The Lying Valet


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David Garrick


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The Valet's Secret


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A passionate kiss from a handsome valet becomes a Regency Cinderella story when he is revealed to be an earl. York, England, 1819. As a once happily married woman, Rebecca Wren lived a charmed life, but now widowed and working for a living, she feels alone and living a mundane existence. That is until the day a valet speeding by on a horse nearly runs her off the road. Mr. Malcolm Henry is apologetic, gentle, and very handsome. She's instantly drawn to him, which is why, rather than stopping him from kissing her, she finds herself kissing him back, reigniting a nearly forgotten passion in her. But love at first sight only happens in fairy tales--never to an ordinary woman like her. Still, she cannot stop thinking about Mr. Henry and the kiss they shared. The more time she spends with the earl's valet, the more she knows she cannot in good conscience allow Mr. Timoltson to continue to court her, even though a marriage to him would provide her financial security and independence from her overbearing father's control. The heart wants what it wants, and her heart wants Mr. Henry. But while working in the kitchens during a fancy dinner party, she sees something strange: the valet--the valet she kissed--is sitting at the right hand of the baroness. She realizes that Mr. Henry is not the earl's valet; he is the earl--Kenneth Winterton. Heartbroken, angry, and betrayed, Rebecca isn't sure she can trust Lord Winterton, much less accept his apology. But when Lord Winterton proves he is as kind and gentle as "Mr. Henry" was, she finds herself willing to give him a second chance. But will he still take a chance on her, when choosing a commoner means he might lose his inheritance? Trust, love, loneliness, and passion collide in this story about a man who will risk it all to fight for the woman he loves and a woman who no longer believes in fairy tales--until she finds herself living in one.




British Dramatists from Dryden to Sheridan


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Representative selections from Restoration and eighteenth-century drama, comedy, satire, tragedy, and farce are prefaced by descriptions of the theaters, acting styles, methods of play production, and audiences.




The New English Drama


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Thomas Sheridan of Smock-Alley


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This account of Thomas Sheridan's career as theater manager has been based on biographies written by his contemporaries, on 18th-century newspapers and pamphlets, and on letters written to and by Sheridan. The author also gives us much new information about Sheridan’s relations with David Garrick. In an appendix, the author has included a Smock-Alley Calendar, giving a daily record of performances and casts. Most of the material in the Calendar has not been collected before and should be invaluable to theater historians. Originally published in 1967. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.