The Man who Married the Moon


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The Man Who Married the Moon; and Other Pueblo Indian Folk-Stories


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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1894 edition. Excerpt: ... xxv on carlos," said Vitorino, throwing another log upon the fire, which caught his tall shadow and twisted it and set it dancing against the rocky walls of the canon in which we were camped for the night, "did you ever hear why the Wolf and the Deer are enemies?" And as he spoke he stretched out near me, looking up into my face to see if I were going to be interested. A few years ago it would have frightened me very seriously to find myself thus--alone in one of the remotest corners of New Mexico save for that swarthy face peering up into mine by the weird light of the camp-fire. A stern, quiet but manly face it seems to me now; but once I would have thought it a very savage one, with its frame of long, jet hair, its piercing eyes, and the broad streak of red paint across its cheeks. By this time, however, having lived long among the kindly Pueblos, I had shaken off that strange, ignorant prejudice against all that is unknown--which seems to be inborn in all of us--and wondered that I could ever have believed in that brutal maxim, worthy only of worse than savages, that "A good Indian is a dead Indian." For Indians are men, after all, and astonishingly like the rest of us when one really comes to know them. I pricked up my ears--very glad at his hint of another of these folk-stories. "No," I answered. "I have noticed that the Wolf and the Deer are not on good terms, but never knew the reason." " St, senor," said he, --for Vitorino knows no English, and most of our talk was in Spanish, which is easier to me than the Tee-wahn language, --" that was very long ago, and now all is changed. But once the Wolf and the Deer were like brothers; and it is only because the Wolf did very wickedly that they are enemies. Con su licencia, senor. "1 ..".







MAN WHO MARRIED THE MOON


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Man Who Married the Moon


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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.




Pueblo Indian Folk-stories


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Charles F. Lummis's profound understanding of Indian and Spanish culture in the American Southwest is reflected in this collection of thirty-two myths centering around the Pueblo of Isleta on the Rio Grande. In adapting these traditional oral tales, Lummis drew on his experience of living at Isleta and his familiarity with the native language. originally published in 1894, Pueblo Indian Folk-Stories is as enchanting as ever. Seven elders seated around a campfire take turns telling about Antelope Boy. the fabled coyote, the man who married the moon, the snake-girls, the sobbing pine, the feathered barbers, the hero twins, the revengeful fawns, and other natural and supernatural entities. Beautifully wrought, these wisdom and initiation stories speak to all who have not lost their sense of wonder.




The Man Who Married the Moon, and Other Pueblo Indian Folk-Stories


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Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world.The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original. Imperfections could be in the form of blurred text, photographs, or missing pages. It is highly unlikely that this would occur with one of our books. Our extensive quality control ensures that the readers of Trieste Publishing's books will be delighted with their purchase. Our staff has thoroughly reviewed every page of all the books in the collection, repairing, or if necessary, rejecting titles that are not of the highest quality. This process ensures that the reader of one of Trieste Publishing's titles receives a volume that faithfully reproduces the original, and to the maximum degree possible, gives them the experience of owning the original work.We pride ourselves on not only creating a pathway to an extensive reservoir of books of the finest quality, but also providing value to every one of our readers. Generally, Trieste books are purchased singly - on demand, however they may also be purchased in bulk. Readers interested in bulk purchases are invited to contact us directly to enquire about our tailored bulk rates.




Pablo Abeita


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This is the first biography of a Pueblo leader, Pablo Abeita, a man considered as the most important Native leader in the Southwest in his day. Pablo Abeita’s life in Isleta Pueblo, just south of Albuquerque, was a colorful and important one. Educated in the best schools in New Mexico, Abeita became a strong advocate for Isleta and the other eighteen New Mexico pueblos during the periods of assimilation, boarding schools, and the reform of US Indian policy. Working with some of the most progressive Indian agents in New Mexico, with other Pueblo leaders, and with advocacy groups, he received funding for much-needed projects, such as a bridge across the Rio Grande at Isleta. To achieve these ends, Abeita testified before Congress and was said to have met, and in some cases befriended, nearly every US president from Benjamin Harrison to Franklin D. Roosevelt. Abeita dealt with many issues that are still relevant today, including reform of US Indian policy, boarding schools, and Pueblo sovereignty. Pablo Abeita’s story is one of a people still living on their ancestral homelands, struggling to protect their land and water, and ultimately thriving as a modern pueblo.







American Women Short Story Writers


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This collection of original and classic essays examines the contributions that female authors have made to the short story. The introductory chapter discusses why genre critics have ignored works by women and why feminist scholars have ignored the short story genre. Subsequent chapters discuss early stories by such authors as Lydia Maria Child and Rose Terry Cooke. Others are devoted to the influences (race, class, sexual orientation, education) that have shaped women's short fiction through the years. Women's special stylistic, formal and thematic concerns are also discussed in this study. The final essay addresses the ways our contemporary creative-writing classes are stifling the voices of emerging young female authors. The collection includes an extensive five-part bibliography.