The Late Eighteenth-Century Confluence of British-German Sentimental Literature


Book Description

The Late Eighteenth-century Confluence of British-German Sentimental Literature: The Lessing Brothers, Henry Mackenzie, Goethe, and Jane Austen analyzes the literary exchange and influence between British and German literature. Xiaohu Jiang focuses particularly on the process of this mutual influence—that is, translation—by observing how the political and cultural imbalance between the British and German literary fields impacted the conceptions, attitudes, and (in)visibility of translators in Britain and Germany in the late eighteenth century. To this end, Jiang carefully reads the paratexts of these translations, analyzing the resemblances between Henry Mackenzie’s The Man of Feeling and Goethe’s Die Leiden des jungen Werther and arguing that The Man of Feeling is a vital source of influence for Die Leiden des jungen Werther. Furthermore, this book also presents an in-depth analysis of Jane Austen’s creative appropriation of Die Leiden des jungen Werther and her oscillating attitudes toward sensibility, which is evidenced not only in her own texts, but also from her brother’s articles in The Loiterer. Scholars of literature, history, and international relations will find this book particularly useful.




The Late Eighteenth-Century Confluence of British-German Sentimental Literature


Book Description

This book reads carefully the paratexts of translations which functioned as battlefields for the international reputation of British and German literature during the late eighteenth century, and then presents a new analysis of the literary link between the Lessing brothers, Henry Mackenzie, Goethe, and Jane Austen.




Biography: An Historiography


Book Description

Biography: An Historiography examines how Western historians have used biography from the nineteenth century to the present – considering the problems and challenges that historians have faced in their biographical practice systematically. This volume analyses the strategies and methods that historians have used in response to seven major issues identified over time to do with evidence, including but not limited to the problem of causation, the problem of fact and fiction, the problem of other minds, the problem of significance or representativeness, the problems of perspective, both macro and micro, and the problem of subjectivity and relative truth. This volume will be essential for both postgraduates and historians studying biography.




Henry Crabb Robinson


Book Description

'[The text] significantly expands upon the [existing] body of scholarship to argue persuasively that Crabb Robinson was the most important pioneering comparatist during the Romantic period. [...] Hunnekuhl‟s tightly-woven monograph opens the door for further inquiry into other areas of Robinson‟s early reading, writing and social interactions. [...] Future scholarship in these and other areas in the early life of one of the most important diarists and commentators on British life and thought in the nineteenth century will now be able to build upon the solid foundation laid by Philipp Hunnekuhl.' Timothy Whelan, The Coleridge Bulletin




Effeminate Years


Book Description

Effeminate Years: Literature, Politics, and Aesthetics in Mid-Eighteenth-Century Britain investigates the gendered, eroticized, and xenophobic ways in which the controversies in the 1760s surrounding the political figure John Wilkes (1725-97) legitimated some men as political subjects, while forcefully excluding others on the basis of their perceived effeminacy or foreignness. However, this book is not a literary analysis of the Wilkes affair in the 1760s, nor is it a linear account of Wilkes’s political career. Instead, Effeminate Years examines the cultural crisis of effeminacy that made Wilkes’s politicking so appealing. The central theoretical problem that this study addresses is the argument about what is and is not political: where does individual autonomy begin and end? Addressing this question, Kavanagh traces the shaping influence of the discourse of effeminacy in the literature that was generated by Wilkes’s legal and sexual scandals, while, at the same time, he also reads Wilkes’s spectacular drumming up of support as a timely exploitation of the broader cultural crisis of effeminacy during the mid century in Britain. The book begins with the scandals and agitations surrounding Wilkes, and ends with readings of Edmund Burke’s (1729-1797) earliest political writings, which envisage political community—a vision, that Kavanagh argues, is influenced by Wilkes and the effeminate years of the 1760s. Throughout, Kavanagh shows how interlocutors in the political and cultural debates of the mid-eighteenth-century period in Britain, such as Tobias Smollett (1721-1771) and Arthur Murphy (1727-1805), attempt to resolve the problem of effeminate excess. In part, the resolution for Wilkes and Charles Churchill (1731-1764) was to shunt effeminacy onto the sexually non-normative. On the other hand, Burke, in his aesthetic theorization of the beautiful privileges the socially constitutive affects of feeling effeminate. Through an analysis of poetry, fiction, social and economic pamphlets, aesthetic treatises, journalism and correspondences, placed within the latest queer historiography, Kavanagh demonstrates that the mid-century effeminacy crisis served to re-conceive male heterosexuality as the very mark of political legitimacy. Overall, Effeminate Years explores the development of modern ideas of masculinity and the political subject, which are still the basis of debate and argument in our own time.










Warfare, Trade, and the Indies in British Literature, 1652–1771


Book Description

Warfare, Trade, and the Indies in British Literature, 1652–1771 demonstrates how British travel narratives of the long eighteenth century distinguished between Mughal and American “Indians.” Through a New Historical and postcolonial lens, it argues that the distinction between East and West “Indians” was widely recognized and shaped British people’s tendency to view Mughal Indians as similar and in some ways even superior to Europeans while they disdained native populations in the Americas. Drawing on representations of “Indians” in Peter Heylyn’s critically neglected 1652 Cosmographie as well as representations in the works of canonical literary authors such as John Dryden, Richard Steele, and Henry Mackenzie, this monograph provides a more nuanced account of the origins and (d)evolution of “Indian” stereotypes than scholars have to date. A text committed to the exposure and eradication of colonial rhetoric and violence, Peter Craft’s Warfare, Trade, and the Indies in British Literature, 1652–1771 proposes a modification of Saidian postcolonial theory that better applies to texts of the seventeenth and eighteenth centuries.




The Man of Feeling


Book Description




Reading Smell in Eighteenth-Century Fiction


Book Description

Scent is both an essential and seemingly impossible-to-recover aspect of material culture. Scent is one of our strongest ties to memory, yet to remember a smell without external stimuli is almost impossible for most people. Moreover, human beings’ (specifically Western humans) ability to smell has been diminished through a process of increased emphasis on odor-removal, hygienic practices that emphasize de-odorization (rather than the covering of one odor by another).While other intangibles of the human experience have been placed into the context of the eighteenth-century novel, scent has so far remained largely sidelined in favor of discussions of the visual, the aural, touch, and taste. The past decade has seen a great expansion of our understanding of how smell works physiologically, psychologically, and culturally, and there is no better moment than now to attempt to recover the traces of olfactory perceptions, descriptions, and assumptions. Reading Smell provides models for how to incorporate olfactory knowledge into new readings of the literary form central to our understanding of the eighteenth century and modernity in general: the novel. The multiplication and development of the novel overlaps strikingly with changes in personal and private hygienic practices that would alter the culture’s relationship to smell. This book examines how far the novel can be understood through a reintroduction of olfactory information. After decades of reading for all kinds of racial, cultural, gendered, and other sorts of absences back into the novel, this book takes one step further: to consider how the recovery of forgotten or overlooked olfactory assumptions might reshape our understanding of these texts. Reading Smell includes wide-scale research and focused case studies of some of the most striking or prevalent uses of olfactory language in eighteenth-century British prose fiction. Highlighting scents with shifting meanings across the period: bodies, tobacco, smelling-bottles, and sulfur, Reading Smell not only provides new insights into canonical works by authors like Swift, Smollett, Richardson, Burney, Austen, and Lewis, but also sheds new light on the history of the British novel as a whole.