals (in “Jackals and Arabs”), a philosophical dog (in “Researches of a Dog”), a contemplative mole-like creature (in “The Burrow”), and indiscernible beings (in “Josefine, the Singer or the Mouse People”). Depicting species boundaries as mutable and obscure, Kafka creates a fluid human-animal space, which can be described as “humanimal.” The constitution of a humanimal space radically undermines the stark barrier between human and other animals, dictated by the anthropocentric paradigm. Through denying animalistic elements in humans, and disavowing the agency of nonhuman animals, excluding them from social life, and neutralizing compassion for them, this barrier has been designed to regularize both humanity and animality. The contextualization of Kafka's animals within posthumanist theory engenders a post-anthropocentric arena, which is simultaneously both imagined and very real.