W/KINDEST REGARDS


Book Description

"With Kindest Regards records the extraordinary friendship between the American expatriate artist James McNeill Whistler (1834-1903) and his most significant patron, Charles Lang Freer (1854-1919). By the time the industrialist from Detroit met the artist in 1890, Whistler was as notorious for his irascibility as he was famous for his artistic productions. Freer, however, would always maintain that he had never met a truer, nobler man. Their correspondence reveals a warmth and generosity in Whistler that has gone largely unobserved." "The eighty-nine letters, telegrams, cablegrams, and calling cards chronicle the growth of Freer's Whistler collection, the largest and most important in the world. Linda Merrill sets the correspondence in context and traces the contacts between the two men during their long acquaintance. She observes how the previously unpublished letters cast new light on Freer's aesthetic education and expand the history of Whistler's later years. Even Freer's outstanding collection of Asian art began with the keen interest in Japanese art he shared with Whistler." "Illustrated with works from the Freer collection and vintage photographs from the Freer Gallery Archives, With Kindest Regards makes important original documents accessible for the first time, augments the legends of Whistler's personality, and reveals the foundation of Charles Freer's legacy to the United States."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




Whistler on Art


Book Description

'Whistler on Art' brings together a selection of his letters, interviews and other writings, many previously unpublished. In letters to other artists, family, and patrons, Whistler discusses his principles of composition, the rights of dealers and owners, and his celebrated libel suit against John Ruskin.







With Kindest Regards


Book Description

Records the extraordinary friendship between the Amer. expatriate artist James McNeill Whistler (1834-1903) and his most significant patron, Charles Lang Freer (1954-1919). Their relationship proved to be mutually beneficial. Freer wanted to assemble a collection of Whistler's works and Whistler was eager to establish a reputation in the U.S. Freer's admiration for Whistler as an artist and affection for him as a friend led to the establishment of the Smithsonian Institution's Freer Gallery of Art. The 89 letters, telegrams, cablegrams, and calling cards cited here chronicle the growth of Freer's Whistler collection. Heavily illustrated.