Archbishop Patrick John Ryan His Life and Times


Book Description

Patrick John Ryan was a Roman Catholic priest, bishop and archbishop in America in very turbulent and challenging times. He experienced the mass influx of European immigrants, anti-foreigner and anti-Catholic prejudice, the American Civil War and efforts to serve the needs of the African Americans and Native Americans. Ireland prepared him for the life he chose to lead. He encountered religious discrimination and the penal-law mentality and he witnessed the Great Famine. Influenced by the accomplishments of Daniel O'Connell, he began to develop his skills as an orator for which he was to gain a world-wide reputation.




The Episcopal Silver Jubilee of the Most Reverend Patrick John Ryan, D.D., LL. D., Archbishop of Philadelphia


Book Description

Excerpt from The Episcopal Silver Jubilee of the Most Reverend Patrick John Ryan, D.D., LL. D., Archbishop of Philadelphia: In Three Parts And hence, it happened that, during Easter week of 1897, the eyes of the Faithful throughout this country, as well as abroad, were turned toward the City of Brotherly Love, whose Catholic inhabitants and citizens generally, irrespective of creed, were enthusiastically engaged in the appropriate Observance of the joyful event. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




EPISCOPAL SILVER JUBILEE OF TH


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Veiled Leadership


Book Description

On the rainy morning of October 1, 2000, Pope John Paul II canonized Mother Katharine Drexel. Born into a wealthy Philadelphia family, Drexel bucked society and formed the Sisters of the Blessed Sacrament for Indians and Colored People. Her compelling personal story has excited many biographers who have highlighted her holiness and catalogued her good deeds. During her life, newspapers called her the "Millionaire Nun," and much of the literature on Drexel and the Sisters of the Blessed Sacrament exalts Katharine Drexel's disbursement of her vast fortune to benefit Black and Indigenous people. The often repeated stories of a riches to rags holy woman miss the true significance of what Mother Katharine and the Sisters of the Blessed Sacrament attempted. Drexel was not merely the ATM of Catholic Home Missions; rather, she challenged the hierarchy to reimagine its mission in the United States. In an era when the Church controlled the actions and censored the opinions of women religious, they had to listen to Mother Katharine. Most writing on Drexel and the SBS focus on Drexel's spiritual journey, but Veiled Leadership traces the daily operations of her charitable empire and looks at how the Sisters implemented Drexel's vision in the field. The SBS were not always welcomed in the communities they served, and they experienced conflict from both white supremacists and the people they wanted to aid. Veiled Leadership examines the lives of Mother Katharine and her congregation within the context of larger constructs of gender, race, religion, reform, and national identity. It explores what happens when a non-dominant culture tries to impose its views and morals on other non-dominant cultures. In other words, as outliers themselves-they were semi-cloistered Catholic women from primarily immigrant backgrounds in a culture that regarded their lifestyles as alien and unnatural-their attempts to Americanize and assimilate Black and Indigenous people, whose families had been in the country for generations longer than the nuns' own, adds complexity to our understanding of cultural hegemony.




Signs of Grace


Book Description

Religious imagery was ubiquitous in late-nineteenth-century American life: department stores, schoolbooks, postcards, and popular magazines all featured elements of Christian visual culture. Such imagery was not limited to commercial and religious artifacts, however, for it also found its way into contemporary fine art. In Signs of Grace, Kristin Schwain looks anew at the explicitly religious work of four prominent artists in this period--Thomas Eakins, F. Holland Day, Abbott Handerson Thayer, and Henry Ossawa Tanner--and argues that art and religion performed analogous functions within American culture. Fully expressing the concerns and values of turn-of-the-century Americans, this artwork depicted religious figures and encouraged the beholders' communion with them.Describing how these artists drew on their religious beliefs and practices, as well as how beholders looked to art to provide a transcendent experience, Schwain explores how a modern conception of faith as an individual relationship with the divine facilitated this sanctified relationship between art and viewer. This stress on the interior and subjective experience of religion accentuated the artist's efforts to engage beholders personally with works of art; how better to fix the viewer's attention than to hold out the promise of salvation? Schwain shows that while these new visual practices emphasized individual encounters with art objects, they also carried profound social implications. By negotiating changes in religious belief--by aestheticizing faith in a new, particularly American manner--these practices contributed to evolving debates about art, ethnicity, sexuality, and gender.