The Miniatures in the Gospels of St Augustine


Book Description

Professor Wormald examines the origin and history of the manuscript of the Gospels and examines in detail the surviving work.







The Book of Cerne


Book Description

The ninth-century Book of Cerne offers a fascinating insight into Insular culture and is the only surviving illuminated manuscript that can be firmly attributed to the powerful Anglo-Saxon kingdom of Mercia.




The Haskins Society Journal 22


Book Description

The most up-to-date research in the period from the Anglo-Saxons to Angevins. This volume of the Haskins Society Journal continues its tradition of publishing the best historical and interdisciplinary research on the early and central middle ages in the Anglo-Saxon, Anglo-Norman, and Angevin worlds. The topics of the essays range from legal influences on Alfred's Mosaic Prologue, judicial processes in tenth-century Iberia, and the ecclesiology of the Norman Anonymous to the nature and implications of comital authority in the eleventh- and twelfth-century Anglo-Norman realm and conceptions of servitude in legal thinking in thirteenth-century Catalonia. The volume also embraces art history, with contributions on the medieval object as subject; the banquet scene in the Bayeux Tapestry; and there is a synoptic archeological exploration of early medieval Britain. Finally, an edition and translation of the De Abbatibus of Mont Saint-Michel makes available in complete and reliable form an important witness to this Norman monastery's medieval past. Contributors: Thomas Bisson, Charlotte Cartwright, Martin Carver, Kerrith Davies, Wendy Davies, Paul Freedman, James Ginther, Stefan Jurasinski, Elizabeth Carson Pastan.




Canones: The Art of Harmony


Book Description

The so-called ‘Canon Tables’ of the Christian Gospels are an absolutely remarkable feature of the early, late antique, and medieval Christian manuscript cultures of East and West, the invention of which is commonly attributed to Eusebius and dated to first decades of the fourth century AD. Intended to host a technical device for structuring, organizing, and navigating the Four Gospels united in a single codex – and, in doing so, building upon and bringing to completion previous endeavours – the Canon Tables were apparently from the beginning a highly complex combination of text, numbers and images, that became an integral and fixed part of all the manuscripts containing the Four Gospels as Sacred Scripture of the Christians and can be seen as exemplary for the formation, development and spreading of a specific Christian manuscript culture across East and West AD 300 and 800. In the footsteps of Carl Nordenfalk’s masterly publication of 1938 and few following contributions, this book offers an updated overview on the topic of ‘Canon Tables’ in a comparative perspective and with a precise look at their context of origin, their visual appearance, their meaning, function and their usage in different times, domains, and cultures.




Early Medieval Text and Image Volume 2


Book Description

When she died in 2016, Dr Jennifer O’Reilly left behind a body of published and unpublished work in three areas of medieval studies: the iconography of the Gospel Books produced in early medieval Ireland and Anglo-Saxon England; the writings of Bede and his older Irish contemporary, Adomnán of Iona; and the early lives of Thomas Becket. In these three areas she explored the connections between historical texts, artistic images and biblical exegesis. This volume brings together seventeen essays, published between 1984 and 2013, on the interplay of texts and images in medieval art. Most focus on the manuscript art of early medieval Ireland and England. The first section includes four studies of the Codex Amiatinus, produced in Northumbria in the monastic community of Bede. The second section contains seven essays on the iconography and text of the Book of Kells. In the third section there are five studies of Anglo-Saxon Art, examined in the context of the Benedictine Reform. A concluding essay, on the medieval iconography of the two trees in Eden, traces the development of a motif from Late Antiquity to the end of the Middle Ages.(CS1080)




Type and Archetype in Late Antique and Byzantine Art and Architecture


Book Description

This book presents new approaches to the study of typology in Late Antique and Byzantine art and architecture and highlights the importance of type and archetype in constructing architecture and image theories.







Anglo-Norman Studies XXII


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The Quedlinburg Itala


Book Description