The Journey of the Most Liberated Woman in America


Book Description

One of the Sexual Revolution pioneers, Barbara Williamson, shares her story for the first time ever as cofounder of the highly successful and controversial Sandstone Retreat in the late 1960s and early 1970s. Sandstone Retreat quickly became outrageously popular with membership reaching five hundred, and numerous newspapers, magazines, books, movies, and television shows clamoring for interviews. It became known as the hub of the sexual revolution. Barbara's life partner John was branded as "The Messiah of Sex" and Barbara herself as "The Most Liberated Woman in America." University professors nationwide rushed to visit this new kind of unstructured free love community to view and study members joyously living an alternative lifestyle. The dress code was optional but most everyone preferred nudity. The goal at Sandstone was understanding society and setting it free. They believed in the sexual self as being at the core of organized social behavior. When sexuality is distorted, it leads to a distortion of the basic self.




Liberal Parents, Radical Children


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Liberated Threads


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From the civil rights and Black Power era of the 1960s through antiapartheid activism in the 1980s and beyond, black women have used their clothing, hair, and style not simply as a fashion statement but as a powerful tool of resistance. Whether using stiletto heels as weapons to protect against police attacks or incorporating African-themed designs into everyday wear, these fashion-forward women celebrated their identities and pushed for equality. In this thought-provoking book, Tanisha C. Ford explores how and why black women in places as far-flung as New York City, Atlanta, London, and Johannesburg incorporated style and beauty culture into their activism. Focusing on the emergence of the "soul style" movement—represented in clothing, jewelry, hairstyles, and more—Liberated Threads shows that black women's fashion choices became galvanizing symbols of gender and political liberation. Drawing from an eclectic archive, Ford offers a new way of studying how black style and Soul Power moved beyond national boundaries, sparking a global fashion phenomenon. Following celebrities, models, college students, and everyday women as they moved through fashion boutiques, beauty salons, and record stores, Ford narrates the fascinating intertwining histories of Black Freedom and fashion.




Woman Rebel


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Watching Women's Liberation, 1970


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In 1970, ABC, CBS, and NBC--the “Big Three” of the pre-cable television era--discovered the feminist movement. From the famed sit-in at Ladies’ Home Journal to multi-part feature stories on the movement's ideas and leaders, nightly news broadcasts covered feminism more than in any year before or since, bringing women's liberation into American homes. In Watching Women's Liberation, 1970: Feminism's Pivotal Year on the Network News, Bonnie J. Dow uses case studies of key media events to delve into the ways national TV news mediated the emergence of feminism's second wave. First legitimized as a big story by print media, the feminist movement gained broadcast attention as the networks’ eagerness to get in on the action was accompanied by feminists’ efforts to use national media for their own purposes. Dow chronicles the conditions that precipitated feminism's new visibility and analyzes the verbal and visual strategies of broadcast news discourses that tried to make sense of the movement. Groundbreaking and packed with detail, Watching Women's Liberation, 1970 shows how feminism went mainstream--and what it gained and lost on the way.




Dangerous Ideas


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This collection of essays focuses on the history and politics of the Women's Liberation Movement and Women's Studies, in Australia and around the world.




Marching Dykes, Liberated Sluts, and Concerned Mothers


Book Description

From the Women in Black vigils and Dyke marches to the Million Mom March, women have seized a dynamic role in early twenty-first century protest. The varied demonstrations--whether about gender, sexuality, war, or other issues--share significant characteristics as space-claiming performances in and of themselves beyond their place in any broader movement. Elizabeth Currans blends feminist, queer, and critical race theory with performance studies, political theory, and geography to explore the outcomes and cultural relevance of public protest. Drawing on observation, interviews, and archival and published sources, Currans shows why and how women utilize public protest as a method of participating in contemporary political and cultural dialogues. She also examines how groups treat public space as an important resource and explains the tactics different women protesters use to claim, transform, and hold it. The result is a passionate and pertinent argument that women-organized demonstrations can offer scholars a path to study the relationship of gender and public space in today's political culture.




Sisterhood is Powerful


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