The Midwestern Novel


Book Description

With Huckleberry Finn, American fiction changed radically and shifted its setting to the middle of the country. A focus on social issues replaced the philosophic and psychological explorations that dominated the work of Melville and Hawthorne. Colloquial speech rather than elevated language articulated these fresh ideas, while common folk rather than dramatic characters like Ahab and Hester Prynne played central roles. This transformation of American literature has been largely ignored, while during the 130 years since Huckleberry Finn the Midwest has continued to produce writers whose work, like Twain's, addresses injustice by portraying the decency of ordinary people. Since the end of the 19th century, Midwestern authors have dismissed the elite and celebrated those whom the power structure typically excludes: children, women, African-Americans and the lower classes. Instead of wealth and power, this literature values authenticity and compassion. The book explores this literary tradition by examining the work of 30 Midwestern writers including F. Scott Fitzgerald, Willa Cather, Ernest Hemingway, Richard Wright, Saul Bellow, Toni Morrison, Jonathan Franzen, Jane Smiley and Louise Erdrich.




The Midwestern Ascendancy in American Writing


Book Description

For a half-century - from Edward Eggleston's pioneering novel The Hoosier Schoolmaster in 1871 through the dazzling early work of Hart Crane, F. Scott Fitzgerald, and Ernest Hemingway in the 1920s - Midwestern literature was at the center of American writing. In The Midwestern Ascendancy in American Writing, Ronald Weber illuminates the sense of lost promise that gives rise to the elegiac note struck in many Midwestern works; he also addresses the deeply divided feelings about the region revealed in the contrary desires to abandon and to celebrate. The period of Midwestern cultural ascendancy was a time of tremendous social and technological change. Midwestern writing was a reflection of these societal changes; it was American literature.




Dictionary of Midwestern Literature, Volume Two


Book Description

The Midwest has produced a robust literary heritage. Its authors have won half of the nation's Nobel Prizes for Literature plus a significant number of Pulitzer Prizes. This volume explores the rich racial, ethnic, and cultural diversity of the region. It also contains entries on 35 pivotal Midwestern literary works, literary genres, literary, cultural, historical, and social movements, state and city literatures, literary journals and magazines, as well as entries on science fiction, film, comic strips, graphic novels, and environmental writing. Prepared by a team of scholars, this second volume of the Dictionary of Midwestern Literature is a comprehensive resource that demonstrates the Midwest's continuing cultural vitality and the stature and distinctiveness of its literature.




The American Midwest


Book Description

This first-ever encyclopedia of the Midwest seeks to embrace this large and diverse area, to give it voice, and help define its distinctive character. Organized by topic, it encourages readers to reflect upon the region as a whole. Each section moves from the general to the specific, covering broad themes in longer introductory essays, filling in the details in the shorter entries that follow. There are portraits of each of the region's twelve states, followed by entries on society and culture, community and social life, economy and technology, and public life. The book offers a wealth of information about the region's surprising ethnic diversity -- a vast array of foods, languages, styles, religions, and customs -- plus well-informed essays on the region's history, culture and values, and conflicts. A site of ideas and innovations, reforms and revivals, and social and physical extremes, the Midwest emerges as a place of great complexity, signal importance, and continual fascination.




Dictionary of Midwestern Literature, Volume 1


Book Description

The Dictionary of Midwestern Literature, Volume One, surveys the lives and writings of nearly 400 Midwestern authors and identifies some of the most important criticism of their writings. The Dictionary is based on the belief that the literature of any region simultaneously captures the experience and influences the worldview of its people, reflecting as well as shaping the evolving sense of individual and collective identity, meaning, and values. Volume One presents individual lives and literary orientations and offers a broad survey of the Midwestern experience as expressed by its many diverse peoples over time.Philip A. Greasley's introduction fills in background information and describes the philosophy, focus, methodology, content, and layout of entries, as well as criteria for their inclusion. An extended lead-essay, "The Origins and Development of the Literature of the Midwest," by David D. Anderson, provides a historical, cultural, and literary context in which the lives and writings of individual authors can be considered.This volume is the first of an ambitious three-volume series sponsored by the Society for the Study of Midwestern Literature and created by its members. Volume Two will provide similar coverage of non-author entries, such as sites, centers, movements, influences, themes, and genres. Volume Three will be a literary history of the Midwest. One goal of the series is to build understanding of the nature, importance, and influence of Midwestern writers and literature. Another is to provide information on writers from the early years of the Midwestern experience, as well as those now emerging, who are typically absent from existing reference works.




