The Mystical Hymns of Orpheus


Book Description

In the Orphic rhapsodies, neglecting two principles, together with one who is delivered in silence, a third principle, posterior to the two, is established by the theology as the original; because this first of all possesses something effable and commensurate to human discourse. For in the former hypothesis, the highly reverenced and undecaying Time, the father of aether and chaos, was the principle: but in this Time is neglected, and the principle becomes a dragon. It likewise calls triple aether, moist; and chaos, infinite; and Erebus, cloudy and dark; delivering this second triad analogous to the first: this being potential, as that was paternal. Hence the third procession of this triad is dark Erebus: its paternal and summit aether, not according to a simple but intellectual subsistence: but its middle infinite chaos, considered as a progeny or procession, and among these parturient, because from these the third intelligible triad proceeds. What then is the third intelligible triad? I answer the egg; the dyad of the natures of male and female which it contains, and the multitude of all-various seeds, residing in the middle of this triad: And the third among these is an incorporeal God, bearing golden wings on his shoulders; but in his inward parts naturally possessing the heads of bulls, upon which heads a mighty dragon appears, invested with the all-various forms of wild beasts. This last then must be considered as the intellect of the triad; but the middle progeny, which are many as well as two, correspond to power, and the egg itself is the paternal principle of the third triad: but the third God of this third triad, this theology celebrates as Protogonus, and calls him Jupiter, the disposer of all things and of the whole world; and on this account denominates him Pan. And such is the information which this theology affords us, concerning the genealogy of the intelligible principles of things.










The Mystical Hymns of Orpheus


Book Description

This Is A New Release Of The Original 1824 Edition.




The Mystical Initiations


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The Mystical Hymns of Orpheus


Book Description

The present volume is a verbatim reproduction of Thomas Taylor's 2nd Edition of his Hymns of Orpheus. This 2nd edition (1824) represents Taylor's effort to significantly emend, alter and add to his 1st edition (1787). However, the former, superseded edition has been recirculated both online and in print in previous years, clearly in ignorance that a 2nd edition exists-an edition which in many ways renders the first obsolete. 37 years of study and translation work occurred between Taylor's 1st and 2nd editions, during which time he translated the complete works of Plato, the complete works of Aristotle, much of the work of Proclus, Iamblicus and others of the later Platonists, along with several other works of Greek philosophy. Thus the difference between the 1st and 2nd editions of this text is the difference between the work of a young, eager and gifted, but relatively new philosopher on the one hand, and the work of one of, if not the most knowledgeable English Platonists ever to have lived. For this reason alone, it is rather worthless to continue printing and circulating the 1787 edition; all such editions ought to be left to expire in favour of Taylor's own extensively revised 2nd Edition. Indeed, we can be confident in suggesting that Taylor would not have committed the time and energy required to produce his 2nd edition had he not himself recognized the need for significantly revising his first effort (a facsimile reprint would otherwise have sufficed). There are several changes between the 1st and 2nd editions: the numbering of the hymns, the introduction, notes, and significant changes to the translation itself. In the present volume, the formatting of the original has been changed in order to render the text more easily readable. The copious footnotes found in the original have been collected and placed in order at the end of the Hymns, allowing for a more easily readable layout for each individual hymn. In the margins we have added the pagination of the original edition, so that all references made to the original over the intervening centuries may be easily traced in the present volume, despite its altered pagination. Besides these changes, and minor changes in formatting style, the text has not been altered, except in cases where certain Greek characters were in need of modernization. "The Grecian theology, which originated from Orpheus, was not only promulgated by him, but also by Pythagoras and Plato; who, for their transcendent genius, will always be ranked by the intelligent among the prodigies of the human race. By the first of these illustrious men, however, it was promulgated mystically and symbolically; by the second, enigmatically, and through images; and scientifically by the third. That this theology, indeed, was derived from Orpheus is clearly testified by those two great philosophic luminaries Iamblichus and Proclus. From this golden chain of philosophers, as they have been justly called, my elucidations of the present mystic hymns are principally derived: for I know of no other genuine sources, if it be admitted (and it must by every intelligent reader), that the theology of Orpheus is the same as that of Pythagoras and Plato."-Thomas Taylor




The Magic of the Orphic Hymns


Book Description

Recaptures the magical vitality of the original Orphic Hymns • Presents literary translations of the teletai that restore important esoteric details and correspondences about the being or deity to which each hymn is addressed • Includes messages inscribed on golden leaves meant to be passports for the dead as well as a reinvention of a lost hymn to Number that preserves the original mystical intent of the teletai • Explores the obscure origins and the evolution of the Orpheus myth, revealing a profound influence on countercultures throughout Western history As famous Renaissance philosopher Marsilio Ficino wrote, “No magic is more powerful than that of the Orphic Hymns.” These legendary teletai of Orpheus were not simply “hymns”—they were initiatic poems for meditation and ritual, magical, and ceremonial use, each one addressed to a specific deity, such as Athena or Zeus, or a virtue, such as Love, Justice, and Equality. Yet despite the mystical concepts underlying them, the original hymns were formulaic, creating an obstacle for translators. Recapturing the magical vitality that inspired mystery cults through the ages, Tamra Lucid and Ronnie Pontiac present new versions of the teletai that include important esoteric details and correspondences about the being or deity to which each hymn is addressed. The authors also include a new version of a lost hymn called “Number” and messages that were inscribed on golden leaves meant to be passports for the dead, reinventions that preserve the original magical intent and mysticism of the teletai. Revealing the power of the individual hymns to attune the reader to the sacred presence of the Orphic Mysteries and the higher order of nature, the authors also show how, taken together, the Orphic Hymns are a book of hours or a calendar of life, addressing every event, from birth to death, and walking us through all the experiences of human existence as necessary and holy.