The French Navy and the Seven Years' War


Book Description

The Seven Years? War was the world?s first global conflict, spanning five continents and the critical sea lanes that connected them. This book is the fullest account ever written of the French navy?s role in the hostilities. It is also the most complete survey of both phases of the war: the French and Indian War in North America (1754?60) and the Seven Years? War in Europe (1756?63), which are almost always treated independently. By considering both phases of the war from every angle, award-winning historian Jonathan R. Dull shows not only that the two conflicts are so interconnected that neither can be fully understood in isolation but also that traditional interpretations of the war are largely inaccurate. His work also reveals how the French navy, supposedly utterly crushed, could have figured so prominently in the War of American Independence only fifteen years later. ΓΈ A comprehensive work integrating diplomatic, naval, military, and political history, The French Navy and the Seven Years? War thoroughly explores the French perspective on the Seven Years? War. It also studies British diplomacy and war strategy as well as the roles played by the American colonies, Spain, Austria, Prussia, Russia, Sweden, and Portugal. As this history unfolds, it becomes clear that French policy was more consistent, logical, and successful than has previously been acknowledged, and that King Louis XV?s conduct of the war profoundly affected the outcome of America?s subsequent Revolutionary War.




Late Georgian and Regency England, 1760-1837


Book Description

A guide to historical literature on England between 1760 and 1837, emphasising more recent work.




The English Ministers and Jacobitism between the Rebellions of 1715 and 1745


Book Description

Since the rise of the modern nation state in Europe, political leaders have had to cope with the problems of conspiracy and internal security. The English Ministers and Jacobitism between the Rebellions of 1715 and 1745 is a study of the response made to these twin problems by the British central government, under Stanhope, Sunderland, and Walpole. Faced with the prospect of assassination, internal rebellion, and conspiracy, the ministers naturally took all necessary measures to protect the security of the state. Nor did their worries end with the successful defeat of the Jacobite Rebellion of 1715; an examination of the anti-Jacobite campaign after this date clearly demonstrates a continuing dread of Jacobitism. At the same time, their action in the years 1715-45 against Jacobite plots for a restoration betrays an acute awareness on their part of the political advantages to be reaped through careful exploitation of those fears. Professor Fritz's study is a valuable addition to the existing literature on Jacobitism. It uncovers new documents revealing the workings of the conspirators, and it illuminates how the threat of conspiracy was used successfully by imaginative politicians to retain power.




Law as Culture and Culture as Law


Book Description

Law as Culture and Culture as Law presents a spectrum of historical inquiries developing and engaging John Phillip Reid's insights and methodological approaches to legal and constitutional history. The essays gathered in this volume span nearly three centuries and two continents, ranging from the agonizing struggles over law, religion, and governance in late seventeenth-century Ireland to the legal and constitutional regimes of governmental regulation in twentieth-century New York.




The Outlook


Book Description




The Politics of Opera in Handel's Britain


Book Description

The Politics of Opera in Handel's Britain examines the involvement of Italian opera in British partisan politics in the first half of the eighteenth century, which saw Sir Robert Walpole's rise to power and George Frideric Handel's greatest period of opera production. McGeary argues that the conventional way of applying Italian opera to contemporary political events and persons by means of allegory and allusion in individual operas is mistaken; nor did partisan politics intrude into the management of the Royal Academy of Music and the Opera of the Nobility. This book shows instead how Senesino, Faustina, Cuzzoni and events at the Haymarket Theatre were used in political allegories in satirical essays directed against the Walpole ministry. Since most operas were based on ancient historical events, the librettos - like traditional histories - could be sources of examples of vice, virtue, and political precepts and wisdom that could be applied to contemporary politics.