Hero and Leander


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The Myth of Hero and Leander


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Hero and Leander are the protagonists in a classical tale of epic but tragic love. Hero lives secluded in a tower on the European shore of the Hellespont, and Leander on the opposite side of the passage. Since they cannot hope to marry, the couple resolves to meet in secret: each night he swims across to her, guided by the light of her torch. But the time comes when a winter storm kills both the light and Leander. At dawn, Hero sees her lover's mangled body washed ashore, and so hurls herself from the tower to meet him in death. Silvia Montiglio here shows how and why this affecting story has proved to be one of the most popular and perennial mythologies in the history of the West. Discussing its singular drama, danger, pathos and eroticism, the author explores the origin of the legend and its rich and varied afterlives. She shows how it was used by Greek and Latin writers; how it developed in the Middle Ages - notably in the writings of Christine de Pizan - and Renaissance; how it inspired Byron to swim the Dardanelles; and how it has lived on in representations by artists including Rubens and Frederic Leighton.




The Reception of the Legend of Hero and Leander


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A study of the literary reception of the love-story of Hero and Leander and its popularity from classical times to the present in different genres, from epigram to epic, and including drama, opera, burlesques and modern experimental works.




Hero and Leander


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Hero and Leander by Christopher Marlowe. Hero and Leander is a poem by Christopher Marlowe that retells the Greek myth of Hero and Leander. After Marlowe's untimely death it was completed by George Chapman. The minor poet Henry Petowe published an alternative completion to the poem. The poem was first published posthumously, five years after Marlowe's demise. Hero and Leander is the Greek myth relating the story of Hero, a priestess of Aphrodite who dwelt in a tower in Sestos on the European side of the Hellespont (today's Dardanelles), and Leander, a young man from Abydos on the opposite side of the strait. Leander fell in love with Hero and would swim every night across the Hellespont to be with her. Hero would light a lamp at the top of her tower to guide his way. Succumbing to Leander's soft words and to his argument that Venus, as the goddess of love, would scorn the worship of a virgin, Hero allowed him to make love to her. These trysts lasted through the warm summer. But one stormy winter night, the waves tossed Leander in the sea and the breezes blew out Hero's light; Leander lost his way and was drowned. When Hero saw his dead body, she threw herself over the edge of the tower to her death to be with him.




Musaeus' Hero and Leander


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This book offers a new English translation of Musaeus' poem Hero and Leander, with the original Greek on the facing page, a substantial introduction and a detailed commentary. The tragic romance of Hero and Leander has had and still has a great appeal, inspiring countless writers, painters, sculptors, and musicians. The Introduction aims at situating the poem within its literary tradition and cultural context as well as at drawing its major themes and describing the salient features of its style. Because Hero and Leander enjoyed an immense and uninterrupted popularity, the Introduction also devotes a large section to the poem’s reception in literature, which crosses paths with the reception of the other main ancient poetic treatment of the legend, Ovid’s Heroides 18 and 19. The commentary, which follows the Greek text and its translation, is addressed to a variety of readers: the student and the scholar of Greek literature, as well as those of other literatures in which the poem has been inspirational. This work has no precedent in the English language. This new translation will be of interest to students and scholars of Greek and late antique literature, as well as those working on mythology and classical reception.




Hero and Leander


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Hero and Leander


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Renaissance Poetry and Prose


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A fresh and exciting approach to the poetry and prose of the Renaissance which discusses the best-known writers and poets of the age - Shakespeare, Milton, Spenser and Donne - alongside writers much newer to the canon, such as Mary Sidney, Anne Locke and Aemilia Lanyer. The cultural context of the period is covered extensively in chapters focusing on religion, exploration and gender, and relevant modern critical theory is integrated throughout.




Venus and Adonis


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Myth and History


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Considerable work has been done on the European exploration of myth, first in the Renaissance and then in the nineteenth century. This book covers an area that is new territory by looking at ways in which this work can contribute to an understanding of the primacy of myth in religious life. The authors examine the idea of 'mythistory' - the complex relationship in religions between myth and history - and explore the different ways in which religious storytelling is related to the particular enterprise of storytelling that is called history.