The Netherlands East Indies at the Tropenmuseum


Book Description

In this volume the exhibition "Eastward Bound! Art, Culture and Colonialism" forms the background against which a variety of experts discuss the issue of the museums collection which, along with the history of the formation of the collection, forms a unique source of knowledge about the way in which the Dutch have handled issues surrounding colonialism and decolonization in the past centuries. A variety of objects, representative for the four phases in the colonial relations, from 1600, through the period of colonial expansion with Dutch administration, ethical politics and finally decolonization, are depicted.




Photographs of the Netherlands East Indies at the Tropenmuseum


Book Description

Photographs of the Netherlands East Indies at the Tropenmuseum offers a comprehensive introduction to one of the most important collections of colonial photography in the world. There is no other collection at the Tropenmuseum that is so closely tied to the history of the institute itself. Photographs were already being collected in the late 19th century and have been continuously supplemented with new images to create the broadest possible perspective of topical developments in the Netherlands East Indies. After Indonesia declared its independence in 1945, the importance of the collection of historic photographs declined and it was consigned to obscurity. Interest in the collection blossomed again later when a large group of people in the Netherlands came to view them as reflecting a lost and increasingly romanticised world. From the 1980s the collection became a source of historical information and the subject of wide-scale academic research. This publication provides insight into how attitudes toward the collection have changed over the past 150 years and the various ways in which they have been used by the Tropenmuseum and its predecessors.




Furniture from the Netherlands East Indies 1600-1900


Book Description

The Tropenmuseum of Amsterdam houses one of the largest and most important collections of furniture from the former Netherlands East Indies. This group of items has received very little scholarly attention, but holds important information about the domestic lives of the Dutch in the country s former trading posts and colonies. It is an important historical document of a scarcely detailed period of Dutch interior decoration in an alien environment. The Tropenmuseum initiated a four-year conservation project that led to important discoveries about the original appearance of these items discoveries that forced alteration of current views. Drawn from this project, this book discusses important aspects of social and domestic life in the former Netherlands East Indies and also gives a technical survey of the museum s significant collection of ebony furniture. A short catalog details highlights from the Tropenmuseum collection."




Postcolonial Netherlands


Book Description

"The Netherlands is home to one million citizens with roots in the former colonies Indonesia, Suriname and the Antilles. Entitlement to Dutch citizenship, pre-migration acculturation in Dutch language and culture as well as a strong rhetorical argument ('We are here because you were there') were strong assets of the first generation. This 'postcolonial bonus' indeed facilitated their integration. In the process, the initial distance to mainstream Dutch culture diminished. Postwar Dutch society went through serious transformations. Its once lily white population now includes two million non-Western migrants and the past decade witnessed heated debates about multiculturalism. The most important debates about the postcolonial migrant communities centeracknowledgmentgement and the inclusion of colonialism and its legacies in the national memorial culture. This resulted in state-sponsored gestures, ranging from financial compensation to monuments. The ensemble of such gestures reflect a guilt-ridden and inconsistent attempt to 'do justice' to the colonial past and to Dutch citizens with colonial roots. Postcolonial Netherlands is the first scholarly monograph to address these themes in an internationally comparative framework. Upon its publication in the Netherlands (2010) the book elicited much praise, but also serious objections to some of the author's theses, such as his prediction about the diminishing relevance of postcolonial roots"--Publisher's description.




Collectors Collected


Book Description

* Explains why batik is such a powerful reminder of times past* Showcases a new approach to collection history research In Collectors Collected, a picture of Dutch colonial culture is drawn with the help of batik. While the Tropenmuseum in Amsterdam was re-evaluating the history of its collections and objects, Daan van Darrel performed a pilot study on a selection from the museum s batik collection which resulted in a new approach to collection history research.Studying the social biographies of batik textiles and more specifically the collectors and then categorizing the results revealed the usefulness of gathering the different contexts that objects live in before they become musealized. Not only did the museum learn more about the actual people behind the objects and about the different meanings attributed to the objects during their lifetimes, but it also became aware of the very important role batik once played in the colonial socio-cultural environment and continues to play among descendants of the participants in that society."




