Great at Galleries


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Excerpt from Great at Galleries: The Luxembourg, Paris 2 imow a $48 HM mhzoe mmghmumg M? 2 JH mmmfiuzm>mm 8 50 $9935 Mambo w m dqdfimo a 20 m mama mm zoemmmezozmo 2 A 205m Q on 5m somfi u m fidmo Nu e>zoomioom2 About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Studio


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The Luxembourg, Paris


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French Art and Scenery


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Catalogue of an Exhibition of Paintings and Sculpture From the Luxembourg Museum, Paris, of Objects of Decorative Art From the Mobilier National, the Gobelins and the Sèvres Manufactories, of Paintings, Sculpture, and Prints


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Excerpt from Catalogue of an Exhibition of Paintings and Sculpture From the Luxembourg Museum, Paris, of Objects of Decorative Art From the Mobilier National, the Gobelins and the Sèvres Manufactories, of Paintings, Sculpture, and Prints: By Contributing French and Belgian Artists; Forming the Art Collection Exhibited by the French Government at the Panama-Pacific Exposition, 1915; February 5 to March 18, 1918 Visitors to San Francisco will remember that there was a col lection of the sculptures and paintings of Belgian artists exhibited in a gallery fitted up for the purpose in the French Pavilion. As a mark of sympathy for her grievously stricken ally and neighbor, France assumed the entire care of the Belgian collection and that too is included in the present exhibition. It is a situation full of patriotic significance that the United States lends to her allies France and Belgium the aid of her men and material resource and in return receives from them the rare advantage of studying at first hand under government auspices their cherished works of art which are the most impressive manifestation of European culture. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




International Studio


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Sound in the Age of Mechanical Reproduction


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During the twentieth century sound underwent a dramatic transformation as new technologies and social practices challenged conventional aural experience. As a result, sound functioned as a means to exert social, cultural, and political power in unprecedented and unexpected ways. The fleeting nature of sound has long made it a difficult topic for historical study, but innovative scholars have recently begun to analyze the sonic traces of the past using innovative approaches. Sound in the Age of Mechanical Reproduction investigates sound as part of the social construction of historical experience and as an element of the sensory relationship people have to the world, showing how hearing and listening can inform people's feelings, ideas, decisions, and actions. The essays in Sound in the Age of Mechanical Reproduction uncover the varying dimensions of sound in twentieth-century history. Together they connect a host of disparate concerns, from issues of gender and technology to contests over intellectual property and government regulation. Topics covered range from debates over listening practices and good citizenship in the 1930s, to Tokyo Rose and Axis radio propaganda during World War II, to CB-radio culture on the freeways of Los Angeles in the 1970s. These and other studies reveal the contingent nature of aural experience and demonstrate how a better grasp of the culture of sound can enhance our understanding of the past.




The Luxembourg Paris


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.