The Melting of the Golden Spoon


Book Description

Through my ability to listen I constantly hear how middle class people are disgusted with our society and wonder where it all went wrong. This book takes you through my own life experiences and stories of frustration I have encountered along the way. I translate throught the eyes of the common man how the country has digressed since 1969 the year I was brought into this world. The book depicts how things used to be compared to today and a few off the wall subjects we think about as well. It also expresses the opinions of the people about the state of our country and their anger toward corporate greed and our government. Like it or not I am getting it out there for everyone to hear. There are some touchy subjects that are considered taboo to speak about but I do believe we have freedom of speech don't we? Agree to disagree but everyone has an opinion that counts whether it be politically correct or not. I warn you my writings are not sugar coated and tell it like it is. I know everyone will be able to relate in some way and even crack a smile or shed a tear in between.




Teffy and the Golden Spoon


Book Description

What would you do to be yourself again? A shortage of spoons leaves Mrs. Nimfy no option but to place her oddest utensil on the dinner table for Teffys honorary feast. Teffy ends up being the one to use the spoon, which she learns has an ancient legend associated with it. Needless to say, she isnt surprised when she wakes up the following morning as a chicken instead of a gnome. It becomes necessary for her and her friends to race around the planet and against time to gather the needed ingredients to brew an antidote before it grows too late and Teffy is stranded a chicken, forever.




Old Silver Spoons of England


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Silver


Book Description

Describes the physical characteristics and properties of the element Silver.




Authentic Indians


Book Description

In this innovative history, Paige Raibmon examines the political ramifications of ideas about “real Indians.” Focusing on the Northwest Coast in the late nineteenth century and early twentieth, she describes how government officials, missionaries, anthropologists, reformers, settlers, and tourists developed definitions of Indian authenticity based on such binaries as Indian versus White, traditional versus modern, and uncivilized versus civilized. They recognized as authentic only those expressions of “Indianness” that conformed to their limited definitions and reflected their sense of colonial legitimacy and racial superiority. Raibmon shows that Whites and Aboriginals were collaborators—albeit unequal ones—in the politics of authenticity. Non-Aboriginal people employed definitions of Indian culture that limited Aboriginal claims to resources, land, and sovereignty, while Aboriginals utilized those same definitions to access the social, political, and economic means necessary for their survival under colonialism. Drawing on research in newspapers, magazines, agency and missionary records, memoirs, and diaries, Raibmon combines cultural and labor history. She looks at three historical episodes: the participation of a group of Kwakwaka’wakw from Vancouver in the 1893 World’s Columbian Exposition in Chicago; the work of migrant Aboriginal laborers in the hop fields of Puget Sound; and the legal efforts of Tlingit artist Rudolph Walton to have his mixed-race step-children admitted to the white public school in Sitka, Alaska. Together these episodes reveal the consequences of outsiders’ attempts to define authentic Aboriginal culture. Raibmon argues that Aboriginal culture is much more than the reproduction of rituals; it also lies in the means by which Aboriginal people generate new and meaningful ways of identifying their place in a changing modern environment.




Early Connecticut Silver, 1700–1840


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The preeminent study of Connecticut’s silvercraft, back in print with a new introduction




Archaeometallurgy in Global Perspective


Book Description

The study of ancient metals in their social and cultural contexts has been a topic of considerable interest in archaeology and ancient history for decades, partly due to the modern dependence on technology and man-made materials. The formal study of Archaeometallurgy began in the 1970s-1980s, and has seen a recent growth in techniques, data, and theoretical movements. This comprehensive sourcebook on Archaeometallurgy provides an overview of earlier research as well as a review of modern techniques, written in an approachable way. Covering an extensive range of archaeological time-periods and regions, this volume will be a valuable resource for those studying archaeology worldwide. It provides a clear, straightforward look at the available methodologies, including: • Smelting processes • Slag analysis • Technical Ceramics • Archaeology of Mining and Field Survey • Ethnoarchaeology • Chemical Analysis and Provenance Studies • Conservation Studies With chapters focused on most geographic regions of Archaeometallurgical inquiry, researchers will find practical applications for metallurgical techniques in any area of their study. Ben Roberts is a specialist in the early metallurgy and later prehistoric archaeology of Europe. He was the Curator of the European Copper and Bronze Age collections at the British Museum between 2007 and 2012 and is now a Lecturer in Prehistoric Europe in the Departm ent of Archaeology at the Durham University, UK. Chris Thornton is a specialist in the ancient metallurgy of the Middle East, combining anthropological theory with archaeometrical analysis to understand the development and diffusion of metallurgical technologies throughout Eurasia. He is currently a Consulting Scholar of the University of Pennsylvania Museum, where he received his PhD in 2009, and the Lead Program Officer of research grants at the National Geographic Society.







House Beautiful


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Official Journal


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