Batik


Book Description

From about 1840 onwards, batiks found their way from what was called the Netherlands East Indies, then under Dutch colonial rule, to the Netherlands, where they were kept in private and public collections. Owing to Holland's great interest in Batik, Amsterdam's Tropenmuseum now owns a collection of over 3000 pieces. Many represent the major batik centres that emerged on Java, Madura and Sumatra. Batiks tell the stories of their maker, their wearers and eventual collectors. By studying the history of individual pieces from their creation to their arrival in the Tropenmuseum, we can relate them to their shared history. Batik became a product of intercultural contact in a society where different ethnic groups lived next to or with each other. This book focuses on this communication, on batiks as visual witnesses of cultural encounter within the East but also between the East and the West. This book will appeal to anyone interested in Indonesian arts and textiles. It is a rich source of study for scholars interested in the art of batik and the society in which it developed to its high level of perfection.




Museum Transformations


Book Description

MUSEUM TRANSFORMATIONS DECOLONIZATION AND DEMOCRATIZATION Edited By ANNIE E. COOMBES AND RUTH B. PHILLIPS Museum Transformations: Decolonization and Democratization addresses contemporary approaches to decolonization, greater democratization, and revisionist narratives in museum exhibition and program development around the world. The text explores how museums of art, history, and ethnography responded to deconstructive critiques from activists and poststructuralist and postcolonial theorists, and provided models for change to other types of museums and heritage sites. The volume's first set of essays discuss the role of the museum in the narration of difficult histories, and how altering the social attitudes and political structures that enable oppression requires the recognition of past histories of political and racial oppression and colonization in museums. Subsequent essays consider the museum's new roles in social action and discuss experimental projects that work to change power dynamics within institutions and leverage digital technology and new media.




Revolusi!


Book Description

Revolusi! is the book accompanying the Rijksmuseum exhibition, in which the Indonesian struggle for independence is followed through the eyes of the people who were there. ‘Revolusi!’ explores the history of the Indonesian struggle for independence between 1945 and 1949. Central to this are the fighters, artists, diplomats, politicians, journalists, men, women and children who experienced the revolution first hand. Dutch and Indonesian authors show how the ideal of a free Indonesia was fervently pursued; how it was fought over, how negotiations took place, how propaganda was carried out and how the revolution changed people’s lives. In this way ‘Revolusi!’ presents a range of personal and collective experiences, told from multiple points of view: from Indonesian and Dutch perspectives as well as those of the groups and individuals in between, with an eye towards the international power arena. It is published in collaboration with the Rijksmuseum. The contemporary works of art, historical objects, propaganda posters, films, photographs and archival documents that accompany these stories testify to a turbulent past.




Oceania at the Tropenmuseum


Book Description

Oceania at the Tropenmuseum is not in the first place a book on art from Oceania, but rather a treatise on the coming into existence and growth of a well-known Oceanic collection, which started at the beginning of the 20th century with the bringing together of the collections of the Colonial Museum in the Dutch provincial town of Haarlem and the ethnographic collection of Artis, the Amsterdam Zoo. The objects were, then and later on, brought together by early explorers, travellers, scientific expeditions, missionaries, Dutch government officials, ethnologists and collectors, most of them within the context of Dutch colonial presence in New Guinea, from where the majority of objects originate. During the last hundred years the intellectual approach to the collection changed from evidences of cultures in far-away places to the cultural heritage of world citizens, whose objects of art and material culture has been amassed during the colonial period of Western history. This richly illustrated book emphasizes this historical context and the way the objects were collected and presented to the public until today.




Anthropological Resources


Book Description

This work provides access to information on the rich and often little known legacy of anthropological scholarship preserved in a diversity of archives, libraries and museums. Selected anthropological manuscripts, papers, fieldnotes, site reports, photographs and sound recordings in more than 150 repositories are described. Coverage of resources in North American repositories is extensive while Great Britain, France, the Netherlands, Australia and certain other countries are more selectively represented. Entries are arranged by repository location and most contributors draw upon a special knowledge of the resources described. Contributors include James R. Glenn (National Anthropological Archives), Elizabeth Edwards and Veronica Lawrence (Pitt Rivers Museum, University of Oxford), Francisco Demetrio, S.J. (Museum and Archives, Xavier University, Philippines) and many others. The guide covers selected documentation in social and cultural anthropology, physical anthropology, archaeology and folklore. Some major area studies collections (such as the Asia Collections, Cornell University Libraries, and the Melanesian Archive at the University of California, San Diego) are also represented. Web URLs have been cited when available and personal, and ethnic name indexes are provided.