The Letters of T. S. Eliot Volume 4: 1928-1929


Book Description

Volume 4 of the letters of T. S. Eliot, which brings the poet, critic, editor and publisher into his forties, documents a period of anxious and fast-moving professional recovery and personal and spiritual consolidation. Following the withdrawal of financial support by his patron Lady Rothermere, Faber & Gwyer (subsequently Faber & Faber) eventually takes over the responsibility for Eliot's literary periodical The Criterion. He supplements his income as a fledgling publisher, 'just as I did ten years ago, by reviewing, articles, prefaces, lectures, broadcasting talks, and anything that turns up.' His work as editor is internationalist above all else, and Eliot makes contact with a number of eminent and emergent writers and thinkers, as well as forging links with European reviews ('all of which have endeavoured to keep the intellectual blood of Europe circulating throughout the whole of Europe'). Eliot's responsibilities during this period extend to caring for Vivien, who returns home after months in a French psychiatric hospital and whom he looks after with anxious fortitude; and the personal correspondence with his mother closes with her death in September 1929.




The Letters of T. S. Eliot


Book Description

Volume One: 1898–1922 presents some 1,400 letters encompassing the years of Eliot's childhood in St. Louis, Missouri, through 1922, by which time the poet had settled in England, married his first wife, and published The Waste Land. Since the first publication of this volume in 1988, many new materials from British and American sources have come to light. More than two hundred of these newly discovered letters are now included, filling crucial gaps in the record and shedding new light on Eliot's activities in London during and after the First World War. Volume Two: 1923–1925 covers the early years of Eliot's editorship of The Criterion, publication of The Hollow Men, and his developing thought about poetry and poetics. The volume offers 1,400 letters, charting Eliot's journey toward conversion to the Anglican faith, as well as his transformation from banker to publisher and his appointment as director of the new publishing house Faber & Gwyer. The prolific and various correspondence in this volume testifies to Eliot's growing influence as cultural commentator and editor.




The Letters of T. S. Eliot


Book Description

DIV T. S. Eliot writes the letters contained in this volume during a period of weighty responsibilities as husband and increasing demands as editor and publisher. He cultivates the support of prominent guarantors to secure the future of his periodical, The Monthly Criterion, even as he loyally looks after his wife, Vivien, now home after months in a French psychiatric hospital. Eliot corresponds with writers throughout Great Britain, Europe, and the United States while also forging links with the foremost reviews in London, Berlin, Paris, Madrid, and Milan. He generously promotes many other writers, among them Louis Zukofsky and Edward Dahlberg, and manages to complete a variety of writings himself, including the much-loved poem A Song for Simeon, a brilliant introduction to Wilkie Collins’s The Moonstone, and many more. /div




The Letters of T. S. Eliot


Book Description

In two highly anticipated volumes, the correspondence of the twentieth century's eminent man of letters, from youth to early manhood







Why Read Four Quartets?


Book Description

Why Read Four Quartets? is offered to encourage readers unfamiliar with T. S. Eliot’s masterpiece to “take up, read, and inwardly digest” these beautiful and sacred poems. Commentary is offered to hopefully make the poems more accessible to a general reader. Most critics and commentators do not seem to take Eliot’s own spirituality seriously, or at least they don’t choose to comment on it. Literary analysis is often emphasized to the exclusion of viewing the quartets in a personal or biographical manner. In sharp contrast to these typical studies, this book endeavors to show that the quartets, along with his earlier post-1927 poetry (Ariel Poems and Ash Wednesday), can be read as the story of Eliot’s own mystical journey to the Divine.




Young Eliot


Book Description

"A biography of T. S. Eliot from his birth in St. Louis in 1888 to his publication of The Waste Land in 1922"-- Provided by publisher.




