The Mythology of Eden


Book Description

Arthur and Elena George utilize new historical and archaeological discoveries to reveal how the author of the Eden story uses veiled symbolism and mythological storytelling to convey his message about the most profound questions of human existence regarding the divine, life, death, and immortality.




The Garden of Eden Myth


Book Description

Scholarly proposals are presented for the pre-biblical origin in Mesopotamian myths of the Garden of Eden story. Some Liberal PhD scholars (1854-2010) embracing an Anthropological viewpoint have proposed that the Hebrews have recast earlier motifs appearing in Mesopotamian myths. Eden's garden is understood to be a recast of the gods' city-gardens in the Sumerian Edin, the floodplain of Lower Mesopotamia. It is understood that the Hebrews in the book of Genesis are refuting the Mesopotamian account of why Man was created and his relationship with his Creators (the gods and goddesses). They deny that Man is a sinner and rebel because he was made in the image of gods and goddesses who were themselves sinners and rebels, who made man to be their agricultural slave to grow and harvest their food and feed it to them in temple sacrifices thereby ending the need of the gods to toil for their food in the city-gardens of Edin in ancient Sumer.




What Really Happened in the Garden of Eden?


Book Description

A provocative new interpretation of the Adam and Eve story from an expert in Biblical literature. The Garden of Eden story, one of the most famous narratives in Western history, is typically read as an ancient account of original sin and humanity’s fall from divine grace. In this highly innovative study, Ziony Zevit argues that this is not how ancient Israelites understood the early biblical text. Drawing on such diverse disciplines as biblical studies, geography, archaeology, mythology, anthropology, biology, poetics, law, linguistics, and literary theory, he clarifies the worldview of the ancient Israelite readers during the First Temple period and elucidates what the story likely meant in its original context. Most provocatively, he contends that our ideas about original sin are based upon misconceptions originating in the Second Temple period under the influence of Hellenism. He shows how, for ancient Israelites, the story was really about how humans achieved ethical discernment. He argues further that Adam was not made from dust and that Eve was not made from Adam’s rib. His study unsettles much of what has been taken for granted about the story for more than two millennia—and has far-reaching implications for both literary and theological interpreters. “Classical Hebrew in the hands of Ziony Zevit is like a cello in the hands of a master cellist. He knows all the hidden subtleties of the instrument, and he makes you hear them in this rendition of the profoundly simple story of Adam, Eve, the Serpent, and their Creator in the Garden of Eden. Zevit brings a great deal of other biblical learning to bear in a surprisingly light-hearted book.”―Jack Miles, author of God: A Biography




Leaves from the Garden of Eden


Book Description

In Leaves from the Garden of Eden, Howard Schwartz, a three-time winner of the National Jewish Book Award, has gathered together one hundred of the most astonishing and luminous stories from Jewish folk tradition. Just as Schwartz's award-winning book Tree of Souls collected the essential myths of Jewish tradition, Leaves from the Garden of Eden collects one hundred essential Jewish tales. As imaginative as the Arabian Nights, these stories invoke enchanted worlds, demonic realms, and mystical experiences. The four most popular types of Jewish tales are gathered here--fairy tales, folktales, supernatural tales, and mystical tales--taking readers on heavenly journeys, lifelong quests, and descents to the underworld. There is a dybbuk lurking in a well, a book that comes to life, and a world where Lilith, the Queen of Demons, seduces the unsuspecting. Here too are Jewish versions of many of the best-known tales, including "Cinderella," "Snow White," and "Rapunzel." Schwartz's retelling of one of these stories, "The Finger," inspired Tim Burton's film Corpse Bride.




Echoes of Eden


Book Description

From comic books to summer blockbusters, all people enjoy art in some form or another. However, few of us can effectively explain why certain books, movies, and songs resonate so profoundly within us. In Echoes of Eden, Jerram Barrs helps us identify the significance of artistic expression as it reflects the extraordinary creativity and unmatched beauty of the Creator God. Additionally, Barrs provides the key elements for evaluating and defining great art: (1) The glory of the original creation; (2) The tragedy of the curse of sin; (3) The hope of final redemption and renewal. These three qualifiers are then put to the test as Barrs investigates five of the world's most influential authors who serve as ideal case studies in the exploration of the foundations and significance of great art.




Eden in the East


Book Description

This book completetly changes the established and conventional view of prehistory by relocating the Lost Eden—the world's first civilisation—to Southeast Asia. At the end of the Ice Age, Southeast Asia formed a continent twice the size of India, which included Indochina, Malaysia, Indonesia, and Borneo. In Eden in the East, Stephen Oppenheimer puts forward the astonishing argument that here in southeast Asia—rather than in Mesopotamia where it is usually placed—was the lost civilization that fertilized the Great cultures of the Middle East 6,000 years ago. He produces evidence from ethnography, archaeology, oceanography, creation stories, myths, linguistics, and DNA analysis to argue that this founding civilization was destroyed by a catastrophic flood, caused by a rapid rise in the sea level at the end of the last ice age.




Athena and Eden


Book Description

Athena and Eden reveals the surprising identity of Athena and unlocks the long-hidden meaning of the sculptures which graced the east faade of her famous temple, the Parthenon. Greek myths tell us much about the sculptures, but the key to their correct interpretation lies elsewhere. The simple secret: Genesis and the Parthenon sculptures tell the same story from opposite viewpoints.




Remembering Eden


Book Description

In this book, Peter Thacher Lanfer seeks to evaluate texts that expand and explicitly interpret the expulsion narrative of Adam and Eve in Genesis beyond the biblical canon.




Eden in Egypt


Book Description

Why was the birth of a poor carpenter " in the first century AD attended by the Magi: the Persian king-makers? Why was Jesus later known as the King of the Jews "?Using many strands of contemporary evidence, Ralph Ellis has pieced together a historical jigsaw puzzle demonstrating that the biblical Jesus was directly descended from Cleopatra VII, the most famous queen of Egypt.But this is not all, for in piecing this story together it would seem that Jesus also had an aristocratic Roman and royal Persian ancestry too; and it is the latter bloodline element that explains the appearance of Persian Magi at his birth.




Eden


Book Description

Eden is the garden of happiness that humankind lost when Adam and Eve the first human couple, disobeyed the one true god, i.e., God, and ate the fruit of the forbidden tree. To this garden all humanity shall return if we accept God's love and follow God's law. It represents paradise in Abrahamic lore, which emerged over 4,000 years ago in the Middle East and has since spread to every corner of the world in three forms: Judaism, Christianity and Islam. Like the Ramayana and Mahabharata, Jewish, Christian and Islamic tales too are cultural memories and metaphors, i.e. mythologies. They seek to make life meaningful by establishing a worldview based on one God, one life, and one way of living based on God's message transmitted through many messengers. But these stories contrast Indian mythologies that are rooted in rebirth, where the world is without beginning or end, where there are infinite manifestations of the divine, both within and without, personal and impersonal, simultaneously monotheistic, polytheistic and atheistic. Eden explores the vast world of Abrahamic myths from a uniquely Indian prism, through storytelling that is intimate but not irreverent, and to introduce reader