Prince Charles Edward Stuart


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Bonnie Prince Charlie and the Jacobites


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In the summer of 1745 'Bonnie Prince Charlie', grandson of James VII and II landed on the Isle of Eriskay in the Outer Hebrides of Scotland. He would be the Jacobite Stuarts' last hope in the fight to regain the three kingdoms of England, Scotland and Ireland. A major new exhibition on Bonnie Prince Charlie and the Jacobites opens at the National Museum of Scotland, and tells a compelling story of love, loss, exile, rebellion and retribution. It will challenge many of the misconceptions that still surround this turbulent period in European history.This book has eight specially commissioned essays on the Jacobites and includes a catalogue that showcases the rich wealth of objects in the exhibition.00Exhibition: National Museums of Scotland, Edinburgh, UK (23.06.-12.11.2017).




Bonnie Prince Charlie


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Kybett spent 15 years in intensive study of the Stuart Papers, thousands of letters and documents, the bulk of which have been virtually untapped by other researchers. As a result, her book contains more new information on the subject than any book published since 1900. 15 black-and-white photos.




The Polish Portrait of Bonnie Prince Charlie


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This book is a study of an eighteenth-century portrait of a youth in Polish dress, owned by the National Portrait Gallery in London since 1922, but never publicly displayed. Two inscriptions claim that it is a portrait of Charles Edward Stuart, popularly known as ‘Bonnie Prince Charlie’. The Gallery has always doubted its authenticity and leading experts on Stuart portraiture have dismissed the identification. This study, by a historian of Poland-Lithuania, is the first detailed attempt to research the painting properly. Based on archival sources, it examines its provenance and the connections of its first known owner with the Kinlochmoidart MacDonalds, who fought for the Prince in the 1745 Jacobite Rebellion. It considers a considerable body of evidence to suggest that it is very possible that the portrait is indeed a genuine depiction of the Prince.







The Bookman


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The Cambridge Modern History


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The Review of Reviews


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