The American Midwest in Film and Literature


Book Description

How do works from film and literature—Sister Carrie, Native Son, Meet Me in St. Louis, Halloween, and A History of Violence, for example—imagine, reify, and reproduce Midwestern identity? And what are the repercussions of such regional narratives and images circulating in American culture? In The American Midwest in Film and Literature: Nostalgia, Violence, and Regionalism, Adam R. Ochonicky provides a critical overview of the evolution, contestation, and fragmentation of the Midwest's symbolic and often contradictory meanings. Using the frontier writings of Frederick Jackson Turner as a starting point, this book establishes a succession of Midwestern filmic and literary texts stretching from the late-19th century through the beginning of the 21st century and argues that the manifold properties of nostalgia have continually transformed popular understandings and ideological uses of the Midwest's place-identity. Ochonicky identifies three primary modes of nostalgia at play across a set of textual objects: the projection of nostalgia onto physical landscapes and into the cultural sphere (nostalgic spatiality); nostalgia as a cultural force that regulates behaviors, identities, and appearances (nostalgic violence); and the progressive potential of nostalgia to generate an acknowledgment and possible rectification of ways in which the flawed past negatively affects the present (nostalgic atonement). While developing these new conceptions of nostalgia, Ochonicky reveals how an under-examined area of regional study has received critical attention throughout the histories of American film and literature, as well as in related materials and discourses. From the closing of the Western frontier to the polarized political and cultural climate of the 21st century, this book demonstrates how film and literature have been and continue to be vital forums for illuminating the complex interplay of regionalism and nostalgia.




Exploring the Midwestern Literary Imagination


Book Description

". . . Noe . . . manages to foreground the social construction of the subject she studies, and consequently the values of those who contribute to our understanding of that subject. . . ."CANADIAN REVIEW OF AMERICAN STUDIES




New Stories from the Midwest


Book Description

New Stories from the Midwest presents a collection of stories that celebrate an American region too often ignored in discussions about distinctive regional literature. The editors solicited nominations from more than 300 magazines, literary journals, and small presses and narrowed the selection to 19 authors. The stories, written by Midwestern writers or focusing on the Midwest, demonstrate that the quality of fiction from and about the heart of the country rivals that of any other region. Guest editor John McNally introduces the anthology, which features short fiction by Charles Baxter, Dan Chaon, Christopher Mohar, Rebecca Makkai, Lee Martin, and others.




The New Midwest


Book Description

In the public imagination, Midwestern literature has not evolved far beyond heartland laborers and hardscrabble immigrants of a century past. But as the region has changed, so, in many ways, has its fiction. In this book, the author explores how shifts in work, class, place, race, and culture has been reflected or ignored by novelists and short story writers. From Marilynne Robinson to Leon Forrest, Toni Morrison to Aleksandar Hemon, Bonnie Jo Campbell to Stewart O'Nan this book is a call to rethink the way we conceive Midwestern fiction, and one that is sure to prompt some new must-have additions to every reading list.




The Midwest Farmer’s Daughter


Book Description

From yesterday's gingham girls to today's Google-era Farmer Janes, The Midwest Farmer's Daughter explores the resurgent role played by female agriculturalists at a time when fully 30 percent of new farms in the US are woman-owned, but when, paradoxically, America's farm-reared daughters are conspicuously absent from popular film, television, and literature. In this first-of-its-kind treatment, Zachary Michael Jack follows the fascinating story of the girl who became a regional and national legend: from Donna Reed to Laura Ingalls Wilder, from Elly May Clampett to The Dukes of Hazzard's Catherine Bach, from Lawrence Welk's TV sweethearts to the tragic heroines of Jane Smiley's A Thousand Acres. From Amish farm women bloggers, to Missouri homesteaders and seed-savers, to rural Nebraskan graphic novelists and, ultimately, to the seven generations of entrepreneurial Iowan farm women who have animated his own family since before the Civil War, Jack shines new documentary light on the symbol of American virtue, energy, and ingenuity that rural writer Martha Foote Crow once described as the "great rural reserve of initiating force, sane judgment and spiritual drive." Packed with dozens of interviews, The Midwest Farmer's Daughter covers the history and the renaissance of agrarian women on both sides of the fence. Giving equal consideration to both agriculture's time-tested rural and small-town Farm Bureaus, 4-H, and FFA training grounds as well as to the eco-innovations generated by the region's rising woman-powered "agro-polises" such as Chicago, the author crafts a lively, easy-to-read cultural and social history, exploring the pioneering role today's female agriculturalists play in the emergence of farmers' markets, urban farms, community-supported agriculture, and the new "back-to-the-land" and "do-it-yourself" movements. For all those whose lives have been graced by the enduring strength of American farm women, The Midwest Farmer's Daughter offers a groundbreaking examination of a dynamic American icon.