Author : Kim Ileen Moreland
Publisher : University of Virginia Press
Page : 288 pages
File Size : 38,15 MB
Release : 1996
Category : Literary Criticism
ISBN : 9780813916583
What does the existence of this impulse, in its various idiosyncratic manifestations, reveal about these writers and American culture?
Author : M. J. Toswell
Publisher : Wipf and Stock Publishers
Page : 132 pages
File Size : 22,87 MB
Release : 2009-04-01
Category : Religion
ISBN : 1556359594
The Year's Work in Medievalism 2008 includes papers delivered at the 22nd Annual conference on Medievalism, organized by the International Society for Studies in Medievalism, and held at the University of Western Ontario, London, Ontario, Canada on 4-7 October 2007. The topic of the conference was Neomedievalisms and these papers address various aspects of the term, including its definition, range, and application, The conference was organized by M. J. Toswell, who is the editor of this volume; the Director of Conferences and Series Editor of the Year's Work in Medievalism is Gwendolyn Morgan.
Author : Louie Dean Valencia-García
Publisher : Routledge
Page : 366 pages
File Size : 49,53 MB
Release : 2020-03-18
Category : History
ISBN : 1000054071
In Far-Right Revisionism and the End of History: Alt/Histories, historians, sociologists, neuroscientists, lawyers, cultural critics, and literary and media scholars come together to offer an interconnected and comparative collection for understanding how contemporary far-right, neo-fascist, Alt-Right, Identitarian and New Right movements have proposed revisions and counter-narratives to accepted understandings of history, fact and narrative. The innovative essays found here bring forward urgent questions to diverse public, academic, and politically minded audiences interested in how historical understandings of race, gender, class, nationalism, religion, law, technology and the sciences have been distorted by these far-right movements. If scholars of the last twenty years, like Francis Fukuyama, believed that neoliberalism marked an 'end of history', this volume shows how the far right is effectively threatening democracy and its institutions through the dissemination of alt-facts and histories.
Author : Veronica Ortenberg
Publisher : A&C Black
Page : 374 pages
File Size : 47,42 MB
Release : 2006-01-01
Category : History
ISBN : 9781852853839
This book surveys the influence of the middle ages, and of medieval attitudes and values, on later periods and on the modern world. Many artistic, political and literary movements have drawn inspiration and sought their roots in the thousand years between 500 and 1500 AD. Medieval Christianity, and its rich legacy, has been the essential background to European culture as a whole.Gothic architecture and chivalry were two keys to Romanticism, while nationalists, including the Nazis, looked back to the middle ages to find emerging signs of national character. In literature few myths have been as durable or popular as those of King Arthur, stretching from the Dark Ages to Hollywood. In Search of the Holy Grail is a vivid account of how later ages learnt about and interpreted the middle ages.
Author : T. A. Shippey
Publisher : Boydell & Brewer
Page : 266 pages
File Size : 12,23 MB
Release : 2003
Category : History
ISBN : 085991772X
Essays on the continuing power and applicability of medieval images, with particular reference to recent films. The middle ages provide the material for mass-market films, for historical and fantasy fiction, for political propaganda and claims of legitimacy, and these in their turn exert a force well outside academia. The phenomenon is tooimportant to be left unscrutinised: these essays show the continuing power and applicability of medieval images - and also, it must be said, their dangerousness and often their falsity. Of the ten essays in this volume, several examine modern movies, including the highly-successful A Knight's Tale (Chaucer as a PR agent) and the much-derided First Knight (the Round Table fights the Gulf War). Others deal with the appropriation of history and literature by a variety of interested parties: King Alfred press-ganged for the Royal Navy and the burghers of Winchester in 1901, William Langland discovered as a prophet of future Socialism, Chaucer at once venerated and tidied into New England respectability. Vikings, Normans and Saxons are claimed as forebears and disowned as losers in works as complex as Rider Haggard's Eric Brighteyes, at once neo-saga and anti-saga. Victorian melodramaprovides the clichés of "the bad baronet" who revives the droit de seigneur (but baronets are notoriously modern creations); and of the "bony grasping hand" of the Catholic Church and its canon lawyers (an image spread in ways eerily reminiscent of the modern "urban legend" in its Internet forms). Contributors: BRUCE BRASINGTON, WILLIAM CALIN, CARL HAMMER, JONA HAMMER, PAUL HARDWICK, NICKOLAS HAYDOCK, GWENDOLYN MORGAN, JOANNE PARKER, CLARE A. SIMMONS, WILLIAM F. WOODS. Professor TOM SHIPPEY teaches in the Department of English at the University of St Louis; Dr MARTIN ARNOLD teaches at University College, Scarborough.
Author : Mary Dockray-Miller
Publisher : Springer
Page : 160 pages
File Size : 43,38 MB
Release : 2017-11-13
Category : Literary Criticism
ISBN : 3319697064
This study, part of growing interest in the study of nineteenth-century medievalism and Anglo-Saxonism, closely examines the intersections of race, class, and gender in the teaching of Anglo-Saxon in the American women’s colleges before World War I, interrogating the ways that the positioning of Anglo-Saxon as the historical core of the collegiate English curriculum also silently perpetuated mythologies about Manifest Destiny, male superiority, and the primacy of northern European ancestry in United States culture at large. Analysis of college curricula and biographies of female professors demonstrates the ways that women used Anglo-Saxon as a means to professional opportunity and political expression, especially in the suffrage movement, even as that legitimacy and respectability was freighted with largely unarticulated assumptions of racist and sexist privilege. The study concludes by connecting this historical analysis with current charged discussions about the intersections of race, class, and gender on college campuses and throughout US culture.
