The Museum of Whales You Will Never See


Book Description

“Filled with charming illustrations, this delightful book about Iceland’s 265 museums is as quirky and mesmerizing as the country’s dreamscape itself.” —Forbes Mythic creatures, natural wonders, and the mysterious human impulse to collect are on beguiling display in this poetic tribute to the museums of an otherworldly island nation, for readers of Atlas Obscura and fans of the Mütter Museum, the Morbid Anatomy Museum, and the Museum of Jurassic Technology. Iceland is home to only 330,000 people (roughly the population of Lexington, Kentucky) but more than 265 museums and public collections. They range from the intensely physical, like the Icelandic Phallological Museum, which collects the penises of every mammal known to exist in Iceland, to the vaporously metaphysical, like the Museum of Icelandic Sorcery and Witchcraft, which poses a particularly Icelandic problem: How to display what can't be seen? In The Museum of Whales You Will Never See, A. Kendra Greene is our wise and whimsical guide through this cabinet of curiosities, showing us, in dreamlike anecdotes and more than thirty charming illustrations, how a seemingly random assortment of objects--a stuffed whooper swan, a rubber boot, a shard of obsidian, a chastity belt for rams--can map a people's past and future, their fears and obsessions. "The world is chockablock with untold wonders," she writes, "there for the taking, ready to be uncovered at any moment, if only we keep our eyes open."




The Museum of Whales You Will Never See


Book Description

“Filled with charming illustrations, this delightful book about Iceland’s 265 museums is as quirky and mesmerizing as the country’s dreamscape itself.” —Forbes Mythic creatures, natural wonders, and the mysterious human impulse to collect are on beguiling display in this poetic tribute to the museums of an otherworldly island nation, for readers of Atlas Obscura and fans of the Mütter Museum, the Morbid Anatomy Museum, and the Museum of Jurassic Technology. Iceland is home to only 330,000 people (roughly the population of Lexington, Kentucky) but more than 265 museums and public collections. They range from the intensely physical, like the Icelandic Phallological Museum, which collects the penises of every mammal known to exist in Iceland, to the vaporously metaphysical, like the Museum of Icelandic Sorcery and Witchcraft, which poses a particularly Icelandic problem: How to display what can't be seen? In The Museum of Whales You Will Never See, A. Kendra Greene is our wise and whimsical guide through this cabinet of curiosities, showing us, in dreamlike anecdotes and more than thirty charming illustrations, how a seemingly random assortment of objects--a stuffed whooper swan, a rubber boot, a shard of obsidian, a chastity belt for rams--can map a people's past and future, their fears and obsessions. "The world is chockablock with untold wonders," she writes, "there for the taking, ready to be uncovered at any moment, if only we keep our eyes open."




