The Last Genro


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Japan's Siberian Intervention, 1918–1922


Book Description

The fifty months of the Siberian Intervention encompass the existential crisis which affected Japanese at virtually all levels when confronted with the new 'world situation' left in the wake of the First World War. From elite politicians and military professionals, to public intellectuals and the families of servicemen in small garrison towns, the intervention was perceived as a test of how Japan might fit itself into the emerging postwar world order. Both domestically and internationally Japan's actions in Siberia were seen as critical proof of the nation's ability, depending on one's viewpoint, to embrace or to ride out the 'trends of the times,' the seeming triumph of constitutional democracy and Wilsonian internationalism. The course of the Siberian Intervention illuminates the struggle to cement 'responsible' party cabinets at the heart of Japanese decision making, the high water mark of efforts to bring the Japanese military under civilian control, the attempt to fundamentally reshape Japanese continental policy, and the hopes of millions of Japanese that their voices be heard and their desires respected by the nation's leaders. The book attempts a broad examination of domestic politics, foreign policy, and military action by incorporating a wide array of voices through a detailed examination of public comment and discussion in journals and magazines, the major circulation daily newspapers of Tokyo and Osaka as well as those of smaller cities such as Nara, Mito, Oita, and Tsuruga.










Propaganda, Communication and Public Opinion


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"The most comprehensive bibliography yet published in the public opinion field." —Journalism Quarterly. Besides a selection of the most significant titles from earlier years, this book contains a comprehensive listing of books, pamphlets, and articles which appeared between 1934 and 1943. Originally published in 1946. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.




Creating a Public


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No institution did more to create a modern citizenry than the newspaper press of the Meiji period (1868-1912). Here was a collection of highly diverse, private voices that provided increasing numbers of readers—many millions by the end of the period—with both its fresh picture of the world and a changing sense of its own place in that world. Creating a Public is the first comprehensive history of Japan's early newspaper press to appear in English in more than half a century. Drawing on decades of research in newspaper articles and editorials, journalists' memoirs and essays, it tells the story of Japan's newspaper press from its elitist beginnings just before the fall of the Tokugawa regime through its years as a shaper of a new political system in the 1880s to its emergence as a nationalistic, often sensational, medium early in the twentieth century.




The Idea of Democracy in the Modern Era


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Although the last half of the twentieth century has been called the Age of Democracy, the twenty-first has already demonstrated the fragility of its apparent triumph as the dominant form of government throughout the world. Reassessing the fate of democracy for our time, distinguished political theorist Ralph Ketcham traces the evolution of this idea over the course of four hundred years. He traces democracy's bumpy ride in a book that is both an exercise in the history of ideas and an explication of democratic theory. Ketcham examines the rationales for democratic government, identifies the fault lines that separate democracy from good government, and suggests ways to strengthen it in order to meet future challenges. Drawing on an encyclopedic command of history and politics, he examines the rationales that have been offered for democratic government over the course of four manifestations of modernity that he identifies in the Western and East Asian world since 1600. Ketcham first considers the fundamental axioms established by theorists of the Enlightenment—Bacon, Locke, Jefferson—and reflected in America's founding, then moves on to the mostly post-Darwinian critiques by Bentham, Veblen, Dewey, and others that produced theories of the liberal corporate state. He explains late-nineteenth-century Asian responses to democracy as the third manifestation, grounded in Confucian respect for communal and hierarchical norms, followed by late-twentieth-century postmodernist thought that views democratic states as oppressive and seeks to empower marginalized groups. Ketcham critiques the first, second, and fourth modernity rationales for democracy and suggests that the Asian approach may represent a reconciliation of ancient wisdom and modern science better suited to today's world. He advocates a reorientation of democracy that de-emphasizes group or identity politics and restores the wholeness of the civic community, proposing a return to the Jeffersonian universalism—that which informed the founding of the United States—if democracy is to flourish in a fifth manifestation. The Idea of Democracy in the Modern Era is an erudite, interdisciplinary work of great breadth and complexity that looks to the past in order to reframe the future. With its global overview and comparative insights, it will stimulate discussion of how democracy can survive-and thrive-in the coming era.




Emperor Hirohito and the Pacific War


Book Description

This reexamination of the controversial role Emperor Hirohito played during the Pacific War gives particular attention to the question: If the emperor could not stop Japan from going to war with the Allied Powers in 1941, why was he able to play a crucial role in ending the war in 1945? Drawing on previously unavailable primary sources, Noriko Kawamura traces Hirohito’s actions from the late 1920s to the end of the war, analyzing the role Hirohito played in Japan’s expansion. Emperor Hirohito emerges as a conflicted man who struggled throughout the war to deal with the undefined powers bestowed upon him as a monarch, often juggling the contradictory positions and irreconcilable differences advocated by his subordinates. Kawamura shows that he was by no means a pacifist, but neither did he favor the reckless wars advocated by Japan’s military leaders.




Japanese Inn


Book Description

The beguiling story of the Minaguchi-ya, an ancient inn on the Tokaido Road, founded on the eve of the establishment of the Tokugawa shogunate. Travellers and guests flow into and past the inn — warriors on the march, lovers fleeing to a new life, pilgrims on their merry expeditions, great men going to and from the capital. The story of the Minaguchi-ya is a social history of Japan through 400 years, a ringside seat to some of the most stirring events of a stirring period. ‘Statler has created a strangely beautiful book that succeeds in conveying intact not only a great deal of its history but the mood of that land. The result is sheer delight. Japanese Inn is the work of a master craftsman; it is so well conceived that the narrative moves from past to present in the same paragraph without the slightest confusion to the reader; it is so well written that only in retrospect is one aware of its remarkable flawless style. Through the author’s particular magic, the stories unfold as one narrative, as beautifully and memorably as the unrolling of a long Japanese scroll.’—CURT GENTRY ‘The reader learns much of Japan’s past — and, as is inevitable in a study of that country, of present-day Japanese as well. Mr Statler’s prose succeeds in evoking the pageantry of the past in the brilliant color of the kabuki stage. Nothing seems to have been overlooked by the author. Mr Statler’s book is Japanese history made easy, and grand entertainment.’— NEW YORK TIMES BOOK REVIEW ‘Much of it is told in fictional form. Some of the episodes have come out of family annals and memories, some from the records of the temple; some are imagined; but all could have happened ... Mr Statler has told the story vividly and with sympathy. It moves. It has the authentic feel of Japan.’—INTERNATIONAL HERALD TRIBUNE