The Marriage-hater Match'd
Author : Thomas D'Urfey
Publisher :
Page : 68 pages
File Size : 44,5 MB
Release : 1693
Category : English drama
ISBN :
Author : Thomas D'Urfey
Publisher :
Page : 68 pages
File Size : 44,5 MB
Release : 1693
Category : English drama
ISBN :
Author : Thomas Durfey
Publisher :
Page : 76 pages
File Size : 21,82 MB
Release : 1692
Category : English drama
ISBN :
Author : Manuel J. Gómez-Lara
Publisher : Edicions Universitat Barcelona
Page : 233 pages
File Size : 29,76 MB
Release : 2014-09-23
Category : Juvenile Nonfiction
ISBN : 844753829X
When young Phoebe asks Sir Philip Freewit, the man who has got her with child, to fulfil his promise and marry her, he replies with shock: “My wife! Then I should never love thee more”. Thomas Durfey’s The Marriage-Hater Matched (1692) pokes fun at the figure of the libertine rake, which had become a favourite dramatic type with Restoration theatregoers, and forces him in the end to make up for his past recklessness. Besides the marriage-hater and the two women that vie for his affections, a remarkable gallery of secondary characters people this amusing comedy: a Frenchified lady fawning on her lap-dog, a fat clownish Dutchman laughing at his own jokes, a impertinent match-making widow obsessed with food, a peevish old-fashioned courtier, a pert lisping ingénue and two rude boobies bearing the names of Greek philosophers. This first modern critical edition offers a fully annotated text in addition to an introduction that situates the comedy in its literary and theatrical contexts. ;The editors discuss at length how Durfey drew upon successful comic modes while at the same complying with the moral values advocated by the new monarchs, William and Mary (1688-1702).
Author : C. A. Price
Publisher : Cambridge University Press
Page : 414 pages
File Size : 30,49 MB
Release : 1984-06-14
Category : Music
ISBN : 9780521238311
This book was the first comprehensive survey of Purcell's dramatic music. It is concerned as much with the London theatre world - playhouses, poets, actors, singers, producers - as with the music itself. Purcell wrote music for more than fifty plays of various types, most of them produced at the Theatre Royal, Drury Lane, between 1690 and 1695. The songs, dialogues, choruses, act tunes and larger musical scenes are often active participants in the spoken drama, not simply grafted-on entertainments. The extraordinary semi-operas - Dioclesian, King Arthur, and The Fairy-Queen - are placed in the context of a theatre that thrived mainly on plays that, though less lavish, were no less musical. The traditional picture of a composer trapped within a degraded musical society, his natural predilection for opera ignored, is redrawn to show a consummate dramatist exploiting a remarkably musical theatre.
Author : Thomas D'Urfey
Publisher :
Page : 80 pages
File Size : 27,42 MB
Release : 1693
Category : English drama
ISBN :
Author : Thomas McGeary
Publisher : Boydell & Brewer
Page : 445 pages
File Size : 18,82 MB
Release : 2022-07-26
Category : Great Britain
ISBN : 1783277157
Explores the political meanings that Italian opera - its composers, agents and institutions - had for audiences in eighteenth-century Britain.
Author : Paul Hammond
Publisher : Oxford University Press
Page : 308 pages
File Size : 31,84 MB
Release : 2002
Category : Literary Criticism
ISBN : 9780198186939
Paul Hammond explores how sexual relationships between men were represented in English literature during the seventeenth century. Figuring Sex between Men from Shakespeare to Rochester is built around two principal themes: firstly the literary strategies through which writers created imaginedspaces for the expression of homosexual desire; and secondly the ways in which such texts were subsequently edited and adapted to remove these references to sex between men. The author begins with a wide-ranging analysis of the forms in which both homosexual desire and homophobic hatred wereexpressed in the period, focusing on the problems of defining male relationships, the erotic dimension to male friendships, and the uses of classical settings. Subsequent chapters offer four case studies. The first focuses on how Shakespeare adapted his sources to introduce the possibility of sexualrelations between male characters, with special attention to Twelfth Night, The Merchant of Venice, and the Sonnets, and shows how these elements were removed in later adaptations of his plays and poems. Subsequent chapters chart the often satirical representation of homosexual rulers from James Ito William III; the ambiguous sexuality figured in the poetry of Andrew Marvell; and the libertine homoeroticism of the poetry of the Earl of Rochester. Paul Hammond draws on a wide range of poems, plays, letters, and pamphlets, and discusses a substantial amount of previously unknown material fromboth printed and manuscript sources.
Author : Diana Solomon
Publisher : Rowman & Littlefield
Page : 273 pages
File Size : 20,78 MB
Release : 2013
Category : Literary Criticism
ISBN : 1611494222
This book provides a taxonomy of prologues and epilogues with a corresponding appendix, and demonstrates through case studies of Anne Bracegirdle and Anne Oldfield how the study of prologues and epilogues enriches Restoration theater scholarship.
Author : Gilli Bush-Bailey
Publisher : Manchester University Press
Page : 511 pages
File Size : 40,59 MB
Release : 2013-07-19
Category : Performing Arts
ISBN : 1847796400
Drawing on feminist cultural materialist theories and historiographies, ‘Treading the bawds’ analyses the collaboration between actresses Elizabeth Barry and Anne Bracegirdle and women playwrights such as Aphra Behn and Mary Pix, and traces a line of influence from the time of the first theatres royal to the rebellion that resulted in the creation of a player’s co-operative. Bush-Bailey offers a fresh approach to the history of women, seeing their neglected plays in the context of performance. By combining detailed analysis of selected plays within the broader context of a playhouse managed by its leading actresses, Bush-Bailey challenges the received historical and literary canons, including a radical solution to the mysterious identity of the anonymous playwright ‘Ariadne’. It is a story of female collaboration and influence with the spotlight focused on the very public world of women in the commercial business of theatre.
Author :
Publisher :
Page : 44 pages
File Size : 48,20 MB
Release : 1732
Category :
ISBN :