T. S. Eliot's Dialectical Imagination


Book Description

What principles connect—and what distinctions separate—“The Love Song of J. Alfred Prufrock,” The Waste Land, and Four Quartets? The thought-tormented characters in T. S. Eliot’s early poetry are paralyzed by the gap between mind and body, thought and action. The need to address this impasse is part of what drew Eliot to philosophy, and the failure of philosophy to appease his disquiet is the reason he gave for abandoning it. In T. S. Eliot’s Dialectical Imagination, Jewel Spears Brooker argues that two of the principles that Eliot absorbed as a PhD student at Harvard and Oxford were to become permanent features of his mind, grounding his lifelong quest for wholeness and underpinning most of his subsequent poetry. The first principle is that contradictions are best understood dialectically, by moving to perspectives that both include and transcend them. The second is that all truths exist in relation to other truths. Together or in tandem, these two principles—dialectic and relativism—constitute the basis of a continual reshaping of Eliot’s imagination. The dialectic serves as a kinetic principle, undergirding his impulse to move forward by looping back, and the relativism supports his ingrained ambivalence. Brooker considers Eliot’s poetry in three blocks, each represented by a signature masterpiece: “The Love Song of J. Alfred Prufrock,” The Waste Land, and Four Quartets. She correlates these works with stages in the poet’s intellectual and spiritual life: disjunction, ambivalence, and transcendence. Using a methodology that is both inductive—moving from texts to theories—and comparative—juxtaposing the evolution of Eliot’s mind as reflected in his philosophical prose and the evolution of style as seen in his poetry—Brooker integrates cultural and biographical contexts. The first book to read Eliot’s poems alongside all of his prose and letters, T. S. Eliot’s Dialectical Imagination will revise received readings of his mind and art, as well as of literary modernism.




The Politics of the Soul


Book Description

This book takes the form of intellectual histories of eight major representative figures of the twentieth century, who inherited and responded to the spiritual problematic left by Nietzsche. With each figure offering very different ethical and spiritual positions, all shed light on what we mean when we talk confusedly around the topics of politics and religion. With portraits of Max Weber, Georg Lukács, T.S. Eliot, W.H. Auden, Sigmund Freud, Carl Jung, George Orwell and Hannah Arendt, the author explores the "latent" content of their worldview—the moral (or immoral) intention of their intellectual project. In each of the case studies, the aim is to move toward an understanding of their ultimate values, to get at their particular picture of the soul, as well as the implications of this vision for religion and politics. As such, The Politics of the Soul will appeal to scholars of sociology and social theory, religion, philosophy, political theory and cultural studies.




Richard Aldington


Book Description

This is a literary biography of Richard Aldington, founding member of the Imagist Movement, poet of the First World War, author of 'Death of a Hero' and a biography of D.H. Lawrence. Aldington's is an extraordinary human story dealing with contemporary issues, such as confrontation of sexual mores of the day and the impact of his soldier experience on his life and work. There hasn't been a recent biography of Aldington, the only one of the war poets not to have one. With the interest in the First World War increasing as we near the centenary, the time is right for this book. This biography explores the relationships of Aldington with other prominent literary figures: Ezra Pound, Herbert Read, T.S. Eliot, D.H. Lawrence, and his unsuccessful marriage with H.D. This first instalment of a hopefully two-volume biography covers Aldington's life and work up to 1929. It investigates the years 1911-1915 in which Aldington helped found Modernism and formed relationships with other Modernists, the years 1916-19 when his life fell apart after his soldier experience, the years 1920-28 when he tried to re-establish his literary career, laid the foundations of modern literary criticism, and his writing of Death of a Hero at the end of the decade, a blistering attack on all that had made the war possible. Offical Blurb: The story of Richard Aldington, outstanding Imagist poet and author of the bestselling war novel, Death of a Hero (1929), takes place against the backdrop of some of the most turbulent and creative years of the twentieth century. Vivien Whelpton provides a remarkably detailed and sensitive portrayal of the writer from early adolescence. His life as a stalwart of the pre-war London literary scene, as a soldier, and in the difficult aftermath of the First World War is deftly rendered through a careful and detailed analysis of the novels, poems and letters of the writer himself and his close circle of acquaintance. The complexities of London's Bohemia, with its scandalous relationships, social grandstanding and incredible creative output, are masterfully untangled, and the spotlight placed firmly on the talented group of poets christened by Ezra Pound as 'Imagistes'. The author demonstrates profound psychological insight into Aldington's character and childhood in her nuanced analysis of his post-war survivor's guilt, and consideration of the three most influential women in his life: his wife, the gifted American poet, H.D.; Dorothy Yorke, the woman he left her for; and Brigit Patmore, his brilliant and fascinating older mistress.Richard Aldington: Poet, Soldier and Lover vividly reveals Aldington's warm and passionate nature and the vitality which characterised his life and works, concluding with his triumphant personal and literary resurrection with the publication of Death of a Hero.