The Neon Hollywood Cowboy


Book Description




Stardust Trail


Book Description

Against his better judgment, Hollywood-hating private investigator Nate Ross takes on a Tinseltown case in the spring of 1938. It sounds like a milk run: find an alcoholic screenwriter whose absence is stalling production on Republic Pictures' latest Western. But when the missing rummy turns up dead, and Nate learns that somebody's going to lethal lengths to keep Stardust Trail from being made, his simple case becomes far more complex, and deadly. He finds himself traveling in unfamiliar territory: the world of B-movie cowboys, and the lines between the "reel" West and the real West begin to blur as Nate wrangles a twisted case of murder and sabotage pointing back nearly forty years to a bloody, real-life "Wild West" crime.




Wyoming Cowboy Justice


Book Description

Welcome to Bent, Wyoming, where a family feud explodes into peril and passion. First in the Carsons & Delaneys series from the bestselling author. Resident bad boy and saloon owner Grady Carson knows his brother is not a murderer, and he’ll do anything to prove it. But partnering with Laurel Delaney? Worst idea ever. The beautiful by-the-book cop challenges him like no other. Bad family blood—and a killer at large—makes their attraction unthinkable. Dangerous. Reckless. How can they solve a crime to prevent a family war and then let forbidden love ignite it anew? “Nicole Helm has done a great job of writing three-dimensional characters who have the reader liking the good guys and not liking the bad guys. This is a super beginning to this series. I look forward to the next book.” —Harlequin Junkie




Metal Cowboy


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This heartwarming collection of true stories reveals the thrill and the freedom of traveling America's back roads on a bicycle, and the joy of discovering unforgettable characters along the way.From the moment he borrowed his big sister's banana-seat bike and careened down the neighborhood hill at the age of five, Joe Kurmaskie has known the intoxicating freedom and power of the bicycle. In this big-hearted collection of stories, Joe -- dubbed the Metal Cowboy by a blind rancher he encountered one icy morning in Idaho -- tells of his whimsical, wild adventures through the American landscape.




Grown Ocean


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"THIS WORLD IS CRUEL TO THOSE WHO INSIST UPON STAYING OPEN TO IT. MATT MITCHELL, THE POEMS IN GROWN OCEAN SHOW US AGAIN AND AGAIN, IS ONE SUCH SOUL- EVERYWHERE IS AN OCCASION FOR GRATITUDE AND AWE, FROM BUFFALO NICKELS TO COHABITATION TO MEAT LOAF TO ASTRONOMY TO COKE ZERO TO, YES, LOVE. AND THAT IS HARD, RETAINING SUCH A PERMEABILITY TO TENDERNESS IN A CULTURE, A NATION, THAT CONSPIRES SO RELENTLESSLY AGAINST IT. IT'S GOOD AND NOTABLE WORK, THE LOVING THESE POEMS TAKE UP. AND THEY'RE VERY GOOD POEMS." -KAVEH AKBAR, AUTHOR OF PILGRIM BELL Matt Mitchell is an intersex writer living in Columbus, Ohio. He wrote The Neon Hollywood Cowboy (Big Lucks, 2021) and tweets @matt_mitchell48.




Buster Midnight's Cafe


Book Description

May Anna Kovacks was discovered on the dustry streets of Butte, Montana and went on to become a Hollywood star. War, fame, marriage, love, and heartbreak came and went. What never changed was the bond she shared with her two best friends, Effa Commander and Whippy Bird. When scandal, murder, and betrayal made a legend of May Anna, only Effa and Whippy Bird could set the record straight.




Chokecherry (and Other Poems)


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In Chokecherry, Lyd Havens gathers their griefs: the sudden death of their uncle when they were a child, losing both of their grandparents in the span of a year, estrangement from a parent, and unrequited love, among others. What follows is a bouquet of visceral, unflinching poems that simultaneously lament and rejoice. Through memory and all its unreliability, the landscapes of their genealogy, and allusions to grief in history and art, Havens explores the toll mental illness and addiction have taken on their family, while still giving thanks for the love that has helped them not only survive, but live. Chokecherry is equal parts mourning and celebration, loss and growth, rage and tenderness.