Singing Whales and Flying Squid


Book Description

Two-thirds of this planet is covered by water inhabited by an incredible variety of living organisms, ranging in size from microbe to whale, and in abundance from scarce to uncountable. Whales and dolphins must surface to breathe, and some fishes occupy surface waters and can easily be seen from boats or shore, but most of the marine bio-profusion is hidden from human eyes, often under thousands of feet and millions of tons of water, which is usually cold, dark, and utterly inhospitable to humans. By definition, the study of marine life has been quantitatively and qualitatively different from the study of terrestrial life--it is, if you will, a different kettle of fish. What do we know today, how have we learned it, and what remains unknown and unknowable about inner space? Because there have been so few human visitors to the uninviting world of the deep sea, scientists have had to rely on trawled specimens, photographs taken by robotic cameras, or occasionally, observations from deep-diving submersibles, to get even the vaguest idea of the nature of life in the abyss. So far, even our most elaborate efforts to penetrate the blackness have produced only minimal results. It is as if someone lowered a collecting basket from a balloon high above the tropical rain forest floor, and tried to analyze the nature of life in the jungle from a couple of random hauls. The inner space of the deep offers the last frontier on the planet. Even now, we know more about the back side of the moon than we do about the bottom of the ocean, but then the surface of the moon is not hidden under miles of impenetrable water. But we do know that living in this inaccessible medium are some of the most fascinating creatures on Earth. An understanding of the interrelationships between various creatures-including the one predator that has the power to distort, damage, or even eliminate populations of marine animals-is necessary if we are to survive in harmony with these populations. Although new technologies have given us tools to better census the whales, dolphins, and fishes, and to see heretofore unexpected life and geological forms deep under the sea, we are a long way from comprehending the nature and importance of marine biodiversity. Singing Whales, Flying Squid, and Swimming Cucumbers is an attempt to put the search for knowledge into perspective-to try to find out how we got here, and where, with the help of curiosity, science, and technology, we might be headed. With this as our Baedeker, we will voyage through time and space, tracing the history of the discovery of marine biology, from the moment that the first scientists--although for the most part, "science" had barely been invented--tried to figure out what sorts of creatures lived in the Mediterranean, the sea right off their shores. So join Richard Ellis on an underwater adventure like no other you've ever taken or heard of: a voyage to discover the mysteries and reveal the wonders of marine life--more unusual and more astonishing than you--or anyone else--ever imagined.




Vagrants & Uncommon Visitors


Book Description

Literary Nonfiction. Museum Studies. VAGRANTS AND UNCOMMON VISITORS traces the origins, impact, and significance of a bird collection turned museum on the shores of Iceland's Lake M�vatn. The lake supports a eutrophic ecology that, among other things, gives life to an all-but-complete collection of Icelandic birds. The birds, or maybe their collection, give purpose to Sigurgeir, a native son who has been sighting birds and gathering eggs on the lakeside family farm since childhood. When Sigurgeir is killed in an accident on the lake, his family begins a decade-long struggle to make a museum. In this gorgeously illustrated, long-form lyric essay, VAGRANTS AND UNCOMMON VISITORS concerns itself with family, gender, and memorials as it examines the grief, natural history, and accomplishment of Sigurgeir's Bird Museum.




We Are All Whalers


Book Description

"Marine scientist Michael J. Moore says we are all whalers, but we don't have to be. Eating fish leads to North Atlantic right whales' entanglement and death. Buying goods made around the world requires global shipping routes, which do not accurately consider right whale breeding and feeding sites, leading to collision. To explain this, Moore conveys to readers scenes from over thirty years' worth of fieldwork, performing whale necropsies for animals stranded on beaches, working as an independent researcher alongside whalers using explosive harpoons, and tracking injured pregnant whales to deliver antibiotics. Despite these sometimes disturbing experiences, Moore has written a hopeful book. He uses these stories to show we can change and to tell us how; the technology for rope-less fishing and tracking whale migrations already exist to protect both right whales and the people who depend on shipping and fishing for their livelihoods"--




Fathoms


Book Description

Winner of the 2020 Andrew Carnegie Medal for Excellence in Nonfiction * Finalist for the 2020 Kirkus Prize for Nonfiction * Finalist for the PEN/E.O. Wilson Literary Science Writing Award A “delving, haunted, and poetic debut” (The New York Times Book Review) about the awe-inspiring lives of whales, revealing what they can teach us about ourselves, our planet, and our relationship with other species. When writer Rebecca Giggs encountered a humpback whale stranded on her local beachfront in Australia, she began to wonder how the lives of whales reflect the condition of our oceans. Fathoms: The World in the Whale is “a work of bright and careful genius” (Robert Moor, New York Times bestselling author of On Trails), one that blends natural history, philosophy, and science to explore: How do whales experience ecological change? How has whale culture been both understood and changed by human technology? What can observing whales teach us about the complexity, splendor, and fragility of life on earth? In Fathoms, we learn about whales so rare they have never been named, whale songs that sweep across hemispheres in annual waves of popularity, and whales that have modified the chemical composition of our planet’s atmosphere. We travel to Japan to board the ships that hunt whales and delve into the deepest seas to discover how plastic pollution pervades our earth’s undersea environment. With the immediacy of Rachel Carson and the lush prose of Annie Dillard, Giggs gives us a “masterly” (The New Yorker) exploration of the natural world even as she addresses what it means to write about nature at a time of environmental crisis. With depth and clarity, she outlines the challenges we face as we attempt to understand the perspectives of other living beings, and our own place on an evolving planet. Evocative and inspiring, Fathoms “immediately earns its place in the pantheon of classics of the new golden age of environmental writing” (Literary Hub).




