The Kiss of Judice: The Constitution Betrayed: A Coroner's Inquest and Report [Vol. 4]


Book Description

This work is the fourth of a four-volume treatise. In twelve sections, it covers: Death of Contract, Full Faith & Credit, 9th Amendment: Only an ‘Inkblot’?, Other Jurisdictional Usurpations by The Court for Itself, Ashcroft Hearings: ‘Pyrrhus Testifies’, Field Test № 1: The Government and Major League Baseball vs. The Taxpayers—Into the Judicial Bull-Pen, Field Test № 2: Joan of Arc vs. IRS—Of Hamster Nostrils, Hexing Studies, and the Government's Official Renunciation of The Federalist, Field Test №3: Anatomy of a Judicial Murder: Of Beanbags, Unnatural Acts with Sheep, and a Judicial Pardon for a Governor, Ex-Cathedra: Perpetuity of Infallible Error, Two Constitutions: The Court's vs. The Founders', Judici Officium Suum Excedenti Non Paretur: Constitutional Convention Anyone? The volume is styled, The Kiss of Judice: The Constitution Betrayed-A Coroner's Inquest and Report. 'Judice', Latin, a pun, means 'pertaining to judges'; thus denoting the judicial, Judas-like betrayal of the Constitution. 'Coroner's Inquest' denotes that the work is a study into the death of the Constitution. Your author is the Coroner. He proceeds in the Inquest with the aid of his Coroner's Jury: Jefferson, Madison, Hamilton, Story, Locke, and Blackstone. The work in the first two volumes of the treatise is a dialogue between the Coroner and his jury on the various parts of the Constitution covered. The jury members answer the Coroner's questions, for the most part in their own words, drawn from a variety of their written works. Occasionally the Coroner puts words in their mouths; those 'inventions' are shown in brackets in the jurors' answers. In the third and fourth volumes, the lessons of the Founders in Volumes 1 and 2 are applied to cases decided by the U.S. Supreme Court. Most readers will be astonished at how often the supreme court has gotten it wrong either in result, reasoning, or both. The work is novel, because, to the author's knowledge, it is the only 'Constitutional Law' textbook that collects the wisdom of the framers as the Constitution's only authoritative sources; it does not, as most Constitutional Law texts do, emphasize court cases as constitutional authority, for more often than not, the court has only warped the Constitution. In a broader sense, though, the work is not novel, for it's only an arrangement of the work already done by the jurors. The author is pleased to say that the work, by and large, is not original thought. Its beauty is that it only revives long-forgotten constitutional 'discoveries' as set in the words of the main jurors and some others within 'interviewed'. Note to purchasers: For updates to the manuscript, check "Pastoral Republican" @ http://douglassbartley.wordpress.com/




The Kiss of Judice: The Constitution Betrayed


Book Description

This work is the first of a multi-volume treatise. In addition to a Prologue, this volume covers the Constitution's Natural Rights Pedigree, its Preamble, and the (very-limited) Federal Legislative Powers and Federal Executive Powers it grants. The volume is styled, The Kiss of Judice: The Constitution Betrayed—A Coroner's Inquest and Report. “Judice”, Latin, a pun, means “pertaining to judges”; thus denoting the judicial, Judas-like betrayal of the Constitution. “Coroner's Inquest” denotes that the work is a study into the death of the Constitution. Your author is the Coroner. He proceeds in the Inquest with the aid of his Coroner's Jury: Jefferson, Madison, Hamilton, Story, Locke, and Blackstone. The work, at least in this volume, is a dialogue between the Coroner and his jury on the various parts of the Constitution covered. The jury members answer the Coroner's questions, for the most part in their own words, drawn from a variety of their written works. Occasionally the Coroner puts words in their mouths; those “inventions” are shown in brackets in the jurors' answers. The work is novel, because, to the author's knowledge, it is the only “Constitutional Law” textbook that collects the wisdom of the framers as the Constitution's only authoritative sources; it does not, as most Constitutional Law texts do, emphasize court cases as constitutional authority, for more often than not, the courts have only warped the Constitution. In a broader sense, though, the work is not novel, for it's only an arrangement of the work already done by the jurors. The author is pleased to say that the work, by and large, is not original thought. Its beauty is that it only revives long-forgotten constitutional “discoveries” as set in the words of the main jurors and some others within “interviewed”.Note to purchasers: For updates to the manuscript, check "Pastoral Republican" @ http://douglassbartley.wordpress.com/.