Author :
Publisher : LSU Press
Page : 288 pages
File Size : 29,27 MB
Release :
Category :
ISBN : 9780807143230
Author : Chris Bishop
Publisher : Univ. Press of Mississippi
Page : 244 pages
File Size : 31,76 MB
Release : 2016-08-25
Category : Literary Criticism
ISBN : 1496808517
The comic book has become an essential icon of the American Century, an era defined by optimism in the face of change and by recognition of the intrinsic value of democracy and modernization. For many, the Middle Ages stand as an antithesis to these ideals, and yet medievalist comics have emerged and endured, even thrived alongside their superhero counterparts. Chris Bishop presents a reception history of medievalist comics, setting them against a greater backdrop of modern American history. From its genesis in the 1930s to the present, Bishop surveys the medievalist comic, its stories, characters, settings, and themes drawn from the European Middle Ages. Hal Foster's Prince Valiant emerged from an America at odds with monarchy, but still in love with King Arthur. Green Arrow remains the continuation of a long fascination with Robin Hood that has become as central to the American identity as it was to the British. The Mighty Thor reflects the legacy of Germanic migration into the United States. The rugged individualism of Conan the Barbarian owes more to the western cowboy than it does to the continental knight-errant. In the narrative of Red Sonja, we can trace a parallel history of feminism. Bishop regards these comics as not merely happenchance, but each success (Prince Valiant and The Mighty Thor) or failure (Beowulf: Dragon Slayer) as a result and an indicator of certain American preoccupations amid a larger cultural context. Intrinsically modernist paragons of pop-culture ephemera, American comics have ironically continued to engage with the European Middle Ages. Bishop illuminates some of the ways in which we use an imagined past to navigate the present and plots some possible futures as we valiantly shape a new century.
Author : Gillian R. Overing
Publisher : V&R Unipress
Page : 239 pages
File Size : 13,55 MB
Release : 2016-10-10
Category : History
ISBN : 3847006258
This volume offers a dialogue with and through the medieval informed by cultural categories of performativity and simultaneity in on-line media, architecture, film, poetry, and social formations. The articles depart from Medievalism Studies and attempt to answer questions such as: How do medievalists, artists, writers, and entertainment industries communicate, replicate, and evoke medieval formations? How do national and transnational discursive fields relate to understandings of the medieval in its many unstable states? Where are the communal memory sites and what functions do they serve for those who are associated with them? Where are the medieval disjunctions and conjunctions of race, ethnicity and time in a settler society? And what do place, nature, and landscape have to do with it?
Author : Elizabeth Nicole Emery
Publisher : Boydell & Brewer
Page : 297 pages
File Size : 16,95 MB
Release : 2014
Category : Social Science
ISBN : 1843843854
The discipline of medievalism has produced a great deal of scholarship acknowledging the "makers" of the Middle Ages: those who re-discovered the period from 500 to 1500 by engaging with its cultural works, seeking inspiration from them, or fantasizing about them. Yet such approaches - organized by time period, geography, or theme - often lack an overarching critical framework. This volume aims to provide such a framework, by calling into question the problematic yet commonly accepted vocabulary used in Medievalism Studies. The contributions, by leading scholars in the field, define and exemplify in a lively and accessible style the essential terms used when speaking of the later reception of medieval culture. The terms: Archive, Authenticity, Authority, Christianity, Co-disciplinarity, Continuity, Feast, Genealogy, Gesture, Gothic, Heresy, Humor, Lingua, Love, Memory, Middle, Modernity, Monument, Myth, Play, Presentism, Primitive, Purity, Reenactment, Resonance, Simulacrum, Spectacle, Transfer, Trauma, Troubadour Elizabeth Emery is Professor of French and Graduate Coordinator at Montclair State University (Montclair, NJ, USA); Richard Utz is Chair and Professor of Medievalism Studies in the School of Literature, Media, and Communication at Georgia Tech (Atlanta, GA, USA). Contributors: Nadia Altschul, Martin Arnold, Kathleen Biddick, William C. Calin, Martha Carlin, Pam Clements, Michael Cramer, Louise D'Arcens, Elizabeth Emery, Elizabeth Fay, Vincent Ferré, Matthew Fisher, Karl Fugelso, Jonathan Hsy, Amy S. Kaufman, Nadia Margolis, David Matthews, Lauryn S. Mayer, Brent Moberly, Kevin Moberly, Gwendolyn Morgan, Laura Morowitz, Kevin D. Murphy, Nils Holger Petersen, Lisa Reilly, Edward Risden, Carol L. Robinson, Juanita Feros Ruys, Tom Shippey, Clare A. Simmons, Zrinka Stahuljak, M. Jane Toswell, Richard Utz, Angela Jane Weisl.