Ice Whale


Book Description

From the most celebrated children’s nature writer of our time comes a posthumous new novel in the tradition of her Newbery award-winning Julie of the Wolves In 1848, a young boy witnesses a rare sight—the birth of a bowhead, or ice whale, he calls Siku. Years later, he unwittingly brings about the death of an entire pod of whales, and only Siku survives. For this act, the boy receives a curse of banishment. Through the generations, this curse is handed down: Siku returns year after year, in reality and dreams, to haunt the boy’s descendants. Told in alternating voices, both human and whale, Jean Craighead George’s last novel shows the interconnectedness of humankind and the animals they depend on. “It’s a bold, wistful, and heartfelt coda to a distinguished career.”—School Library Journal




Anatomy of a Museum


Book Description

Literary Nonfiction. Lyric Essay. Museum Studies. Travel Writing. ANATOMY OF A MUSEUM visits the Icelandic Phallological Museum in its final months under the direction of its original collector, to trace how what started as a gag gift evolved over decades into a museum known around the world. By its own estimation, the Icelandic Phallological Museum is the only institution in the world to seek a collection of phallic specimens from every mammal species in one country and since the recent demise of a human donor, the collection is now complete. But for all its originality, the IPM proves to be an illuminating part of both long-standing museum traditions and the particular bloom of Icelandic institutions since the 1990s, demonstrating the island's uncanny knack of turning private collections into public museums."




Fluke


Book Description

“Readers new to the work of Christopher Moore will want to know two things immediately. First: Where has this guy been hiding? (Answer: In plain sight, since he has a cult following.)...[H]e writes laid back fables straight out of Margaritaville, on the cusp of humor and science fiction.”—Janet Maslin, New York Times Whale researcher Nathan Quinn has a problem. It’s not a new problem; in fact, it’s been around for nearly 20 million years. And Nate’s spent most of his adult life working to solve it. You see, although everybody (well, almost everybody) knows that humpback whales sing (outside of human composition, the most complex songs on the planet) no one knows why. Nate, a Ph.D. in behavior biology, intends to discover the answer to this burning question—and soon. Every winter he and Clay Demolocus, his partner in the Maui Whale Research Foundation, ply the warm waters between the islands of Maui and Lanai, recording the eerily beautiful songs of the humpbacks and returning to their lab for electronic analysis. The trouble is, Nate’s beginning to wonder if he hasn’t spent just a little too much time in the sun. Either that, or he’s losing his mind. Because today, as he was shooting an I.D. photo of a humpback tail fluke, Nate could’ve sworn he saw the words “Bite Me” scrawled across the whale’s tail. . .




The Valley at the Centre of the World


Book Description

Longlisted for the Ondaatje Prize Shortlisted for the Highland Book Prize Shetland: a place of sheep and soil, of harsh weather, close ties and an age-old way of life. A place where David has lived all his life, like his father and grandfather before him. A place that Alice has fled to after the death of her husband. A place where Sandy, a newcomer but already a crofter, may have finally found a home. But times do change, and the valley that they all call home must change with them, or be forgotten. The debut novel from one of our most exciting new literary voices, The Valley at the Centre of the World is a story about community and isolation, about what is passed down, and what is lost between the cracks.