The Last Work Published of the Rev. William Gilpin ...
Author : William Gilpin
Publisher :
Page : 80 pages
File Size : 48,20 MB
Release : 1810
Category : Aquatint
ISBN :
Author : William Gilpin
Publisher :
Page : 80 pages
File Size : 48,20 MB
Release : 1810
Category : Aquatint
ISBN :
Author : William Gilpin
Publisher :
Page : 74 pages
File Size : 18,37 MB
Release : 1810
Category :
ISBN :
Contains uncoloured aquatints printed in buff and stone colour.
Author : Carl Paul Barbier
Publisher : Oxford : Clarendon Press
Page : 242 pages
File Size : 45,50 MB
Release : 1963
Category : Illustrators
ISBN :
Author : William Darby Templeman
Publisher : Urbana : University of Illinois Press
Page : 370 pages
File Size : 50,81 MB
Release : 1939
Category : Clergy
ISBN :
Author : W. Henry GROVE
Publisher :
Page : 254 pages
File Size : 37,27 MB
Release : 1851
Category :
ISBN :
Author :
Publisher :
Page : 572 pages
File Size : 30,25 MB
Release : 1811
Category : English literature
ISBN :
Author : Greg Smith
Publisher : Routledge
Page : 294 pages
File Size : 35,53 MB
Release : 2018-01-12
Category : Art
ISBN : 135173010X
This title was first published in 2002: Draw ing on extensive primary research, Greg Smith describes the shifting cultural identities of the English watercolour, and the English watercolourist, at the end of the eighteenth and the beginning of the nineteenth century. His convincing narrative of the conflicts and alliances that marked the history of the medium and its practitioners during this period includes careful detail about the broader artistic context within which watercolours were produced, acquired and discussed. Smith calls into question many of the received assumptions about the history of watercolour painting. His account exposes the unsatisfactory nature of the traditional narrative of watercolour painting’s development into a ’high’ art form, which has tended to offer a celebratory focus on the innovations and genius of individual practitioners such as Turner and Girtin, rather than detailing the anxieties and aspirations that characterized the ambivalent status of the watercolourist. The Emergence of the Professional Watercolourist is published with the assistance of the Paul Mellon Foundation.
Author :
Publisher :
Page : 908 pages
File Size : 39,21 MB
Release : 1860
Category :
ISBN :
Author : John Phibbs
Publisher : English Heritage
Page : 384 pages
File Size : 45,11 MB
Release : 2017-05-22
Category : Architecture
ISBN : 1848023669
Lancelot ‘Capability’ Brown (1716-1783) is the iconic figure at the head of the English landscape style, a tradition that has dominated landscape design in the western world. He was widely acclaimed for his genius in his own day and his influence on the culture of England has arguably been as great as that of Turner, Telford and Wordsworth. Yet, although Brown has had his biographers, his work has generated very little analysis. Brown was prolific; he has had a direct influence on half a million acres of England and Wales. The astonishing scale of his work means that he did not just transform the English countryside, but also our idea of what it is to be English and what England is. His work is everywhere, but goes largely unnoticed. His was such a naturalistic style that all his best work was mistaken for untouched nature. This has made it very difficult to see and understand. Visitors to Brown landscapes do not question the existence of the parkland he created and there has been little professional or academic analysis of his work. This book for the first time looks at the motivation behind Brown’s landscapes and questions their value and structure whilst at the same time placing him within the English landscape tradition. It aims primarily to make landscape legible, to show people where to stand, what to look at and how to see.
Author : Ex Libris Society (London, England)
Publisher :
Page : 250 pages
File Size : 16,2 MB
Release : 1900
Category : Bookplates
ISBN :
List of members in v. 2-17.