Western Portraits of Great Character Actors


Book Description

The American West, as we know it, is defined by the movies, and the Western is the oldest film genre. When the movies were born, it was not that long after Promontory Point and the Civil War, so those memories were still there in the minds of the very first movie audiences as they watched The Great Train Robbery. And the myth-making is as important as the brutal truths of history. As the reporter tells Jimmy Stewart in Ford's The Man Who Shot Liberty Valance, "This is the West, sir. When the legend becomes fact, print the legend." Rendered in rare, evocative tones reminiscent of Edward Sheriff Curtis's immortal photographs, Western Portraits provides readers with a collection of stylized portraits that capture the allure and mystique of the Old West, complete with authentic costuming, weaponry and settings. From the epic feature film to the TV series and serial, this coffee table book will put the story of character actors and the significance of their memorable roles into an entertaining perspective. The subjects include such popular, recognizable actors as Karl Malden, David Carradine, Denver Pyle, R. G. Armstrong, L. Q. Jones, Horst Buchholz, Henry Silva, Ruta Lee, Morgan Woodward, Bo Hopkins, Clu Gulager and 72 others. The market for this book will include lovers of classic cinema, Western history aficionados, writers, scholars and collectors of nostalgia and fine art photography. It will awaken movie memories in people's hearts, introduce others to the amazing work of these acting artists and serve as a record of the best of the Hollywood Western. THE PHOTOGRAPHS: R. G. Armstrong, John Beck, Crispian Belfrage, Bruce Boxleitner, Tom Bower, Horst Buchholz, R. D. Call, John "Bud" Cardos, David Carradine, Robert Carradine, Johnny Crawford, Rick Dano, Michael Dante, Robert Davi, Bruce Davison, Lee de Broux, Fred Dryer, Robert Evans, Ed Faulkner, Al Fleming, Robert Forster, Rosemary Forsyth, Gray Frederickson, Max Gail, Bruce Glover, Billy Green Bush, Clu Gulager, Buddy Hackett, George Hamilton, Gregory Harrison, Richard Harrison, Richard Herd, Louis Herthum, Darby Hinton, Bo Hopkins, John Dennis Johnston, L. Q. Jones, Leon Isaac Kennedy, Terry Kiser, Jeff Kober, Paul Koslo, Marty Kove, Art LaFleur, Ruta Lee, Ken Luckey, Barbara Luna, Karl Malden, Ray "Boom Boom" Mancini, Monte Markham, Ken Medlock, Dick Miller, Chris Mulkey, Jan Murray, Louis Nye, Hugh O'Brian, Michael Par , Michael Parks, Denver Pyle, Richard Roundtree, Peter Mark Richman, Jorge Rivero, Stefanie Powers, Mitchell Ryan, John Savage, John Schneider, Jacqueline Scott, Henry Silva, Tom Sizemore, Paul L. Smith, William Smith, Phil Spangenberger, Bo Svenson, Tim Thomerson, Jan-Michael Vincent, Jesse Vint, Hunter von Leer, Kateri Walker, Fred "The Hammer" Williamson, Lana Wood, Robert Wood, Morgan Woodward, Rob Word, Harris Yulin; with photographs in book's back section of Steve Carver, C. Courtney Joyner, Robert Zinner, Danny Chuchian




The Western


Book Description

The Western introduces the novice to the pleasures and the meanings of the Western film, shares the excitement of the genre with the fan, addresses the suspicions of the cynic and develops the knowledge of the student. The Western is about the changing times of the Western, and about how it has been understood in film criticism. Until the 1980s, more Westerns were made than any other type of film. For fifty of those years, the genre was central to Hollywood's popularity and profitability. The Western explores the reasons for its success and its latter-day decline among film-makers and audiences alike. Part I charts the history of the Western film and its role in film studies. Part II traces the origins of the Western in nineteenth-century America, and in its literary, theatrical and visual imagining. This sets the scene to explore the many evolving forms in successive chapters on early silent Westerns, the series Western, the epic, the romance, the dystopian, the elegiac and, finally, the revisionist Western. The Western concludes with an extensive bibliography, filmography and select further reading. Over 200 Westerns are discussed, among them close accounts of classics such as Duel in the Sun, The Wild Bunch and Unforgiven, formative titles like John Ford's epic The Iron Horse, and early cowboy star William S. Hart's The Silent One together with less familiar titles that deserve wider recognition, including Comanche Station, Pursued and Ulzana's Raid.




Mom, Have You Seen My Leather Pants?


Book Description

At the height of the hair-metal craze, when the airwaves were dominated by ear-shredding guitar solos played by men clad in lace gloves, cowboy boots, and tight denim, when Aqua Net was more precious than gold, when MTV actually played music videos and not just shows like Pimp My Locker, a band named Onyxxx (one X wasn’t nearly enough) came close to making it big. What stopped Onyxxx from taking its place beside legendary bands like Poison, Guns N’ Roses, and Mötley Crüe? Sex, drugs, groupies, . . . and geometry homework. Craig Williams, Onyxxx’s red-haired, head-banging guitarist, tells his tale of near rock stardom in Mom, Have You Seen My Leather Pants? With a manager who was a dead ringer for Loni Anderson, club owners willing to offer sexual favors and limo rides, and scads of California girls lifting their shirts and screaming their names, Craig knew what it was to be a star—until he realized that Onyxxx wasn’t the second coming of Warrant. They just weren’t that good. And Craig wasn’t having fun anymore. A music memoir for any child of the 1980s and ’90s, a nostalgic trip down Sunset Strip, and a hilarious tribute to a musical era we can only hope will never have a resurgence, Mom, Have You Seen My Leather Pants? will give you an appetite for destruction.