The Colored Patriots of the American Revolution


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Hard Times


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Ulysses


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The Female Detective


Book Description

The Female Detective by Andrew Forrester is about a female detective who expertly evades suspicion while cracking the hardest cases. Excerpt: "Who am I? It can matter little who I am. It may be that I took to the trade, sufficiently comprehended in the title of this work without a word of it being read, because I had no other means of making a living; or it may be that for the work of detection I had a longing which I could not overcome."




Crime and Punishment in Contemporary Culture


Book Description

Today, questions about how and why societies punish are deeply emotive and hotly contested. In Crime and Punishment in Contemporary Culture, Claire Valier argues that criminal justice is a key site for the negotiation of new collective identities and modes of belonging. Exploring both popular cultural forms and changes in crime policies and criminal law, Valier elaborates new forms of critical engagement with the politics of crime and punishment. In doing so, the book discusses: · Teletechnologies, punishment and new collectivities · The cultural politics of victims rights · Discourses on foreigners, crime and diaspora · Terror, the death penalty and the spectacle of violence. Crime and Punishment in Contemporary Culture makes a timely and important contribution to debate on the possibilities of justice in the media age.




Emotion in the Tudor Court


Book Description

Deploying literary analysis, theories of emotion from the sciences and humanities, and an archival account of Tudor history, Emotion in the Tudor Court examines how literature both reflects and constructs the emotional dynamics of life in the Renaissance court. In it, Bradley J. Irish argues that emotionality is a foundational framework through which historical subjects embody and engage their world, and thus can serve as a fundamental lens of social and textual analysis. Spanning the sixteenth century, Emotion in the Tudor Court explores Cardinal Thomas Wolsey and Henrician satire; Henry Howard, Earl of Surrey, and elegy; Sir Philip Sidney and Elizabethan pageantry; and Robert Devereux, Earl of Essex, and factional literature. It demonstrates how the dynamics of disgust,envy, rejection, and dread, as they are understood in the modern affective sciences, can be seen to guide literary production in the early modern court. By combining Renaissance concepts of emotion with modern research in the social and natural sciences, Emotion in the Tudor Court takes a transdisciplinary approach to yield fascinating and robust ways to illuminate both literary studies and cultural history.




A Woman's Life-work


Book Description

Canadian-born Laura Haviland (1808-1898) was an evangelically-minded Quaker and later (for a time) a Wesleyan Methodist, active in education and social justice issues throughout her life. A Woman's Life Work is, above all, a religious autobiography chronicling her conversion experience and her desire to express faith through benevolent social action. She was brought up in New York State but moved to Raisin, Lenawee County, Michigan, following her marriage at sixteen. In 1837, influenced by the example of Oberlin College, she and her husband founded the Raisin Institute, an academy open to "all of good moral character" regardless of race. After her husband's death, she became increasingly involved with the underground railroad, traveling frequently to the South and enacting elaborate plans to help slaves escape. When the Civil War broke out, she organized relief efforts for wounded or imprisoned soldiers as well as for former slaves, refugees, and those who were illegally still held in bondage, working with the Freedman's Relief Association and the American Missionary Association, with which she established an orphanage primarily devoted to black children. Although she lectured, lobbied, and ministered, Haviland's forte was grassroots activism--organizing, protesting, lobbying, or demonstrating against the specific injustices she encountered. Her book is filled with individual stories of black-white relationships under slavery and includes a slave narrative from a man called "Uncle Philip," transcribed in his own words. Haviland writes graphic descriptions of the punishments meted out to slaves and gives the reader eyewitness accounts of war-time prisons, hospitals, soup kitchens and refugee camps. She provides extensive information about the subtle relationships between the Society of Friends and evangelical Christianity. Though Haviland became a Wesleyan Methodist for the most active period of her life, she returned to her Quaker origins shortly before her death.




The Judgment House


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